Choral Choir (SSAA) - Digital Download SKU: A0.966980 Composed by W. Benton Overstreet, Billy Higgins. Arranged by David Wallace and Ed Waesche. Contemporary. Octavo. 5 pages. Klose Harmoneez #3926823. Published by Klose Harmoneez (A0.966980). Women's contestable version of this great uptune, based on the one Keepsake did, but with some fun changes, and voiced for women.

Choral Choir (SSAA) - Digital Download SKU: A0.927003 Composed by W. Benton Overstreet & Billy Higgins. Arranged by Randi Grundahl Rexroth. A Cappella. Octavo. 10 pages. Randi Rexroth #4291401. Published by Randi Rexroth (A0.927003). Inspired by The Boswell Sisters There'll Be Some Changes Made provides an opportunity for SSAA ensembles to strut their stuff. This setting will be satisfying for intermediate to advanced ensembles and is the perfect addition to any program. Purchasers of this arrangement receive live performance rights, recordings rights (live or remote), and the right to post your recording on social media. **Please note that this is for the choir(s) for whom the purchase is being made. Please do not share the resources with other choirs/choir directors. **

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.896381 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Alison Crutchley. Film/TV. Octavo. 7 pages. Alison Crutchley #6261455. Published by Alison Crutchley (A0.896381). Bon Jovi's classic hit - with arguably the best key change in rock history - in an easy/intermediate arrangement for close-harmony upper voices (SSAA / SSAT - similar to women's barbershop ranges.) Suitable for choir or quartet. Arranged by Alison Crutchley: https://alisoncrutchley/wordpress.com/music/arrangements/ Teach tracks are also available - contact me through the website.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.727001 By Taco. By Irving Berlin. Arranged by Kay Bromert. A Cappella,Jazz. Octavo. 4 pages. Kay Bromert #4298369. Published by Kay Bromert (A0.727001). Irving Berlin's fun rhythmic tune from the 1930 musical of the same name, arranged in D minor/D Major with key change to Eb minor, SSAA, A Cappella, barbershop style arrangement, 4 pages.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856251 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Garnett. Rock. Octavo. 7 pages. Liz Garnett #6096635. Published by Liz Garnett (A0.856251). This classic Beatles song is extraordinary in so many ways. With simple, direct story-telling it gives a vivid snapshot of lived experience in a time of social change, clothed in Debussian harmonies on string quartet and harp. The layering of different narrative points of view in the choruses is incredibly clever - combining musical simultaneity with lyrical intelligibility. Watch and learn.The arrangement aims to stay out of the way of the song - to let the story through, whilst alluding to the subtleties of the original without letting the details distract.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D4 - FsLead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - E4www.HelpingYouHarmonise.com

Choir, SSAA, female barbershop - Digital Download By Katrina & The Waves. Arranged by Liz Garnett. 3 pages. Published by Helping You Harmonise

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1290533 Composed by Amelia Wellers. Arranged by Amelia Wellers. 21st Century,Chamber,Contemporary,Folk,New Age. 4 pages. Awelia Music #881249. Published by Awelia Music (A0.1290533). From the arranger: I first came across this traditional English folk ballad on the podcast mini-series “Dolly Parton’s America�. Dolly’s version was fast-based and up-beat, but the melody struck me as distant yet clear, mournful yet timeless. When I could not find a version that let the voice further explore these qualities, I made my own. The first exists on my record (WALLFLOWER by Aerhart), the second as a live solo act accompanied by a Yamaha Reface CS Synth, and the third as a Silver Dagger choral arrangement, made with and for the Young New Yorker's Chorus Treble Ensemble. The original Silver Dagger tune is a haunting memory in its spirit as much as its history (its many possible origins trace back to the early 1800s). To this day, we wonder whether it’s love, fear or both that sway our overprotected heroine’s decision to “sleep alone all of my life.� Despite her careful consideration, the melody never grants the finality of her decision. This arrangement holds this dissonance within a meditative space - a small moment of stillness in which to let all the big thoughts and emotions come and go. We begin with the memory of the melody, gather momentum and clarity in its pulsing visceral storytelling, then release it, unresolved yet somehow changed.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1266956 By Thiaguinho. By Antonio Carlos Jobim. Arranged by Laura Harrison. Jazz,Latin. Octavo. 33 pages. LauraHarrisonMusic #859601. Published by LauraHarrisonMusic (A0.1266956). Thank you for purchasing the SSAA arrangement of Aguas de Marco based on Rosa Passos' version on her album Brasiliero. I changed the key to better suit the high school/college vocalist.This is a fun chart that teaches the students about latin grooves as well as singing in parts over a repetitive theme. It's a challenge, but, I would still grade it at a level 2.

Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1426806 By Beyonce. By (Beyonce Knowles), (Megan Bulow), Beyoncé Knowles, Brian Bates, Elizabeth Boland, Megan Bülow, Nathan Ferraro, and Raphael Saadiq. Arranged by Liz Garnett. 21st Century,A Cappella,Barbershop,Country. 12 pages. Liz Garnett #1007510. Published by Liz Garnett (A0.1426806). This co-lead single from Beyonce's album Cowboy Carter heralded that extended exploration of her roots in Country music with a catchy toe-tapper that appealed to mainstream audiences while remaining true to the Country genre. It was the first single by a Black woman to reach number 1 in the Country charts.As with the original song, the complexities in the arrangement are textural and rhythmic rather than harmonic. The lines themselves are all relatively simple, but you need to stay alert to coordinate them effectively. Sparkling interchange between the parts creates a playful atmosphere for audiences as well as plentiful opportunities for the singers to have fun.This arrangement is notated on four staves, using treble and bass alta (sounding one octave higher than written) clefs.Vocal Ranges:Tenor: D4 - F#5Lead: G3 - D5Bari: A3 - B4Bass: D3 -G4www.HelpingYouHarmonise.com

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1087101 By Erasure. By Andy Bell and Vince Clarke. Arranged by Rebecca (Boo) de Bruin. A Cappella,Contemporary,Pop. Octavo. 13 pages. Rebecca de Bruin #691297. Published by Rebecca de Bruin (A0.1087101). Words and Music by Vince Clarke and Andy Bell in 1988. Arranged in 2021 by Boo de Bruin. 13 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar - in this case, identical! - ranges, but perform different functions). A Little Respect was written and recorded by English synth-pop duo Erasure, and is known as one of their signature songs. It reached #4 on the UK singles chart, #14 on the US Billboard Hot 100, and #2 on the US Hot Dance Club Songs chart. This arrangement uses words from the song in place of neutral vowels to create an early ostinato (without boring the harmony parts!) before expanding into homorhythm in verse 2. The melody is mainly in the lead part, with the final motif from the chorus passed to the tenors. In the final verse, a key change moves the melody to the basses and baritones, with the leads taking the final phrase. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - F5 (D above middle C to F above high C) Lead: G3 - C5 (G below middle C to high C) Baritone: G3 - C5 (G below middle C to high C) Bass: D3 - F4 (D below middle C to F above middle C).

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1311363 By Etta James. By Harry Warren and Mack Gordon. Arranged by Roy Rashbrook. 20th Century,A Cappella,Barbershop,Blues,Jazz. 4 pages. Silverbright Music #900367. Published by Silverbright Music (A0.1311363). At Last is a song written by Mack Gordon and Harry Warren for the musical film Sun Valley Serenade (1941). Glenn Miller and his orchestra recorded the tune several times, with a 1942 version reaching number two on the US Billboard pop music chart.In 1960, rhythm and blues singer Etta James recorded an arrangement by Riley Hampton that improvised on Warren's original melody. Etta James' rendition became the title track on her debut album At Last! (1960) and was eventually inducted into the Grammy Hall of Fame in 1999.This arrangement was commissioned by a ladies' choir for SSAA but is also available as an SATB arrangement (with one bass split at the very end). Although quite chromatic, with a key change before the final verse, this arrangement has been performed by amateur choirs.

Female choir (SSAA) and piano - Digital Download SKU: S9.Q20916 Nach Worten aus einem Brief von Vincent van Gogh. Composed by Rolf Rudin. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Op. 59a. Schott Music - Digital #Q20916. Published by Schott Music - Digital (S9.Q20916). German.With his musical setting Nächtlicher Himmel based on words from a letter by Vincent van Gogh, Rolf Rudin ventures into downright impressionist terrain. Just as the famous painter creates literary images with his letters and knows how to visualize landscapes and frames of mind, the award-winning composer knows how to musically capture such moods and atmospheres. His composition for two- to four-part women's choir (SSAA) and piano lives on dynamic nuances, changes of time, chromaticism and triplet figures as well as harp-like arpeggios which give the work a mystical quality. Due to its chord progressions with great chromaticism, the choral part of this c. 4-minute work contains some intonational obstacles which are worth negotiating while holding out the prospect of a unique sound experience.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1138597 Composed by Belle Humble and Nick Coler. Arranged by Liz Garnett. A Cappella,Barbershop,Christmas. Octavo. 6 pages. Liz Garnett #738944. Published by Liz Garnett (A0.1138597). This song was first released on The Great British Barbershop Boys' album Christmas Time. The intro, backing instrumentation and key change heard in the recording were added in the studio, but otherwise this is the arrangement as recorded. Vocal ranges: Tenor: F4-F5 Lead: B flat 4 - D5 Bari: B flat 4 - E flat 5 Bass: E flat 3 - G4 N.B. This arrangement is notated in the clef's for women's barbershop, i.e. treble (sung at pitch) and bass alta (sung an octave higher than written).

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.762497 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #4978561. Published by Rowena Harper (A0.762497). An old favourite love song that transcends time and has been played at many a wedding. This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass TBC, Baritone TBC, Lead TBC, Tenor TBC.Not transposed - original performed key - but that does make it look rather funky for a start with 7 flats!This is price for a set of parts (four copies).  Available on request as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.