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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenías en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.81 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1399041 By Various Artists. By Harold Arlen and Ted Koehler. Arranged by Eva Hjelm. A Cappella,Barbershop,Film/TV,Jazz,Standards. 3 pages. Eva Hjelm #982320. Published by Eva Hjelm (A0.1399041). Women's arrangement of Stormy Weather, which is a 1933 torch song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and recorded it with the Dorsey Brothers' Orchestra. It has been performed by several world famous artists such as Lena Horne, Frank Sinatra, Judy Garland and Ella Fitzgerald among others.The melody is sung by the base throughout the arrangement.Note: The sheet music is notated in the barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.
Stormy Weather (Keeps Rainin' All The Time)
Chorale SSAA
Various Artists
$1.99 1.9 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.996562 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Rebecca J. Wood #5324809. Published by Rebecca J. Wood (A0.996562). Hear 30 second clip beginning at measure 1. Arrangement about 1 min 30 secs performance time.  I love this little child/mother song. If one keeps the title Angels, the surprise ending will be kept to the end. Lovely harmonies and emotions, with the climax at m 52 followed by the surprise ending.Milk this little song for all it's worth. My heart swells just for going through it in my head!! Feedback would be appreciated.   After thinking about ANGELS, I HAVE TO TELL YOU the most important line in the song. After the Daddy tells the child what angels are, he says, They call them angels in Heaven (beautiful spot in the son), but we call them MOTHERS down here. Such a tear-jerker, I think!!
Angels, We Call Them Mothers Down Here
Chorale SSAA

$12.99 12.4 € Chorale SSAA PDF SheetMusicPlus

SSAA Chorus,Voice - Level 5 - Digital Download SKU: A0.1460117 Composed by Frank Wildhorn and Jack Murphy. Arranged by Theodore Hicks. 21st Century,A Cappella,Barbershop,Broadway,Musical/Show. Barbershop Quartet. 10 pages. Theo Hicks Music #1039057. Published by Theo Hicks Music (A0.1460117). *Quartet pricing: One (1) purchase allows for four (4) copies.A wild and energetic song from the musical Wonderland. Originally sung by 2023 Sweet Adelines International Quartet Champions, The Ladies.This arrangement is contestable for the Barbershop Harmony Society, Sweet Adelines International, and Harmony Incorporated. Ask before you sing.Learning tracks are available through NewVoice Studio.For more information or arrangement titles from Theodore Hicks, visit Theo Hicks Music.
The Mad Hatter
Chorale SSAA

$4.50 4.29 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856221 By Simon And Garfunkel. By Paul Simon. Arranged by Liz Garnett. A Cappella,Pop,Rock. Octavo. 10 pages. Liz Garnett #4612527. Published by Liz Garnett (A0.856221). The starting-point for this major show-piece was Disturbed's 2015 cover of Simon and Garfunkel's classic. The White Rosettes sought to capture its escalation of of emotional impact as the vocal range shifted and the orchestration developed through the narrative of a dystopic vision.A cappella voices can capture that sense of build through layering of different sizes of ensemble. And, whilst their timbral palette is more limited than the instrumentation Disturbed could draw on, they have the power of harmony to add colour and impact.The arrangement is built around two main harmonic ideas: juxtaposing minor chords and key areas a third apart, and the dissonance of the melodic major 2nd and minor 3rd rubbing up against each other. Between them they create an atmosphere that hangs heavy with portent and mystery, echoing and amplifying the emotional tone of the lyrics.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal ranges:QuartetTenor: F#4 - E5Lead: B3 - A4Bari: C#4 - A4Bass: F#3 - A 4OctetTenor: G4 - D5Lead: C4 - A4Bari: B3 - A4Bass: E3 - C4DuetVoice 1: G3 - C5Voice 2: G3 - A4Full chorusTenor 1: E flat 4 - G5Tenor 2: E flat 4 - F#5Lead 1: B3 - E flat 5Lead 2: B3 - E flat 5Bari: A3 - C5Bass: D3 - G4www.HelpingYouHarmonise.com
The Sound Of Silence
Chorale SSAA
Simon And Garfunkel
$3.99 3.81 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1378011 By Matt Maltese. By Matt Maltese. Arranged by Rowena Harper. A Cappella,Barbershop. 3 pages. Rowena Harper #962631. Published by Rowena Harper (A0.1378011). Originally written by Matt Maltese, this song was made popular by Sarah Cothran.  It was written about a ficitious situation where two people were spending their last moments alive together, having just pushed a button to nuke the world!  As a song, it highlights how human beings can completely lose sight of the bigger picture, whilst focusing only on themselves.   Purchasing allows printing of one copy, and one copy per singer is required.Key: Ab majorRange (Lowest-Highest): Bass F3-F4, Baritone C4-C5, Lead Bb3-D5, Tenor F4-F5. (Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The Bass clef parts are sung an octave higher than written.) Contact: acappellatenor@gmail.com or on Facebook: Rowena Harper Arrangements
As The World Caves In
Chorale SSAA
Matt Maltese
$1.99 1.9 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.854739 Composed by Traditional. Arranged by Jake Alexander. A Cappella,Children,Folk,Multicultural,Traditional,World. Octavo. 4 pages. Jake Alexander #4580057. Published by Jake Alexander (A0.854739). A simple, four-part, unaccompanied choral arrangement of the haunting American folk song made famous by its appearance in the Coen Brothers' movie,  O Brother Where Art Thou? Approximately 2'15 in length. Also available in SATB on this site.My name is Jake Alexander - I’m a composer, arranger and choir leader based in London. I create accessible arrangements that play to the strengths of community choirs. If you would like to offer any feedback, or just want to say hi, please get in touch at jake@jakealexander.org. Also, feel free to get in touch if you would like to be sent rehearsal tracks - these are available for all of my scores. Happy singing!jakealexander.orgquaggycommunitychoir.com
Didn't Leave Nobody but the Baby - SSAA a cappella
Chorale SSAA

$1.99 1.9 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.762497 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #4978561. Published by Rowena Harper (A0.762497). An old favourite love song that transcends time and has been played at many a wedding. This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass TBC, Baritone TBC, Lead TBC, Tenor TBC.Not transposed - original performed key - but that does make it look rather funky for a start with 7 flats!This is price for a set of parts (four copies).  Available on request as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com.
You're The Inspiration
Chorale SSAA
Chicago
$3.00 2.86 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 1 - Digital Download SKU: A0.856222 By Elvis Presley. By John Rostill. Arranged by Liz Garnett. Rock. Octavo. 3 pages. Liz Garnett #4594611. Published by Liz Garnett (A0.856222). This song was first recorded by Olivia Newton John, and then covered by Elvis Presley the following year, which tells you a good deal about the range of voices and performing personas it can suit. The arrangement was commissioned to form part of the polecat collection (common repertoire that all members can sing together) for the Ladies Association of Barbershop Singers, and is thus designed to be accessible to singers and audiences alike.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: G4 - E flat 5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - G4www.HelpingYouHarmonise.com
Let Me Be There
Chorale SSAA
Elvis Presley
$2.50 2.39 € Chorale SSAA PDF SheetMusicPlus


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