Tenor Saxophone Solo - Digital Download SKU: A0.506431 By Frankie Valli and The Four Seasons. By Bob Crewe and Bob Gaudio. Arranged by Leo Silva. Pop,Wedding. Individual part. 2 pages. Published by MP Sheet Music (A0.506431). Can't Take My Eyes Off You is a 1967 single performed by Frankie Valli. The theme was one of Valli's biggest hits, reaching #2 on the Billboard Hot 100, reaching a gold club. The song had a huge cultural impact, based on covers, many of which were themselves on the charts, in different countries. The song is a landmark and is often used in TV series and spots by advertisers around the world, as well as in film soundtracks, and even integrating the plot of some films, such as when the main protagonists sing or organize their own version. NASA passed the original version as a wake-up song on November 23, 2008, the 23rd anniversary of the wedding of astronaut Christopher Ferguson aboard and commander of the STS-126 mission of the space shuttle OV-105 Endeavor.

Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.845218 Composed by Phil Beaman. Concert,Instructional,Jazz,Romantic Period. Individual part. 1 pages. Phil Beaman #6371983. Published by Phil Beaman (A0.845218). A lullaby with a light touch of jazz. A Lulu of a Lullaby is based on a few bars from the famous Brahm's Lullaby. This piece is for when you are ready to take your beginning skills to the next level. In a gentle, fun, low pressure piece it introduces just a few examples of dotted rhythms, triplets, grace notes, flexible rhythms, chromatics, accidentals, repeats and endings, D.S. and Coda, and many changes in dynamics and articulation. This is a popular recital piece. Or a great challenge/audition piece to show your new Early Intermediate techniques.  Or (even for more advanced players) just for individual fun!

Tenor Saxophone Solo - Level 5 - Digital Download SKU: A0.912916 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 7 pages. Brandon Nelson #1998629. Published by Brandon Nelson (A0.912916). An ideal piece to showcase high level playing with intriguing, colorful music. Appropriate for any concert or recital setting. The first in this set, from darkness, rising, is a lyric caprice which gradually moves from darker modes to brighter modes (locrian to lydian). The next selection, Eidólons, has a veiled, mysterious quality. In this piece, I explore variations based on rhythmic alteration. An eidólon is a spirit or phantasm; the term was a favorite of American poet Walt Whitman. The third entry, Homeostatic, is built upon a concept I refer to as biofeedback music. In this case, I took regularly-spaced readings of my pulse rate and blood oxygen saturation percentage and performed basic arithmetic operations on these figures, the results of which I used to determine a number of musical facets (most notably the essential constituents of the rhythmic gestures). The final piece, Sapta Bodhyanga, I built on a wedge concept (in this case, seven intervals, each becoming larger, ending with the octave). The number seven also features prominently in the design of the rhythmic motives (with chance procedures used in the deployment of these figures). Given the concentration on this number and the use of aleatoric methods, I titled this piece after the Zen Buddhist concept sapta-bodhyang, or seven degrees of enlightenment. Learn more about me at bnelsonmusic.wordpress.com.