SSAA choir, Piano - Digital Download SKU: LX.15-2594R Composed by Ruth Watson Henderson. Janet Galván Women's Choral. Concert, General. Octavo. 12 pages. Roger Dean - Digital #e15/2594R. Published by Roger Dean - Digital (LX.15-2594R). Written for Jean Ashworth Bartle and the Toronto Children’s Chorus for Jean’s final concert, this famous poem—“Warning,� by Jenny Joseph—is loaded with humor. As is her hallmark, Ms. Henderson has crafted a piece that stretches young singers to be all that they can be without ever asking too much, with a piano accompaniment that is independent and essential.

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1298105 By Benny Goodman. By Irving Berlin. Arranged by Anastasio Rossi. A Cappella,Barbershop,Broadway,Contest,Festival,Holiday,Musical/Show. 4 pages. Anastasio Rossi #888020. Published by Anastasio Rossi (A0.1298105). Great for developing diction and harmonic skills. I've Got My Love to Keep Me Warm - The cold wind may be blowing, but your audiences will weather the storm with this warm and cozy classic by Irving Berlin. Set in an easy swing, this is a great feature number for holiday concerts. From the MGM film comes this song sung by the great Judy Garland. This arrangement has a casual swing, making it appealing to many ages, and perfect for any holiday program. SINGERS.COM says, Anastasio Rossi's treatment of Irving Berlin's I've Got My Love To Keep Me Warm is a treat.Learning tracks are available from the arranger: AAR@prodigy.net.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1017223 By Gloria Gaynor. By Dino Fekaris and Frederick J. Perren. Arranged by Kourtnee Cude. Film/TV. Octavo. 29 pages. Kourtnee Cude #6082887. Published by Kourtnee Cude (A0.1017223). Arranged for Wichita State University's Madrigal Singers. This arrangement is a jazzy combination of I will Survive by Gloria Gaynor and Survive by Destiny's Child.Contact Information:Email: kourtnee.cude.music@gmail.comFacebook: Kourtnee Cude, VocalistInstagram: kourtnee_music.

Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download SKU: A0.1486858 Composed by Alan Menken and David Zippel. Arranged by Caitlin P. Flemm. 21st Century,A Cappella,Broadway,Contemporary,Film/TV,Musical/Show. 10 pages. Caitlin Flemm #1063927. Published by Caitlin Flemm (A0.1486858). Want a cute and easy way for your treble singers to relive a Disney classic? I Won't Say I'm in Love features a treble soloist with SSAA Greek muse parts to bring this beloved song to life. Whether for your next concert, a Valentine's Day serenade, or a promposal, this arrangement is great for your treble a capella ensemble!

Choral Choir,Choral,SSAA Chorus - Level 2 - Digital Download SKU: A0.1487943 Composed by Seth Boyd. Children,Classical. 12 pages. Locrian Landscape Publishing #1064875. Published by Locrian Landscape Publishing (A0.1487943). I Will Leave a Trail features Muriel Strode's bold declaration of independence and finding your own path. In addition to the inspiring text, the song also features rich, complex polyphony, a vibrant piano part, and very accessible, easy to learn vocal lines. Whether your choir is full of beginning singers or more advanced performers, there is something to captivate everyone in I Will Leave a Trail..

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.� The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.487687 By Taylor Swift. By Max Martin, Shellback, and Taylor Swift. Arranged by Claire Read. A Cappella,Contemporary,Pop. Octavo. 16 pages. Claire Read #105225. Published by Claire Read (A0.487687). Female vocal arrangement of Taylor Swift's 'I Did Something Bad', with inspo from Shoshana Bean and Cynthia Erivo. For soprano, mezzo, alto and low alto voices in an a cappella choir of six women or a larger group of singers. The lower part is also suitable for a male voice. A really fun arrangement to sing, with attitude, drama and intensity.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.928363 By Andy Grammer. By Andy Grammer and Nolan Sipe. Arranged by Thomas J. West. A Cappella,Barbershop,Country. Octavo. 15 pages. Thomas J. West #5871579. Published by Thomas J. West (A0.928363). This SSAA a cappella arrangement of Andy Grammar's hit song was originally commissioned for an American treble voices barbershop quartet to expand their repertoire past the traditional barbershop homophonic style. It features a contemporary a cappella approach to the backgrounds that is still palatable by the avid barbershopper. Also a great piece to showcase your strong treble singers in a high school choral program. The word sass can be substituted in measure 69 to make the lyrics appropriate for a high school setting. Parts are labeled in traditional barbershop style (tenor, lead, baritone, bass) but apply to the SSAA vocal ranges using the standard barbershop clefs (bass clef for alto parts). The bass part range is from F3 to F4. Tenor part range is from D4 to F5. www.thomasjwestmusic.com .

Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.749480 Composed by Traditional. Arranged by CAROLE PRIETTO. A Cappella,Christmas. Octavo. 4 pages. Carole Prietto #5759733. Published by Carole Prietto (A0.749480). The traditional holiday carol, in an arrangement suitable for barbershop singers at any level. Arranger's website: https://caroleprietto.com

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1215063 By Kenny Loggins. By Kenny Loggins and Melissa Manchester. Arranged by Thomas J. West. A Cappella,Barbershop,Pop,Rock. Octavo. 8 pages. Thomas J. West #811920. Published by Thomas J. West (A0.1215063). SSAA Barbershop Harmony, Grade 4Parts written in barbershop harmony style with alto parts written in bass clef 8vaRanges:Tenor: B3-G5Lead: B3-Eb5Baritone: G3-A4Bass: E3-E4www.thomasjwestmusic.comThis commissioned arrangement uses elements of doo wop and contemporary a cappella to create a textured performance of this hit 1978 duet between Stevie Nicks (the lead part) and Kenny Loggins (the baritone part). Featuring typical 1970's key shifts between the verses and choruses, experienced quartet singers will enjoy the challenge of the polyphonic rhythmic parts and tonal shifts. The arrangment not suitable for use in Sweet Adelines and Harmony Inc. competitions.

SSAA choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5646L Composed by Mary McDonald. Sacred Anthem, General, Lent. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5646L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5646L). Mary McDonald is well known for her ability to create beautiful new melodies for time-honored texts, and this anthem is no exception. Commissioned by the Women's Chorus of the Arkansas Master Singers, this SSAA piece features an artfully crafted piano part and soaring vocal textures. Perfect as a general anthem and for Lent, it is also available in an SATB voicing.

SSAA - Early Intermediate - Digital Download By Mariah Carey. Arranged by Mariane Lingley. 7 pages. Published by Mariane Lingley

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1353397 Composed by Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Contemporary,Pop. 17 pages. Lytingale Music #938156. Published by Lytingale Music (A0.1353397). Written for SSAA chorus. Theme: empowerment, activism. We are the ones who can fix this world!Accompanied by piano, with optional violin (or flute) partAvailable formats: full score with piano, lead sheet (no piano, for singers), violin part, piano reduction. The mp3 is a rough mix of the parts recordings created for rehearsal (which are available).My community chorus memorizes, so I write with repetition and consistency! Our chorus found this exciting and inspirational to sing.  This piece was also chosen to be performed as a mass chorus piece for the national Sister Singers Network Festival 2023 in Cleveland.Lyrics:Movin' and a-shakin' and a-shakin' and a-movin',Movin' and a-shakin' and a-shakin' and a-movin', Movin' and a-shakin' and a-shakin' and a-movin',  Movin' and a-shakin' and a-shakin' and a-movin', Rock on, sisters! Rock on! Awaken the world, sisters.  Awakenin', awakenin' the world. Wake up! Awaken the world, sisters.  Awakenin', awakenin' the world. We are the ones   Who get things done.We are the ones   Who make it run.We are the ones   Who work together. Together we can change the world. Honor the mothers. Honor the mothers who carried us through, to get us to a world of possibility where we can see how to be more, how to live free. We stand on the shoulders. We stand on the shoulders of women who died, and women who cried out for freedom, for justice, for life. Some of us rock the cradle. Some of us rock the boat. Giving what we are able    to do, to see, to be. Standing on the rock of community.Standing on the rock of community. We're standing on the rock of community.  Makin' a way to grow and live the power,     the power of our own truth. Together we can change the world. Liberty! Together we can change the world. Equality! Together we can change the world. Community! Together we can change the world. Fix this world. There's a whole lot to do.Fix this world. Gonna make it new.Fix this world. It's up to me and you. I witnessed.  Because it needed to be done.I spoke out.  Because it needed to be done. I stood up.    Because it needed to be done. I did what needed, I did what needed, I did what needed to be done.Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! Awaken the world, sisters. Awakenin', awakenin' the world. Wake up! We are the ones   Who get things done.We are the ones   Who make it run.We are the ones   Who work together, Together we can change the world. Movin' and a-shakin' and a-shakin' and a-movin', Together we can change the worldMovin' and a-shakin' and a-shakin' and a-movin', Together we can change the world.Together, Together, Together, Together,Together we can change the world. (2021) Lois J Henrickson (Lytingale).

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.876896 Composed by Melinda Moreaux. Children,Folk. Octavo. 6 pages. Melinda Moreaux #3037349. Published by Melinda Moreaux (A0.876896). This is a treble choir arrangement of the traditional round Grasshoppers Three. It's a fun sing with an optional solo part and sand block. The singers make grasshopper noises, and it's a fun addition to a spring choral concert. Grasshoppers based on the vocal improv workshops I've attended with Bobby McFerrin. Even though it's SSAA + solo, it's an easy learn because it's based on stacking chords and a round. It's been beautifully performed by The Piedmont East Bay Children's Chorus (Training Group), Beverly Vista Middle School Choir (Beverly Hills), and Solstice Female Vocal Ensemble. It was also a winner in the Holy Names University Kodàly Music Center's 2015 Alumni Choral Music competition. I hope you enjoy working with it. melindamoreaux.com.

Choral Choir,Choral,SSAA Chorus - Level 1 - Digital Download SKU: A0.1471999 By Kirsty MacColl. By Ray Davies. Arranged by Kirstie Smith. 20th Century,Contest,Festival,Folk,Historic,Pop. 5 pages. Kirstie Smith #1049694. Published by Kirstie Smith (A0.1471999). An enjoyable SSAA and guitar chord arrangement of 'Days', perfectly tailored for Ladies’ Choirs and highly suitable for mixed voice choral groups. Written by Ray Davies and released by The Kinks in 1968, this choral arrangement has been lovingly crafted to capture the essence of Kirsty MacColl's 1989 cover version, making great use of rich alto voices to harmonise and on occasion even sing the melody!‘Days’ is an absolute classic to delight audiences and singers alike, and may be performed with instrumental ensemble or with the accompanying backing track audio. In 1994, Kirsty MacColl told James Bennett, I think my version is a bit slower [than the Kinks' original], I wanted to give it the ABBA treatment. I wanted people to think that it's a Kirsty MacColl song when they hear it. Related Items;SSAA Choral Score with guitar chords ID 1574445 Instrumental Accompaniment Audio (Band) MP3 – ID 1574524 Full Audio Performance MP3 ID 1574447Bass Part PDF – ID 1574457