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Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
Basson

$5.00 4.27 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
Basson

$3.50 2.99 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
Basson

$3.50 2.99 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 3 - Digital Download SKU: A0.1418833 By Bruno Mars. By Albert Winkler, Ari Levine, Bruno Mars, Jeff Bhasker, and Philip Lawrence. Arranged by Gildson Cerqueira. Pop,R & B,Rock,Wedding. Individual part. 2 pages. Gildson Cerqueira #1000234. Published by Gildson Cerqueira (A0.1418833). Unlock the magic of music with my enchanting arrangement of 'Talking To The Moon'! Dive into the soulful melody and intricate harmonies captured in these meticulously crafted sheet music. Whether you're a passionate musician or a dedicated fan, let the notes transport you to a world of emotion and expression. Elevate your performance and captivate your audience with this timeless piece.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
Talking To The Moon
Basson
Bruno Mars
$6.99 5.97 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 3 - Digital Download SKU: A0.1418832 By Bruno Mars. By Albert Winkler, Ari Levine, Bruno Mars, Jeff Bhasker, and Philip Lawrence. Arranged by Gildson Cerqueira. Pop,R & B,Rock,Wedding. Individual part. 2 pages. Gildson Cerqueira #1000233. Published by Gildson Cerqueira (A0.1418832). Unlock the magic of music with my enchanting arrangement of 'Talking To The Moon'! Dive into the soulful melody and intricate harmonies captured in these meticulously crafted sheet music. Whether you're a passionate musician or a dedicated fan, let the notes transport you to a world of emotion and expression. Elevate your performance and captivate your audience with this timeless piece.[VERSIONS WITH OR WITHOUT CHORDS AVAILABLE!].
Talking To The Moon
Basson
Bruno Mars
$6.99 5.97 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 2 - Digital Download SKU: A0.1297613 Composed by Frederic Chopin. Arranged by Milanov. Classical,Romantic Period,Wedding. Individual part. 1 pages. Milanov #887616. Published by Milanov (A0.1297613). Waltz in A Minor B. 150, Op. Posth. by Chopin for bassoon. Easy Intermediate. Chopin's Waltz in A minor, B.150, is a brief yet evocative composition that captures the essence of a wistful dance. Written in 3/4 time, this waltz reveals Chopin's trademark melodic charm and emotional depth in a concise format. The piece opens with a delicate and yearning melody, immediately tugging at the listener's heartstrings. Its brevity doesn't diminish its impact, as Chopin weaves fleeting moments of elegance and melancholy into every note, concluding with a poignant simplicity that leaves an indelible impression of tender nostalgia.
Waltz in A Minor | B. 150, Op. Posth. | Chopin | Bassoon
Basson

$3.99 3.41 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 2 - Digital Download SKU: A0.1298189 Composed by Frederic Chopin. Arranged by Milanov. Classical,Romantic Period,Wedding. Individual part. 2 pages. Milanov #888166. Published by Milanov (A0.1298189). Waltz in A Minor B. 150, Op. Posth. by Chopin for bassoon. Chords. Easy Intermediate. Chopin's Waltz in A minor, B.150, is a brief yet evocative composition that captures the essence of a wistful dance. Written in 3/4 time, this waltz reveals Chopin's trademark melodic charm and emotional depth in a concise format. The piece opens with a delicate and yearning melody, immediately tugging at the listener's heartstrings. Its brevity doesn't diminish its impact, as Chopin weaves fleeting moments of elegance and melancholy into every note, concluding with a poignant simplicity that leaves an indelible impression of tender nostalgia.
Waltz in A Minor | B. 150, Op. Posth. | Chopin | Bassoon | Chords
Basson

$3.99 3.41 € Basson PDF SheetMusicPlus

Bassoon,Piano - Level 1 - Digital Download SKU: A0.1455396 Composed by Antonio Vivaldi. Arranged by Jps Arrangements. Baroque,Traditional,Wedding. Score and part. 2 pages. Jps Arrangements #1034488. Published by Jps Arrangements (A0.1455396). The sheet music “Spring - The Four Seasons” for Bassoon and Piano in B major is the choice Perfect for those looking for beauty and simplicity. With an arrangement that distills the complexity of Vivaldi's work in a pure and accessible form, it is ideal for pianists beginners or for those who want a quick piece and rewarding to play. Easy to learn and delicious to act, this score is an invitation to dive in classical music effortlessly. The arrangement is with the figures.Grab your copy and let spring play on your instrument with ease and elegance!
Spring - The Four Seasons for Bassoon and Piano (B Major with chords)
Basson

$4.99 4.27 € Basson PDF SheetMusicPlus

Bassoon Solo - Level 2 - Digital Download SKU: A0.969558 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publishing #3014299. Published by Digital Print Publishing (A0.969558). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the bassoon part: see also all the individual instrumental parts under the same title.
The Song of Moses and of Miriam at the Red Sea-Bassoon
Basson

$4.51 3.86 € Basson PDF SheetMusicPlus


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