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Bassoon Solo - Level 3 - Digital Download SKU: A0.1322904 By Leonard Cohen. By Leonard Cohen. Arranged by Benzaiten Editions. 20th Century,Film/TV,Pop,Singer/Songwriter,Spiritual. Individual part. 2 pages. Benzaiten Editions #911172. Published by Benzaiten Editions (A0.1322904). Hey! Do you want to learn how to play Leonard Cohen's Hallelujah for bassoon solo? It's your lucky day! 🎵Leonard Cohen • Hallelujah | bassoon sheet music Benzaiten Editions' edition | What are you going to find? By purchasing our edition, You'll be able to download: Leonard Cohen's Hallelujah for bassoon solo sheet music About the song Hallelujah, Leonard Cohen's enduring anthem, initially faced rejection by his record company. Its fortune shifted dramatically when it found a place in the 2001 film Shrek, becoming a global sensation.
Hallelujah
Basson
Leonard Cohen
$4.99 4.27 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 3 - Digital Download SKU: A0.1322905 By Leonard Cohen. By Leonard Cohen. Arranged by Benzaiten Editions. 20th Century,Film/TV,Pop,Singer/Songwriter,Spiritual. Individual part. 2 pages. Benzaiten Editions #911175. Published by Benzaiten Editions (A0.1322905). Hey! Do you want to learn how to play Leonard Cohen's Hallelujah for bassoon solo? It's your lucky day! 🎵Leonard Cohen • Hallelujah | bassoon sheet music with chords Benzaiten Editions' edition | What are you going to find? By purchasing our edition, You'll be able to download: Leonard Cohen's Hallelujah for bassoon solo sheet music with chords About the song Hallelujah, Leonard Cohen's enduring anthem, initially faced rejection by his record company. Its fortune shifted dramatically when it found a place in the 2001 film Shrek, becoming a global sensation.
Hallelujah
Basson
Leonard Cohen
$4.99 4.27 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
Basson

$3.50 3 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
Basson

$3.50 3 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 5 - Digital Download SKU: A0.914140 Composed by Tom Swafford. Contemporary. Individual part. 4 pages. Tom Swafford #3575045. Published by Tom Swafford (A0.914140). Showpiece for solo bassoon that uses the bassoon's full range of pitches, dynamics, and articulations, with a lot of drama, energy, rhythmic drive and some rather extreme contrasts.  The title refers to the fact that I wrote it very quickly, almost like an improvisation. I also called it this because of its difficulty. I thought I might be asking too much of someone if I were to ask them to play it. But someone did play it! It was premiered by Ryan Hare in Seattle in 2002. Ryan went on to record it for his album Intrada (Present Sounds Recordings, 2004). duration: 6 minutes. www.tomswafford.com ASCAP.
Imposition for solo bassoon
Basson

$3.00 2.57 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 5 - Digital Download SKU: A0.815235 Composed by Nick Halsey. Concert,Contemporary,Instructional. Individual part. 3 pages. Nick Halsey #5799603. Published by Nick Halsey (A0.815235). These 3 Doodles for Solo Bassoon are acrobatic miniatures showcasing the versatility of the bassoon. Each piece may be played separately or as a collection. Together, these doodles offer experienced bassoonists a vehicle to tell dynamic stories through their individual performance. Total duration is approximately 3:45.The Largo movement is dark and moody, working from the lower to upper register through a series of syncopated melodies. The Andante expands the arpeggiated aspects of the work, leaping through a gorgeous series of B-major sequences spanning the full range of the bassoon. In the moderato movement, an initial aggressive articulated theme gives way to another series of wide arpeggios before weaving the two themes together for a dramatic finish. Together this piece presents unique music that only a solo bassoon could offer.
3 Doodles for Solo Bassoon
Basson

$4.99 4.27 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 3 - Digital Download SKU: A0.844589 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3928119. Published by Phil Beaman (A0.844589). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda.  It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary piano recording of instrument part
Polka Russe-Czerny-Bassoon Solo
Basson

$3.99 3.41 € Basson PDF SheetMusicPlus






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