Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1135236 By Susan C Smith. By Randy Haines and Susan C Smith. Arranged by Susan C Smith. A Cappella,Contemporary,Rock,Thriller. Octavo. 18 pages. Susan C Smith at Dusty Guitar Music, LLC #735278. Published by Susan C Smith at Dusty Guitar Music, LLC (A0.1135236). SSAA plus Solo and Small Group, with some Divisi, this piece is a vocal texture. Originally written as a guitar accompaniment for lead improvised solo guitar; this piece is featured on The Mad Poet's album FINITE REALITY. You can hear the original piece here: https://youtu.be/pNtX96eAwDI The small group takes the place of the lead guitar, while the other vocals pick up the other guitars and bass. ASCAP, all ages, intermediate.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1295449 By Boz Scaggs. By Boz Scaggs and David Paich. Arranged by Jeff Tincher. Contemporary,Pop,Rock,Singer/Songwriter. 11 pages. Jeff Tincher #885732. Published by Jeff Tincher (A0.1295449). Here is a great song from one of the pop kings of the 70s. In the original key from Boz Scaggs' Silk Degrees LP, this song was a single from the album. This arrangement proves that it's still a staple of his live concerts with the live ending from his 2023 concert at TPAC. Duration = 3:17. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856204 By Justin Timberlake. By Justin Timberlake, Scott Storch, Timothy Mosely, and Timothy Mosley. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4301725. Published by Liz Garnett (A0.856204). From Justin Timberlake's album Justified, this song makes an obvious reference to the 1950s ballad of the same title. Whilst it contains a similar emotional theme, the narrative that unfolds is quite different, as are the musical gestures of popular music 50 years on from the older song. The arrangement borrows a lot of the motifs from Timberlake's recording and weaves them into a texture that develops in complexity until the very end where it dissolves back into nothing.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: C4 - G5Lead: G3 - C5Bari: C4 - B flat4Bass: F3 - F4www.HelpingYouHarmonise.com

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1364070 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Meg Roz. 21st Century,A Cappella,Contemporary,Pop. 10 pages. Meg Roz #948376. Published by Meg Roz (A0.1364070). SSAA arrangement of My Future from Billie Eilish's album Happier Than Ever (2021).

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856175 By Christina Aguilera. By Christina Aguilera and Linda Perry. Arranged by Liz Garnett. Contemporary,Dance,Pop. Octavo. 9 pages. Liz Garnett #3916657. Published by Liz Garnett (A0.856175). This song was the third single released from Christina Aguilera's album Back to Basics, and earned her a Grammy nomination for Best Female Vocalist performance. The song harks back to the Andrews Sisters in texture and feel, though both the sexualised lyrics and the vocal licks give it a more modern feel. The arrangement was commissioned by Eu4ia for the Barbershop in Harmony show at the London Palladium in September 2009, and comes with both the original lyrics and G-rated alternatives.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E#4 - A5Lead: A3 - D5Bari: A3 - C5Bass: D3 - A4www.HelpingYouHarmonise.com

Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1426806 By Beyonce. By (Beyonce Knowles), (Megan Bulow), Beyoncé Knowles, Brian Bates, Elizabeth Boland, Megan Bülow, Nathan Ferraro, and Raphael Saadiq. Arranged by Liz Garnett. 21st Century,A Cappella,Barbershop,Country. 12 pages. Liz Garnett #1007510. Published by Liz Garnett (A0.1426806). This co-lead single from Beyonce's album Cowboy Carter heralded that extended exploration of her roots in Country music with a catchy toe-tapper that appealed to mainstream audiences while remaining true to the Country genre. It was the first single by a Black woman to reach number 1 in the Country charts.As with the original song, the complexities in the arrangement are textural and rhythmic rather than harmonic. The lines themselves are all relatively simple, but you need to stay alert to coordinate them effectively. Sparkling interchange between the parts creates a playful atmosphere for audiences as well as plentiful opportunities for the singers to have fun.This arrangement is notated on four staves, using treble and bass alta (sounding one octave higher than written) clefs.Vocal Ranges:Tenor: D4 - F#5Lead: G3 - D5Bari: A3 - B4Bass: D3 -G4www.HelpingYouHarmonise.com

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.512661 By N Sync. Arranged by Theodore Hicks. Pop. Octavo. 7 pages. Theo Hicks Music #4967597. Published by Theo Hicks Music (A0.512661). A beautiful love song made famous by *NSYNC, this new arrangement was premiered by the Barbershop Harmony Society's 2018 Next Generation Varsity Youth Quartet Champions, Frontier. This piece works well for small ensemble (quartet minimum) or a large choir.This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.Voicings available: TTBB, SSAAFor more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/For more information on Frontier Quartet or purchasing their albums, visit https://www.frontierquartet.com/

Choral Choir,Choral,SSAA Chorus - Digital Download SKU: A0.1407111 By Billy Joel. By Billy Joel. Arranged by Brandon C Stanley. 21st Century,A Cappella,Barbershop,Broadway,Musical/Show,Rock. 15 pages. Brandon C Stanley #989780. Published by Brandon C Stanley (A0.1407111). In 1983 Billy Joel released his 9th studio album, “An Innocent Man�. This concept album pays tribute to the popular music of Joel’s teenage years in the 50’s and 60’s. Side One, Track #3 of that album is “The Longest Time�, which pays homage to doo-wop groups such as The Teenagers. This song has become a time-less classic sung by barbershop quartets around the world.Duration: 4 minutesThis arrangement for beautyshop quartet matches the original piece in length. It has been transposed up to C Major to better suit a female ensemble. Note that if no bass guitar is present, the Bass 2 (opt.) part can be sung in it’s place.ARRANGEMENT:Tenor 1 (Soprano)Tenor 2 (Soprano)LEAD (Soloist)Baritone (Alto)Bass (Alto)Bass 2 (optional) (Alto)Bass GuitarWHAT IS INCLUDED:Score (in C)ChoirBass Guitar**Note that the recording is a barbershop quartet (male) that has been pitched up to the key of C Major. A beautyshop quartet will most certaintly not sound like this in timbre. 

Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1267123 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Rock,Standards. 18 pages. MTC Publishing #859757. Published by MTC Publishing (A0.1267123). You Took The Words Right Out Of My Mouth - Choral Arrangement for SSAA and Piano by Michael Thomas Coull.You Took the Words Right Out of My Mouth (also known as You Took the Words Right Out of My Mouth (Hot Summer Night)) is the first solo single by the American singer Meat Loaf, released in 1977.  It is a track from his album Bat Out of Hell, written by Jim Steinman. According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loaf’s words, a ‘pop song’.  His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together.  The song was the first single released from the album, with an edit of For Crying Out Loud as the B-side.  The record peaked at No. 73 in the Record World singles chart, and didn't appear at all in Billboard Hot 100.  Billboard reviewed the single, finding the guitar introduction to be energetic, the beat to be ‘catchy’ and the vocal performance to be somewhat similar to Bruce Springsteen.  Billboard also commented on how occasional pauses in the instruments allow the ‘infectious’ vocals to be highlighted.   Following the success of the next two singles, Two Out of Three Ain't Bad and Paradise by the Dashboard Light, the song was re-released in October 1978 with Paradise as the B-side.  This issue peaked at No. 39 on the Billboard Hot 100 chart, over a year after the first release of the song.This exciting and energetic choral arrangement is voiced for SSAA women's choir with piano accompaniment, and will lend a touch of contemporary pop/rock to your next concert.Also available for SATB.

Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1416963 By Janelle Monae. By Charles D. Joseph Ii, Janelle Monae Robinson, Jon Webb, Kellis Earl Parker Jr., and Nathaniel Irvin III. Arranged by Alison Dozier. A Cappella. 11 pages. A.N.D. #998552. Published by A.N.D. (A0.1416963). This treble a cappella arrangement of the last song on Janelle Monae's Dirty Computer album embraces the duality of loving our country and critiquing it's injustices. The arrangement was created for an LGBTQ+ ensemble and seeks to challenge mysogyny and racism. Woven into the original song are themes from America the Beautiful set in a minor key to evoke the imperfection of a nation and it's citizens that continue to strive for equity. Nods to his purple majesty are included to honor his collaboration on the album.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856202 By Sting. By Sting. Arranged by Liz Garnett. Contemporary,Pop. Octavo. 5 pages. Liz Garnett #4291809. Published by Liz Garnett (A0.856202). This song was written and originally performed by Sting, appearing first on his album Ten Summoner's Tales, then as the title track to his first compilation album. The arrangement is also informed by Eva Cassidy's evocative performance of it. There is both warmth and wistfulness in the folk-like melody, and the lyrics invoke wide-open spaces of barley-fields and limitless skies.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - F5Lead: B flat3 - D5Bari: B flat 3 - B flat 4Bass: D flat 3 - E flat 4www.HelpingYouHarmonise.com

Voice (SSAA) - Level 2 - Digital Download SKU: A0.1283574 By Don McLean. By Don McLean. Arranged by Marcia Davis. 20th Century,A Cappella,Barbershop,Romantic Period. Barbershop Quartet. 4 pages. Marcia Davis #874764. Published by Marcia Davis (A0.1283574). Women's SSAA barbershop acapella arrangement.  Bass Clef to be sung one octave above what's written.  Don Mclean wrote this song for Fred Astaire who recorded this on his last album. Sweet nostalgic song that Don Mclean also recorded on his Homeless Brother album.

Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1490354 Composed by Kira Zeeman Rugen. 21st Century,Contemporary,Pop. 14 pages. Self Publishing #1056134. Published by Self Publishing (A0.1490354). I Live for Joy - SSAA Piano, BassWords and Music by Kira Zeeman RugenCommissioned for the WACDA conference performance by Arizona composer Kira Zeeman Rugen, I Live for Joy was performed by Ad Astra - Chandler Children's Chorus, directed by Aimee Stewart. As said by the group of their new favorite piece: The more we sing it, the more nuance we find in the music and lyrics, which were written by Dr. Rugen during the pandemic about her family, friends, and experiences. Reflecting on pain and tragedy, yet choosing joy and finding rebirth is the message we want to share. Fresh, thought-provoking, and endlessly appealing, we've chosen to end our set with joy!*This piece originally comes from an album by Kira Zeeman Rugen called Sanctuary. Each piece on the album sets the listener on a journey from darkness into light.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.774737 By Rebecca St. James. By Andy Quanta, Chris Thompson, Keith Reid, and Maggie Ryder. Arranged by Sandra Milliken. Christian,Gospel. Octavo. 16 pages. Sandra Milliken #4408390. Published by Sandra Milliken (A0.774737). You’re the Voice is a powerful protest song written by Andy Qunta, Keith Reid, Chris Thompson and Maggie Ryder, and recorded by the very popular Australian singer John Farnham for his album Whispering Jack in 1986.The song was one of the biggest hits of 1986 in Australia, topping the singles chart for seven weeks. In 1987 it was awarded the ARIA Award for Single of the Year. It was also one of Farnham’s biggest successes in Europe, charting at No. 1 in Germany and Sweden and reaching the Top 10 in Austria, Ireland, Switzerland and the UK.The song’s main message is an empowering one, encouraging people everywhere to take a stand against corruption and to make their voices heard. To wake up to your own power. It can also be described it as an anti-war song, since it was released in the mid-80s, during the height of the Cold War.Farnham’s version of You’re the Voice contains one of the most famous bagpipe solos ever recorded. It was played by a group of four pipers. If you have a bagpipe soloist/s available, tacet the choir in the bagpipe section (from measure 59) to get the full effect!The SATB arrangement provides scope for a massed choir situation: have a children’s choir sing the Soprano or Soprano and Alto parts in the section beginning at measure 84, with the semi chorus being a group of 3 or more strong singers, ensuring an appropriate balance between the solo, semi-chorus and full choir.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.507005 By Paula Cole. By Paula Cole. Arranged by David M. Hoyle. 20th Century,Classical,New Age,Pop,Rock. Octavo. 11 pages. Lindley Studios #117417. Published by Lindley Studios (A0.507005). Arrangement of The Ladder for 4-part women's choir: SSAA and piano/keyboard. The lyrics are in a confessional style, while there's a theme of self-determination in the metaphorical ladder of the refrain... The song features on Paula Cole's debut album Harbinger (1994) and runs the gamut of emotions from the urgent, unaccompanied opening strains and melancholy of the verses – to the striving, optimistic, melodic refrain and the joyous climax with divided voices. The original main vocal melody is given to the first sopranos, with the rest of the choir offering a gentle, rhythmicised ah accompaniment in the verses. The crunchy chords and occasional dissonances of the original are dramatised and intensified by the live choral setting. The piano part often operates independently, providing harmonic and rhythmic support and a robust bass in louder passages. No sheet music was originally issued with the song – perhaps because of the richly detailed texture of the women's backing voices – and this arrangement by David M. Hoyle represents the first commercially-available transcription/arrangement.