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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of Río de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. Río de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenías en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over Río de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles Rodríguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Chorale SSAA

$3.99 3.41 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.939403 Composed by Robert Debbaut. Contemporary. Octavo. 31 pages. ROBERT DEBBAUT #6342191. Published by ROBERT DEBBAUT (A0.939403).  American lyric poet Sara Trevor Teasdale (1884-1933) was the first woman and the first poet to win the Pulitzer Prize for Literature. She won the 1918 Pulitzer Prize for her 1917 collection entitled Love Songs. Teasdale was roundly praised for her lyric mastery and romantic subjects. Her poems most often take on the first person role of their female narrators and protagonists. Teasdale’s first poem was published in 1907. Later that year she published her first collection of poems, Sonnets to Duse and Other Poems, written mainly for the Italian actress Eleonora Duse. In 1911 her second collection Helen of Troy and Other Poems received high praise from critics. Her third collection, Rivers to the Sea from 1915 was and remains a best seller and has been reprinted several times. The three poems used here, Joy, The Answer, and .To Joy all date from 1915. These three poems were also included in her Pulitzer Prize-winning collection Love Songs. Teasdale was born in St. Louis, Missouri on August 8, 1884. She was a sickly child, so much so that she was home schooled. As a young woman she had many suitors, including the poet Vachel Lindsay, who thought he could never provide for her. She eventually married businessman Ernst Filsinger, a great admirer of her poems. The couple relocated to New York City. Filsinger’s constant business travel left Teasdale very lonely and depressed. She eventually relocated to another state so she could quickly divorce him. Filsinger was shocked. Teasdale took up again with Vachel Lindsay, who has himself married and had children. Lindsay committed suicide in 1931 and Teasdale followed likewise two years later. She is interred at Bellefontaine Cemetery in St. Louis.
A Trilogy of Joy, three short anthems on poems by Sara Teasdale for women's chorus and piano
Chorale SSAA

$9.95 8.51 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Digital Download SKU: A0.1236690 By Alison Krauss. By Traditional. Arranged by Debbie Warren. A Cappella,Film/TV,Folk,Religious,Spiritual. Octavo. 8 pages. Keep Calm and Keep Singing #832211. Published by Keep Calm and Keep Singing (A0.1236690). A flexible a cappella arrangement of this uplifting spiritual / Appalachian hymn for female voices.Also known as Down to the River to Pray and Down in the Valley to Pray, the song became popular after a recording by Alison Krauss was used in the film O Brother, Where Art Thou? This score begins with one vocal line and builds up to 4 parts as the song progresses.You could start with solos or small groups and add voices or start in unison and gradually divide into parts. For SSA ensembles you could treat the final part to enter as a descant with a small group of voices.There are FREE learning tracks to accompany this arrangement - just email keepcalmkeepsinging@gmail.com with proof of purchase. Easy levelDuration: 3'15.
Down in the River to Pray SSAA a cappella
Chorale SSAA
Alison Krauss
$1.99 1.7 € Chorale SSAA PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1351535 By African-American Spiritual. By African-American Spiritual. Arranged by Mary S. Walsh. Contemporary,Contest,Festival,Historic,Praise & Worship,Religious. 8 pages. Mary Walsh #936386. Published by Mary Walsh (A0.1351535). An acapella arrangement of the African-American Spiritual Down To The River To Pray for treble voices. This piece opens with an embellished solo with an Appalachian feel, followed by luscious chords provided by the choir. New counterpoint with a familiar melody will challenge your choir and please your audience. This arrangement can be used as an anthem in a liturgical setting for baptisms or general use. This arrangement would also be ideal in an educational or concert setting.
Down To The River To Pray
Chorale SSAA
African-American Spiritual
$2.50 2.14 € Chorale SSAA PDF SheetMusicPlus

SSAA choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.7351-E Composed by Steven Sametz. Wedding. 8 pages. Duration 2 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #7351-E. Published by E. C. Schirmer Music Company - Digital (MQ.7351-E). Spanish.Set to the poetry of the 16th-century Spanish Carmelite priest, San Juan de la Cruz (St. John of the Cross,) this piece (and its companion, 7350) can appear to be a secular love song. But it is actually religious allegory in which the Soul is singing to God. He is strong and magnificent as a mountain; comforting as the cool, shady woods; filled with unexpected delights like an exotic island; possesses her powerfully like a roaring river; thrills her with a touch like a breeze on the skin; fills her and satisfies her like a delicious meal; opens her eyes to the unexpected, like the dawn. As they rest together in the tranquil night, the soul delights in these feelings like being filled with glorious music that can truly be heard only in silence. In that moment, we are given a luxurious silence, surrounded by gorgeous music, in which we, too, may simply breathe, delight and rest in the presence of Love.Duration: 2:30.
Mi Amado (My Beloved) from Two Love Songs of St. John of the Cross (Downloadable)
Chorale SSAA

$2.25 1.92 € Chorale SSAA PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856204 By Justin Timberlake. By Justin Timberlake, Scott Storch, Timothy Mosely, and Timothy Mosley. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4301725. Published by Liz Garnett (A0.856204). From Justin Timberlake's album Justified, this song makes an obvious reference to the 1950s ballad of the same title. Whilst it contains a similar emotional theme, the narrative that unfolds is quite different, as are the musical gestures of popular music 50 years on from the older song. The arrangement borrows a lot of the motifs from Timberlake's recording and weaves them into a texture that develops in complexity until the very end where it dissolves back into nothing.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: C4 - G5Lead: G3 - C5Bari: C4 - B flat4Bass: F3 - F4www.HelpingYouHarmonise.com
Cry Me A River
Chorale SSAA
Justin Timberlake
$2.99 2.56 € Chorale SSAA PDF SheetMusicPlus






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