Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.1013555 Composed by Dan Hicks. Arranged by Abigail Clarke. 20th Century,A Cappella,Barbershop,Comedy,Country. Octavo. 7 pages. Abigail Clarke #6508597. Published by Abigail Clarke (A0.1013555). What everything is thinking during the pandemic! Dan Hicks and His Hot Licks originally performed this tongue-in-cheek, funny-cuz-it's-true ditty. Arranged for female barbershop, but the choreo and emceeing will write themselves. Yeehaw!Ranges (female): Bass Eâ™­3-F4, Baritone Bâ™­3-C5, Lead C4-C5, Tenor G4-E5Arranger contact: abbylalala@hotmail.com.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856162 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Liz Garnett. Country. Octavo. 9 pages. Liz Garnett #3863255. Published by Liz Garnett (A0.856162). From Shania Twain's 1997 album Come on Over, this song is a reminder that such an inviting title does not mean the singer has abandoned her critical faculties. There has rarely been such a clear statement of womankind's general indifference to the things men use to jostle for status with each other.The arrangement contrasts stark sections that are mostly in two parts (occasionally blossoming out into more for effect) with sections in full four-part harmony. The splitting and joining of parts makes me think of it as more suitable for an ensemble with multiple voices per part than a quartet.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: B flat 3 - E flat 5

Choral Choir,Choral,SSAA Chorus - Digital Download SKU: A0.1495344 By Kelly Clarkson. By Andre Davidson, Jessica Karpov, Michael Pollack, and Sean Davidson. Arranged by Mallika Purandare (JJ'20) and Sam Termine (JJ'18). A Cappella,Pop. 14 pages. Tufts Jackson Jills #1071856. Published by Tufts Jackson Jills (A0.1495344). This arrangement was performed by the Tufts University Jackson Jills in 2018. The Jackson Jills are Tufts University’s oldest all-femme a cappella group, established in 1963. Visit jacksonjills.com for more info.

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1447110 Composed by Harmonised by J S Bach (1685 - 1750). Arranged by Andrew Emmet. A Cappella,Christian,Christmas,Religious,Sacred. 4 pages. Andrew J Emmet #1026889. Published by Andrew J Emmet (A0.1447110). SSAA A Cappella arrangement.When I came to make an SSA arrangement of this, It was obvious to me that the bass part was such an important part of the arrangement, that it had to somehow stay there. It just didn't fit for an Alto 2, so I put it in as Sop 2, putting it up an octave, with a couple of minor adjustments. It sounds a bit like a descant, but it's always needed for the harmomies. I think it works well!

Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.

Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Quartet. 3 pages. Anastasio Rossi #836278. Published by Anastasio Rossi (A0.1240885). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise.We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Learning tracks are available at no cost from the composer: AAR@prodigy.net.