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Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1455569 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Joseph Hollings. 20th Century,Broadway,Musical/Show,Pop. 17 pages. Joseph Hollings Publishing #1034662. Published by Joseph Hollings Publishing (A0.1455569). Duration: 5m 15sIntroducing a stunning SSAA (two soprano and two alto parts) a cappella arrangement of ABBA's iconic hit, The Winner Takes It All. This choir sheet music arrangement includes multiple solo opportunities, making it perfect for showcasing individual talents. Ideal for high school, college, amateur, and professional female choirs, it captures the emotional depth and melodic beauty of the original song. Key Features: Suitable for a variety of performance levels. Multiple solo opportunities allows for individual showcases within the choir. Poignant themes of love, loss, and acceptance, making it a moving addition to any performance. Versatile Use: Ideal for concerts, festivals, and special events, bringing a touch of ABBA's classic pop sound to your repertoire. The Winner Takes It All, released in 1980, is one of ABBA's most beloved songs, topping charts in multiple countries. Written by Björn Ulvaeus and Benny Andersson, the song deals with the aftermath of a breakup, blending personal reflection with universal themes of heartache and resilience. The song has been prominently featured in the musical Mamma Mia! and covered by numerous artists, making it a timeless classic that resonates with audiences worldwide.? Enhance your choir's repertoire with this beautifully crafted SSAA a cappella arrangement of The Winner Takes It All. Perfect for adding a touch of classic pop to your next performance, this piece will captivate both singers and audiences alike. Download now and make your choir the winner!
The Winner Takes It All
Chorale SSAA
ABBA
$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.793908 Composed by Johann Strauss Jr. Arranged by Ivana Tuskan. A Cappella,Concert,Holiday,Romantic Period,Standards. Octavo. 7 pages. Ivana Tuskan #4110811. Published by Ivana Tuskan (A0.793908). This arrangement is based on popular classical song for mezzosoprano and piano. It's written in Eflat key (also available in original key: D flat major). An arrangement is written for female 4-part ensemble (SSAA), a cappella. It's also available an arrangement for TTBB ensamble a cappella.Lyrics: german, available in english, too.Original aria is part of popular operetta Die Fledermaus. The role of Orlofsky is a trouser role, usually performed by a mezzo-soprano, sometimes by a countertenor and occasionally--an octive lower--by a full tenor. It's great for New Year's recital, or some similar occasions.The score contains 7 pages. Performance Time approx. 3:00.The sound sample is an electronic preview.
Orlofsky's aria (Die Fledermaus), SSAA
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.793830 Composed by Johann Strauss Jr. Arranged by Ivana Tuskan. A Cappella,Concert,Holiday,Opera,Romantic Period,Standards. Octavo. 7 pages. Ivana Tuskan #3631601. Published by Ivana Tuskan (A0.793830). This arrangement is based on popular classical song for mezzosoprano and piano. It's written in original key: D flat major. An arrangement is written for female 4-part ensemble (SSAA), a cappella. It's also available an arrangement for Tenor solo and TBB a cappella. Original aria is part of popular operetta Die Fledermaus. The role of Orlofsky is a trouser role, usually performed by a mezzo-soprano, sometimes by a countertenor and occasionally--an octive lower--by a full tenor. It's great for New Year's recital, or some similar occasions.German text. The score contains 7 pages. Performance Time  approx. 3:00. The sound sample is an electronic preview.
Orlofsky's aria (from Die Fledermaus), SSAA a cappella
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
Julian's Hazelnut for SSAA and B flat clarinet
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1506043 By Carole King. By Carole King and Toni Stern. Arranged by David Maddux. Pop. 11 pages. David Maddux #1081426. Published by David Maddux (A0.1506043). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS. Explore the emotional depths of Carole King's classic, It's Too Late, through a heartfelt SSAA arrangement that captures the soulful essence of the original. This piece conveys the poignant narrative of realization and resignation in a relationship that has run its course, expressed through intricate harmonies and a reflective melody. Ideal for ensembles that appreciate nuanced storytelling through music, this arrangement offers a powerful opportunity to connect with audiences on an emotional level.
It's Too Late
Chorale SSAA
Carole King
$5.25 4.5 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1000875 Composed by Charles Griffin. 20th Century,Contemporary. Octavo. 8 pages. Coriolis Press #5982771. Published by Coriolis Press (A0.1000875). SSAA with piano accompaniment (1999 rev. 2020) ca. 3’e.e. cummings, Text.Commissioned by the Piedmont Choirs, for use in the International Choral Olympics in Linz, Austria, July, 2000.The MP3 recording is of the original composition. A handful of small tweaks were recently made, all of which simplify the performance challenges.Text:who knows if the moon’sa balloon, coming out of a keen cityin the sky-filled with pretty people?(and if you and I shouldget into it, if theyshould take me and take you into their balloon,why thenwe’d go up higher with all the pretty peoplethan houses and steeples and clouds:go sailingaway and away into a keencity which nobody’s ever visited, wherealwaysit’sSpring)and everyone’sIn love and flowers pick themselves
who knows if the moon's a balloon - SSAA (Children) & Piano
Chorale SSAA

$2.99 2.57 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).
That's When The Music Takes Me
Chorale SSAA
Neil Sedaka
$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.853778 Composed by Roger Edens. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 5 pages. Larry Wright #4613655. Published by Larry Wright (A0.853778). A WOMEN'S 4-part, a cappella barbershop contest arrangement of this spirited uptempo'd Irish tune.Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part-predominant, vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my vocal learning trax from my website store... and the per-copy price on the SMP website store is anything more than $1.89, DON'T PAY IT!!! Email me <larry@larrywrightmusic.com>. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
It's A Great Day For The Irish
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus


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