Tenor Saxophone Solo - Digital Download

SKU: A0.495366

By Stan Getz & Astrud Gilberto. By Antonio Carlos Jobim, Norman Gimbel, and Vinicius De Moraes. Arranged by Leo Silva. Jazz,Latin. Individual part. 2 pages. Published by MP Sheet Music (A0.495366).

The Girl From Ipanema (Girl from Ipanema) is a Brazilian song from Bossa Nova. It was composed by Antônio Carlos Jobim and written by Vinicius de Moraes in 1962. A 1964 version, recorded by Astrud Gilberto and Stan Getz in the United States, became an international success. This is present on the Getz/Gilberto album, which also included songs by João Gilberto. In the United States, the single reached number five on the Billboard Hot 100, remaining for two weeks, and in the United Kingdom it reached number 29. Ipanema is a beachfront neighborhood located in the southern region of the city of Rio de Janeiro/Brazil. The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helo Pinheiro), a seventeen-year-old girl who lived on Montenegro Street in Ipanema. Every day, she passed the bar-café Veloso on her way to the beach.

Tenor Saxophone Solo - Digital Download

SKU: A0.495367

By Stan Getz & Astrud Gilberto. By Antonio Carlos Jobim, Norman Gimbel, and Vinicius De Moraes. Arranged by Leo Silva. Jazz,Latin. Individual part. 2 pages. Published by MP Sheet Music (A0.495367).

The Girl From Ipanema (Girl from Ipanema) is a Brazilian song from Bossa Nova. It was composed by Antônio Carlos Jobim and written by Vinicius de Moraes in 1962. A 1964 version, recorded by Astrud Gilberto and Stan Getz in the United States, became an international success. This is present on the Getz/Gilberto album, which also included songs by João Gilberto. In the United States, the single reached number five on the Billboard Hot 100, remaining for two weeks, and in the United Kingdom it reached number 29. Ipanema is a beachfront neighborhood located in the southern region of the city of Rio de Janeiro/Brazil. The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helo Pinheiro), a seventeen-year-old girl who lived on Montenegro Street in Ipanema. Every day, she passed the bar-café Veloso on her way to the beach.

Tenor Saxophone Solo - Level 2 - Digital Download

SKU: A0.1468512

Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Leo Silva. Pop. Individual part. 2 pages. MP Sheet Music #1046830. Published by MP Sheet Music (A0.1468512).

Chega de Saudade  (No More Blues)  is a Bossa Nova written by the Brazilian Vinicius de Moraes (lyrics) and Antonio Carlos Jobim (music) in the late 50s and recorded by several artists, such as João Gilberto, Elizeth Cardoso and Os Cariocas . This song has become one of the symbols of bossa nova, and its recording by João Gilberto on July 10, 1958, by the EMI-Odeon label, is considered the initial milestone of this musical genre.

Tenor Saxophone Solo - Level 2 - Digital Download

SKU: A0.1506135

By Astrud Gilberto. By Antonio Carlos Jobum, Astrud Gilberto, and Vinicius De Moraes. Arranged by Samuel Alcântara. Jazz. Individual part. 1 pages. S. Alcântara #1081507. Published by S. Alcântara (A0.1506135).

Uma das obras mais emocionantes da Bossa Nova, Eu não existo sem você traz um enredo melancólico ao passo que é regido pelos incofundíveis acordes de Tom Jobim. A partitura aqui disponível conta tanto com a melodia quanto com as cifras, para o músico compreender harmonicamente a obra e conseguir, caso queira, improvisar com o campo harmônico.

Tenor Saxophone Solo - Level 3 - Digital Download

SKU: A0.489845

Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Leonardo Silva. Jazz. Individual part. 2 pages. MP Sheet Music #105989. Published by MP Sheet Music (A0.489845).

No More Blues (Chega de Saudade) is a Bossa Nova written by the Brazilian Vinicius de Moraes (lyrics) and Antonio Carlos Jobim (music) in the late 50s and recorded by several artists, such as João Gilberto, Elizeth Cardoso and Os Cariocas . This song has become one of the symbols of bossa nova, and its recording by João Gilberto on July 10, 1958, by the EMI-Odeon label, is considered the initial milestone of this musical genre.