Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1111174 By Neil Sedaka. By Neil Sedaka. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Contemporary,Pop. Octavo. 11 pages. Rebecca de Bruin #713452. Published by Rebecca de Bruin (A0.1111174). Words and Music by Neil Sedaka in 1972. Arranged in 2022 by Boo de Bruin. 11 pages for Sweet Adelines (ladies' barbershop) chorus. (Tenor, lead, baritone, bass are roughly equivalent to SSAA, although lead and baritone have similar ranges, but perform different functions). That's when the music takes me is taken from Neil Sedaka's Solitaire LP. The song was notable as it was one of the only songs for which Sedaka wrote the lyrics in addition to the music. He often finishes his song using the song. (The ending of the arrangement is inspired by how he performs the song live, rather than the recording edit). It reached #18 on the UK singles chart, #27 on the US Billboard Hot 100, and #7 on the US Billboard Easy Listening chart. This arrangement was written for a barbershop chorus, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. The melody sits with the lead for the vast majority of the song, but with the bass part taking a few of the lowest notes. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are: Tenor: D4 - G5 (D above middle C to G above high C) Lead: B3 - D5 (B below middle C to D above high C) Baritone: G3 - C5 (G below middle C to D above high C) Bass: D3 - D4 (D below middle C to D above middle C).

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881167 By Sara Bareilles. By Sara Bareilles. Arranged by Rebecca de Bruin. Pop. Octavo. 7 pages. Rebecca de Bruin #6492785. Published by Rebecca de Bruin (A0.881167). Words and Music by Sara Bareilles. Arranged in 2020 by Boo de Bruin. 7 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).Love Song was Sara Bareilles' debut single, reaching number four in the Billboard chart. It received Grammy Award nominations for Song of the Year and Best Female Pop Vocal Performance.This arrangement was written for a barbershop quartet, and as such the lowest voice part has a lower range than is custom for choral SSAA writing. However, the range of the entire arrangement is quite narrow, and so it could be sung in a higher tessitura without undo strain on the upper voices. Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Vocal ranges are:Tenor: F4 - E5 (F above middle C to E above high C)Lead: G3 - D5 (Gb below middle C to D above high C)Baritone: B3 - A4 (B below middle C to A above middle C)Bass: D3 - G4 (D below middle C to G above middle C)

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.793972 Composed by Pyotr Ilich Tchaikovsky. Arranged by Ivana Tuskan. A Cappella,Concert,Romantic Period,Standards. Octavo. 8 pages. Ivana Tuskan #6349067. Published by Ivana Tuskan (A0.793972). My arrangement is based on beautiful romantic song for solovoice and piano. Key: C minor (originally B minor). An arrangement is written for female 4-part ensemble or choir (SSAA) and soprano solo, a cappella.The score contains 8 pages. Performance Time approx. 2:10.The sound sample is an electronic preview.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856205 By The Pointer Sisters. By Anita Pointer, June Pointer, Ruth Pointer, and Trevor Lawrence. Arranged by Liz Garnett. Contemporary,Dance. Octavo. 6 pages. Liz Garnett #4293523. Published by Liz Garnett (A0.856205). This is one of those songs that wasn't a huge hit when it was first released, but has persisted in popular culture since. It has appeared in at least four movies, and was associated for years in the UK with commercials for Cadbury's Crunchie bars.Like the several cover versions of the song that have appeared this millenium, this arrangement takes a strong lead from the details of the original version, particularly in the use of vocalised embellishments that break out at phrase ends.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - F5Lead: A flat 3 - C 5Bari: A flat 3 - B flat 5Bass: D flat 3 - F4www.HelpingYouHarmonise.com

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.881168 By Miley Cyrus. By Robert Hazard. Arranged by Rebecca de Bruin. Film/TV. Octavo. 9 pages. Rebecca de Bruin #6497333. Published by Rebecca de Bruin (A0.881168). Words and Music by Robert Hazard. Arranged in 2013 by Boo de Bruin (nee Lewis). 9 pages for Sweet Adelines (ladies' barbershop) chorus or girls' choir. Girls just want to have fun was Cyndi Lauper's break through single as a solo artist, reaching number one in ten countries including Australia, Canada and New Zealand. It is a feminist reimagining of the 1979 song by Robert Hazard. It received Grammy nominations for Best Female Pop Vocal Performance and Record of the Year.This arrangement was written for a chorus of young women, and as such the ranges are relatively narrow. Vocal ranges are:Soprano 1: Eb4 - F#5 (Eb above middle C to F# above high C)Soprano 2: Bb3 - E5 (Bb below middle C to E above high C)Alto 1: B3 - B4 (B below middle C to B above middle C)Alto 2: F3 - G4 (F below middle C to G above middle C)For four bars in the penultimate chorus, there is one split in the parts, to allow for the girls they wanna, wanna have fun call back. In a quartet, this line could be omitted. 

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.762509 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Rowena Harper. A Cappella,Barbershop,Broadway,Musical/Show,Pop. Octavo. 7 pages. Rowena Harper #6341475. Published by Rowena Harper (A0.762509). A full bodied ABBA spectacular with a few twists and turns that make this a fun chart to sing thanks to some interesting chord additions and treatments.  The verse starts squarely in low baritone land to kick the song off.  Some interesting embellishments are used to mimic the instrumental sections of the song, the key change is there, as is the final flourish - all hallmarks of the song, which add interest but also complexity for the singer.  Not for the faint hearted, but the potential to be dramatic, as well as the potential for corn-row performance elements should a chorus wish to mimic Mamma Mia the stage show with chorus members peeking out from behind and popping out for that's too bad!  Have a lot of fun with this one!Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-D, Baritone B-B, Lead C-D, Tenor G-F#.Key = GThis is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.

Voice (SSAA) - Level 5 - Digital Download SKU: A0.762508 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Rowena Harper. A Cappella,Barbershop,Broadway,Musical/Show,Pop. Barbershop Quartet. 7 pages. Rowena Harper #6341479. Published by Rowena Harper (A0.762508). An ABBA spectacular with a few twists and turns that make this a fun chart to sing thanks to some interesting chord additions and treatments. The verse starts squarely in low baritone land to kick the song off. Some interesting embellishments are used to mimic the instrumental sections of the song, the key change is there, as is the final flourish - all hallmarks of the song, which add interest but also complexity for the singer. Not for the faint hearted, but the potential to be dramatic - have a lot of fun with this one!Range (Lowest-Highest): Bass E-D, Baritone B-B, Lead C-D, Tenor G-F#.Key = GThis one sale is for a set of parts (four copies included). Individual copies are available for choirs - minimum purchase of 10.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973287 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Hah. A Cappella,Rock. Octavo. 7 pages. Elizabeth Hah #6266191. Published by Elizabeth Hah (A0.973287). Arranged for female voices, Sop 2 and Alto 2 share the melody in this Beatles song. There's repetition to make learning easier plus a short scat section for fun.Range of parts (lowest to highest): A2 F - F, A1 C - B, S2 Bb - C, S1 F - EThis is priced for quartets (4 copies may be made). Choir pricing is in a separate listing.Note: This sheet music is notated in SSAA format (SSA in treble clef, A2 in bass clef). Women's barbershop notation is also available (tenors & leads in treble clef, baritones & basses in bass clef).Learning tracks are available. Contact Liz at lizhah303@gmail.com  .

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973285 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Hah. A Cappella,Rock. Octavo. 7 pages. Elizabeth Hah #6266183. Published by Elizabeth Hah (A0.973285). Arranged for female voices, Sop 2 and Alto 2 share the melody in this Beatles song. There's repetition to make learning easier plus a short scat section for fun. Range of parts (lowest to highest): A2 F - F, A1 C - B, S2 Bb - C, S1 F - EThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in SSAA format (SSA in treble clef, A2 in bass clef). Women's barbershop notation is also available (tenors & leads in treble clef, baritones & basses in bass clef).Learning tracks are available. Contact Liz at lizhah303@gmail.com  .

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.762501 Composed by Greg Kurstin, Gregory Allen Kurstin, and Lily Allen. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 13 pages. Rowena Harper #5361953. Published by Rowena Harper (A0.762501). Despite the profanities, this arrangement is a really fun, upbeat a cappella version of Lily Allen's jovial and rather tongue-in-cheek song F**k You. Perfect for open-minded and diverse groups with a sense of humour, this song would be fantastic for an after-glow or as an audience pleaser, assuming the audience could also appreciate the message over the lyrics! Not every audience will appreciate it, of course - pick and choose when it is performed!Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-E, Baritone B-A, Lead A-C, Tenor G-E.Key = GThis is a per copy price. Also available as a Quartet version / set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973286 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Hah. A Cappella,Rock. Octavo. 5 pages. Elizabeth Hah #6266189. Published by Elizabeth Hah (A0.973286). Arranged for female voices, the bass and lead share the melody in this Beatles song. There's repetition to make learning easier plus a short scat section for fun. Range of parts (lowest to highest): Bass F - F, Baritone C - B, Lead Bb - C, Tenor F - EThis is a quartet price (4 copies may be made). Chorus pricing is available as a separate listing.Note: This sheet music is notated in female barbershop format (tenor & lead in treble clef, baritone & basse in bass clef). SSAA format is also available.Learning tracks are available. Contact Liz at lizhah303@gmail.com  .

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.973284 By The Beatles. By John Lennon and Paul McCartney. Arranged by Liz Hah. A Cappella,Rock. Octavo. 5 pages. Elizabeth Hah #6266155. Published by Elizabeth Hah (A0.973284). Arranged for female voices, the basses and leads share the melody in this Beatles song. There's repetition to make learning easier plus a short scat section for fun. Range of parts (lowest to highest): Bass F - F, Baritone C - B, Lead Bb - C, Tenor F - EThis is a per copy price. Also available as a set of parts (4 copies - quartet)Note: This sheet music is notated in female barbershop format (tenors & leads in treble clef, baritones & basses in bass clef). SSAA format is also available.Learning tracks are available. Contact Liz at lizhah303@gmail.com  

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856187 By Rihanna. By Charles Harmon and Shaffer Smith. Arranged by Liz Garnett. Dance,Pop,R & B. Octavo. 4 pages. Liz Garnett #3918939. Published by Liz Garnett (A0.856187). This is a compelling and dark song from Rihanna's 2009 album Rated R. It uses the game of Russian Roulette as a metaphor for the experience of a dangerous relationship, capturing the vulnerability but also the perceptive self-knowledge of the woman who finds herself thus entangled.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: A3 - E5Lead: A3 - C#5Bari: A3 - A4Bass: D3 - D#4www.HelpingYouHarmonise.com

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856142 Composed by Joe McCarthy, James Monaco. Arranged by Liz Garnett. A Cappella. Octavo. 4 pages. Liz Garnett #3023075. Published by Liz Garnett (A0.856142). Written just before the First World War, this flirtatious song anticipates that world where women were finding a new independence and power, and trying to work out what to do with it. On the one hand, the singer doesn’t want to be unfeminine by making the first move, on the other, she’s going to make a bid for what she wants. Go girl, is what I say.This arrangement is suitable for performance in a barbershop contest, and the Southern Comfort Barber Gals won a bronze medal in the Holland Harmony 2009 chorus contest with this it. It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Ranges:Tenor: F4 - E5Lead: A flat 3 - C#5Bari: B flat 3 - B4Bass: E flat 3 - F#4www.HelpingYouHarmonise.com

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856235 By Matt Monro. By David Geoffrey Matthews, David Matthews, and Tim Harris. Arranged by Liz Garnett. Contemporary. Octavo. 9 pages. Liz Garnett #4885999. Published by Liz Garnett (A0.856235). This song from 1970 is a kindly, though rather tongue-in-cheek, view of the emergent wave of feminism, and in its story-telling paints a picture of a moment in history in the incidental details of milk deliveries office work as much as in the main incidents of its narrative. The chorus transcends this moment in its cheerfully uplifting appeal to a brighter, more optimistic future.The arrangement was commissioned to celebrate a moment in the life of a women's chorus, and is crafted to make sure all singers get to participate in relaying the narrative.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - E5Lead: A3 - C#5Baritone: A3 - B4Bass: D3 - G#4www.HelpingYouHarmonise.com