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Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.546888 By Julio Iglesias. By Louis Gaste, Morris Albert, and Thomas Fundora. Arranged by Antônio S. Fernandes. Multicultural,Pop,Rock,Traditional,World. Individual part. 1 pages. Antônio S. Fernandes #156825. Published by Antônio S. Fernandes (A0.546888). Feelings is a song by the Brazilian singer Morris Albert, who also wrote the lyrics. Albert released Feelings in 1974 as a single and later included it as the title track of his 1975 debut album. The song's lyrics, recognizable by their whoa whoa whoa chorus, concern the singer's inability to forget my feelings of love. Albert's original recording of the song was very successful, performing well internationally. In mid-1975, Feelings peaked at number six on the Billboard Hot 100 and number two on the Adult Contemporary chart in the United States. In 1986, French songwriter Louis Gasté successfully sued Albert for plagiarism on the grounds that the tune was taken from Gasté's 1957 song Pour Toi; Gasté is now credited as the song's co-author. Morris Albert - Feelings (Sheet Music) Feelings (em português: sentimentos) é uma canção gravada pelo músico brasileiro Morris Albert, lançada em junho de 1974 no álbum After We've Left Each Other. A inspiração para a letra, que fala sobre o fim de um relacionamento amoroso, foi uma figura pública carioca pela qual o músico era apaixonado platonicamente. Na versão original, a base instrumental foi gravada pelo grupo de estúdio Os Carbonos, que também concebeu os vocais de apoio. Entre 1975 e 1976, a canção ocupou as paradas musicais de 52 países, entre elas a estadunidense Billboard Hot 100, chegando ao sexto lugar. #MorrisAlbert #Feelings #AltoSax.
Feelings (?dime?)
Saxophone Tenor
Julio Iglesias
$4.99 4.79 € Saxophone Tenor PDF SheetMusicPlus

Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.912905 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 6 pages. Brandon Nelson #1954833. Published by Brandon Nelson (A0.912905). According to Homer (Odyssey iv:412), the sandy island of Pharos, situated off the coast of the Nile delta, was the home of Proteus, the old god of the sea. In the Odyssey, Menelaus relates to Telemachus that he had been becalmed here on his journey home from the Trojan War. He learned from Proteus’ daughter Eidothea that if he could capture her father, he could force him to reveal which of the gods he had offended and how he could propitiate them and return home. Proteus emerged from the sea to sleep among his colony of seals, but Menelaus was successful in holding him, though Proteus took the forms of a lion, a serpent, a leopard, a pig, even of water or a tree. Proteus then answered truthfully, further informing Menelaus that his brother Agamemnon had been murdered on his return home, that Ajax the Lesser had been shipwrecked and killed, and that Odysseus was stranded on Calypso’s Isle Ogygia. This piece, for solo tenor sax, illustrates that mighty conflict between Menelaus and Proteus. Each movement illustrates a different form the god took in his attempt to evade sharing his knowledge. Composition The rhythmic motives are based on the ancient Greek poetic meters. I translated these patterns of long and short sounds to musical notation (using the sixteenth note as the basic unit). I randomized the order and deployed the resulting phrase as a sort of idee fixe. Each movement uses this rhythmic idea beginning at a different point. The melodic content is based on a pentatonic set and its permutations, primarily its modes. I arrayed these pitches into a grid (not unlike the matrix used in dodecaphonic music) and assigned pitches to the rhythmic motives using differing deployment schemes (rotation, chaining, etc). Learn more about me: bnelsonmusic.wordpress.com.
Proteus
Saxophone Tenor

$7.99 7.67 € Saxophone Tenor PDF SheetMusicPlus






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