SSAA choir (a cappella) - Digital Download SKU: MQ.2549-E Composed by Randall Thompson. 9 pages. E. C. Schirmer Music Company - Digital #2549-E. Published by E. C. Schirmer Music Company - Digital (MQ.2549-E). A tour-de-force for SSAA chorus, unaccompanied. For today’s singers and audiences, the text is as tongue-in-cheek as they come. Yet it was written in a leaflet issued by the National Women’s Christian Temperance Union and was intended to be quite, quite serious! Apples and grapes are God’s bottles! “Some men take the juice of apples and grapes and make drinks that will harm our bodies!� But “We will drink from GOD’S BOTTLES.� A fun exercise in precise ensemble techniques with changing tempi, articulations, and dynamics.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1213616 By Crowded House. By Neil Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Contemporary,Pop. 8 pages. Rowena Harper #810810. Published by Rowena Harper (A0.1213616). This arrangement is inspired by Stan Walker's very special rendition of this classic Crowded House song.  You can hear the accoustic guitar rhythms and the rich harmonies of Stan's backup singers replicated in this arrangement, as well as Te Reo Maori - a welcome twist to the original song, now arranged in a barbershop / a cappella style.Range (Lowest-Highest): Bass D3-F#4 (with alternative options for higher basses - E4 lowest), Baritone B3-C#5, Lead C#4-C#5, Tenor G4-E5. Key = A.This is a a per copy price - minimum 10 copies. Also available as a set of parts (four copies).  Purchasing allows printing of one copy, and one copy per singer is required. (Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef, Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written. Please contact the arranger if you require a strict SSAA format.) Contact: acappellatenor@gmail.com

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1099570 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Chris Arnold. A Cappella,Barbershop,Film/TV,Jazz,Standards. Octavo. 5 pages. Chris Arnold #703459. Published by Chris Arnold (A0.1099570). Featured in the classic movie Sleepless In Seattle, this is arranged to bring Louis Armstrong's incomparable style to women's a cappella. Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff. This arrangement would also be suitable for SSAA high-school/college ensembles. $1.99 US per copy, suitable for choruses and choirs. For quartets, look for the same title available under small ensembles. Visit us at https://qsvp.com if you have any questions or are looking for learning tracks.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.849287 Arranged by Sarah Jaysmith. A Cappella,Celtic,Contemporary,Folk. Octavo. 8 pages. Sarah Jaysmith #4607681. Published by Sarah Jaysmith (A0.849287). This is a lush and interesting arrangement of this beautiful Irish folk song for women's choir or quartet. The range and phrasing allow the full warmth and richness of women's voices to shine. Although it is an old folk song, the harmonies and changing time signatures give it a contemporary feel - it is beautiful to sing and to hear! The duration is c. 3 minutes, and this recording is from a reading session by Elektra Women's Choir in Vancouver (the piece is a cappella but you can hear a rehearsal pianist in the recording).Sarah Jaysmith has been arranging and composing choral music for many years. Find her at www.sarahjaysmith.com

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).

Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.820835 By The Cookie Monster. By Joe Raposo. Arranged by Jay Dougherty. A Cappella,Barbershop,Children,Film/TV. Octavo. 3 pages. Jay Dougherty #426790. Published by Jay Dougherty (A0.820835). This arrangement of Cookie Monster's beloved song, C is for Cookie, is written for SSAA/treble voices in the a cappella barbershop style. It's the perfect song for any quartet or chorus looking for a fun addition to their show repertoire! Audiences are sure to love this jovial crowd-pleaser. Its simple and repetitive nature will make for a very quick learn! Note: there are also TTBB and SATB versions available. Be sure to search for those if you're looking for alternate voicing.NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: www.jmdougherty.comFor more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.727008 By Jim Croce. By Jim Croce. Arranged by Kay Bromert. A Cappella,Rock. Octavo. 5 pages. Kay Bromert #4298541. Published by Kay Bromert (A0.727008). Jim Croce's beautiful love song, SSAA, A Cappella, barbershop style arrangement, arranged in C minor and switches to C Major and back again, key change to D minor, lead solo on first verse, 5 pages.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.836087 Composed by words: William Blake, music: C.Hubert H Parry. Arranged by Fran Carter. 20th Century,A Cappella,Contemporary,Graduation,Wedding,World. Octavo. 5 pages. Fran Carter #3544335. Published by fran Carter (A0.836087). This is an a cappella arrangement for women's voices - pretty high for soprano 1 and low for alto 2. This was first sung by the suffragettes in England when marching for the right to vote 100 years ago and is now popular for weddings and official occasions. The first verse of the original arrangement was intended for a single voice, so this arrangement starts with an option of a single voice on each part, building up to the whole group. . Teach tracks are available  from HBteachtracks.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.727004 By Pentatonix. By Kevin Olusola and Scott Hoying. Arranged by Kay Bromert. A Cappella,Contemporary. Octavo. 5 pages. Kay Bromert #4298405. Published by Kay Bromert (A0.727004). Beautiful Christmas song done by Pentatonix, lower voice solo in one section, arranged in C Major with key change to F Major, SSAA, A Cappella, barbershop style arrangement, 5 pages.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.773202 By Bob Dylan. By Bob Dylan. Arranged by Kay Bromert. A Cappella,Contemporary,Folk. Octavo. 6 pages. Kay Bromert #380844. Published by Kay Bromert (A0.773202). Bob Dylan's iconic folk song, SSAA, A Cappella, barbershop style arrangement for chorus, arranged in C Major with key changes to F Major and D Major, tenor melody on second verse, 6 pages.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.874619 By Peggy Lee. By Dave Barbour and Peggy Lee. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. Chris Arnold #4285677. Published by Chris Arnold (A0.874619). This is a great opening song for show package: can be sung fully or there are edits suggested if you want a quick hit opener.Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.874621 By Peggy Lee. By Dave Barbour and Peggy Lee. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. Chris Arnold #4285679. Published by Chris Arnold (A0.874621). This is a great opening song for show package: can be sung fully or there are edits suggested if you want a quick hit opener.Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1238940 Composed by George Gershwin and Ira Gershwin. Arranged by Anastasio Rossi. A Cappella,Barbershop,Broadway,Musical/Show,Standards. 4 pages. Anastasio Rossi #834330. Published by Anastasio Rossi (A0.1238940). One of Gershwin's most popular love ballads. Arranged for Female Barbershop Chorus or Quartet. C Major, One key change - Medium DifficultyLearning tracks are available from the arranger: AAR@prodigy.net.

By Michael Buble. Arranged by Dorothy Horn. Score. 12 pages. Published by Dorothy Horn