Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.978202 Composed by Jason A. Heald. Easter,Sacred. Octavo. 10 pages. Call of the Wild Publishing #6331719. Published by Call of the Wild Publishing (A0.978202). The First Believers, for SSA voices and piano, is a first-person account of the resurrection as told by three women at the tomb on Easter morning. A lovely and uplifting anthem that is appropriate for women's trio or treble choir. For more music by Jason Heald, visit: www.jasonheald.com YouTube https://www.youtube.com/channel/UCUTF9OekJRYVnh53UJVLN7Q.

Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.774753 Composed by Peter Allen. Arranged by Sandra Milliken. Contemporary. Octavo. 12 pages. Sandra Milliken #5302929. Published by Sandra Milliken (A0.774753). I Still Call Australia Home was written, first performed and recorded by Peter Allen in 1980. In that year the song peaked on the Australian Singles Chart at number 72. But whilst its initial impact was somewhat less than stellar, it has gone on to become one of those songs that is part of the national psyche and is well-known by most Australians.In I still Call Australia Home Peter Allen wrote of his longing, no matter where in the World he might travel, to always return home to Australia, where he could be near his family and friends once again. The song is now regarded as a heart-warming expression of  Australian patriotism and nostalgia for home.Its adoption by Qantas in the mid 1990s as the centrepiece of a long-running advertising campaign exposed a new generation of Australians to the song and greatly boosted its popularity. The Qantas campaign became one of the top Australian television campaigns of all time. It has linked together Australians living at home with those travelling or living overseas. Beginning with a number of well-known Australian musicians, the campaign went on to become associated with the Australian Girls Choir, the National Boys Choir and the Gondwana National Indigenous Children’s Choir.The song has featured in television programs, benefit concerts, sporting event ceremonies, and was included in the musical, The Boy From Oz, which starred Todd McKenney as Peter Allen in the Australian production and Hugh Jackman in the title role when the musical transferred to Broadway.This arrangement, with piano accompaniment, is available in SATB, SSA, SAB and 2-Part voicings.

Choral Choir,Choral (SSA) - Level 4 - Digital Download SKU: A0.1286395 Composed by Craig Carnelia. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Musical/Show,Pop. 10 pages. Music Arrangement Services Inc. #877452. Published by Music Arrangement Services Inc. (A0.1286395). From the Off-Broadway Production “Diamonds�.  This song is dreaming of being a hero at baseball as a youth.  The song refers to baseball, baseball diamonds, diamonds, ninth inning, man on first, man at bat, being proud, scared, stronger, dad, father, sun, roaring crowd, running for home.  This arrangement is designed for high school or college show choir, concert choir or community choir.  Concert Band Score accompaniment also available.  Performance time is approximately 3:45.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1209203 Composed by Andrew Gabriel and Cory Lerois. Arranged by Garrett Breeze. Film/TV,Pop. Octavo. 6 pages. Lagom Music #807314. Published by Lagom Music (A0.1209203). **This product is the SSA piano vocal score**The theme from Disney's Kim Possible, this arrangement sticks very close to the original recording and features a soloist for most of the song.  First performed by Unity HS Vocal Rush in 2020-2021.

Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1412590 By Steve Angrisano and Tom Tomaszek. By Steve Angrisano and Tom Tomaszek. Arranged by Kenneth Martin. Contemporary,Contest,Festival,Instructional,Praise & Worship,Spiritual. 11 pages. Martin Music Editions #994608. Published by Martin Music Editions (A0.1412590). Get ready to ignite the stage with an electrifying rendition of Go Make A Difference, a dynamic arrangement originally crafted by the talented duo of Steve Angrisano and Tom Tomaszek. Now reimagined for sacred youth choirs, this rendition is a firecracker of energy and inspiration, perfect for those momentous occasions like Baccalaureate or Commencement ceremonies.Tailored specifically for SAB voicing, this arrangement is a breeze to prepare, allowing singers to dive headfirst into its infectious rhythms and uplifting harmonies. With choruses that reverberate with hope and determination, there's ample room for singers to pour their hearts into each phrase, fostering deep connections with the empowering message.The piano accompaniment is a driving force, crafted with the intermediate student accompanist in mind. It pulses with energy, propelling the choir forward while providing a sturdy foundation for the voices to soar.Based on the timeless wisdom of Matthew 5:13–16, the text of Go Make A Difference is a beacon of light in a world hungry for hope. Its words resonate particularly strongly with youth voices, inspiring them to rise to the occasion and be the change they wish to see.But here's where things truly get exciting: soloists take center stage during the verses and final chorus, infusing their unique talents into the performance. And when the breakdown section hits, complete with hand claps, the energy skyrockets, turning the performance into a celebration of passion and purpose.Directors, let your creativity run wild with this arrangement. Use it as a canvas for improvisation, exploring different vocal textures and dynamics. Whether you stick to the script or venture into uncharted musical territory, the possibilities are as limitless as the stars in the sky.With its pulsating energy, empowering message, and unwavering faith, this arrangement of Go Make A Difference is not just a song—it's a call to action. So grab your choir robes, raise your voices, and get ready to set the world on fire with your music!

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.818188 Composed by Philip Le Bas. Christian,Sacred. Octavo. 11 pages. Philip Le Bas #6271973. Published by Philip Le Bas (A0.818188). A short, attractive setting of Psalm 121 for three-part (SABar) choir and piano. It is written with parish choirs in mind (with their abundance of soprano and alto voices, but relative lack of male voices!), and consists of three sections. The first part presents the richly harmonised piano accompaniment in the form of a ritornello and the principal, rising melody from the choir, looking to the mountains for an answer to life's challenges and asking from where shall come my help? The second section presents short, pithy phrases sung by each voice separately expressing different ways in which God comes to their aid. The initial melody and accompaniment, repeating the first lines of the psalm, finally return in an altered form (both harmonically and melodically), and the setting ends with a celebration of confidence in the Lord who made heaven and earth.

Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1267636 By Glenn Miller & His Orchestra. By Joe Garland. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Jazz. 16 pages. MTC Publishing #860176. Published by MTC Publishing (A0.1267636). In The Mood - Choral Arrangement for SSA and Piano - Arranged by Michael Thomas CoullIn The Mood is a popular big band-era jazz standard, recorded and made popular by American band leader Glenn Miller in 1939.  Composer Joe Garland (also Glenn Miller’s arranger) based In The Mood on a riff from the composition Tar Paper Stomp by Wingy Manone, and lyrics were added by Andy Razaf.  The first recording under the name 'In The Mood' was released by Edgar Hayes & His Orchestra in 1938.In 1983, the Glenn Miller recording from 1939 was inducted into the Grammy Hall of Fame.  In 2004, the recording was inducted into the Library of Congress National Recording Registry which consists of recordings that are ‘culturally, historically, or aesthetically significant’.In 1999, National Public Radio (NPR) included the 1939 Glenn Miller recording in its list of 'The 100 most important American musical works of the 20th century'. Glenn Miller’s record In The Mood, with I Want To Be Happy on the B-side, became the best-selling swing instrumental record of all time.This 'Andrew Sisters style' SSA choral arrangement is an exciting and fun jazzy song - a great addition to any choir concert.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.774769 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 9 pages. Sandra Milliken #6021499. Published by Sandra Milliken (A0.774769). Ebony and Ivory was written by Paul McCartney and released in March 1982 as a recoding by Paul along with Stevie Wonder. It reached number one on both the UK and the US charts. It was Stevie Wonder's first number-one single in the UK, his only other one being I Just Called to Say I Love You in 1984.At a very basic level, the song is about the black and white keys on a piano. But at a deeper level, the ebony and ivory keys are a metaphor for racial harmony, equality and integration. Paul liked the piano analogy, since you can play the instrument using just the white keys or just the black keys, but to make great music, you really have to combine the two.Ebony and Ivory is available in four arrangements (all with piano accompaniment) for SATB, SSA, SAB and 2-Part choirs.Each arrangement begins with a classically-inspired piano accompaniment that soon modulates into the soft rock feel that made this song so popular for so many decades. Solo options are included and the well-known guitar solo has be rewritten as a scat solo with the option to ad lib over the repeated motifs.

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.774770 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 8 pages. Sandra Milliken #6021501. Published by Sandra Milliken (A0.774770). Ebony and Ivory was written by Paul McCartney and released in March 1982 as a recoding by Paul along with Stevie Wonder. It reached number one on both the UK and the US charts. It was Stevie Wonder's first number-one single in the UK, his only other one being I Just Called to Say I Love You in 1984.At a very basic level, the song is about the black and white keys on a piano. But at a deeper level, the ebony and ivory keys are a metaphor for racial harmony, equality and integration. Paul liked the piano analogy, since you can play the instrument using just the white keys or just the black keys, but to make great music, you really have to combine the two.Ebony and Ivory is available in four arrangements (all with piano accompaniment) for SATB, SSA, SAB and 2-Part choirs.Each arrangement begins with a classically-inspired piano accompaniment that soon modulates into the soft rock feel that made this song so popular for so many decades. Solo options are included and the well-known guitar solo has be rewritten as a scat solo with the option to ad lib over the repeated motifs.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.891202 Composed by Laurie Betts Hughes. Contemporary. Octavo. 11 pages. Dandelion Music Press #3104027. Published by Dandelion Music Press (A0.891202). If you are looking to highlight your women's group and feature soloists from within the ensemble, this women's-choir-friendly piece is a harmonically interesting and pianistically supported way to explore those textures.The composer writes: I often find it difficult to find music for grown women: much treble repertoire is written for children's ranges and feature children's themes, and the remainder seems to be about romantic relationships.  When searching for a text that speaks to the nature of a woman, I found Emily Dickinson's little-known For largest Woman's Heart I knew.  It seemed to pair naturally with Heart! We will forget him! and provide context rooted in personal strength.While Dickinson was a prolific private poet, fewer than a dozen of her nearly 1,800 poems were published during her lifetime, usually altered significantly to fit the conventional poetic rules of the time.  A complete, and mostly unaltered, scholarly collection of her poetry first became available five full years after Aaron Copland's musical settings of her poetry.  Laurie Betts Hughes explores what Copland never had the chance to: Emily Dickinson's poem as the poet had conceived it, unedited, and with the punctuation she intended.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.1044224 By The Calling. By Aaron Kamin and Alex Band. Arranged by Antony Zambolt. Pop. Octavo. 13 pages. Antony Zambolt #648953. Published by Antony Zambolt (A0.1044224). SSAAB choral arrangement of The Callings hit song, Wherever You Will Go of 2001. Baritones and Soprano 1s take the lead on the first verse with lush harmonies throughout. A strong a cappella ending will wow your audience. Suited to secondary school and community choral groups.

Choral Choir (SAT) - Digital Download SKU: A0.899704 Composed by W. Timothy Bailey. Christian,Gospel,Sacred. Octavo. 2 pages. JeFirst Music #2897549. Published by JeFirst Music (A0.899704). A touching, fresh, passionate and thought-provoking selection appropriate for an Altar Call, Rededication, Invitation or Homecoming.

SAB choir, organ - Moderately Easy - Digital Download SKU: MQ.50-8321-E Composed by Charles E. Callahan Jr. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-8321-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-8321-E). English.O Esca Viatorum (O Food That Weary Pilgrims Love). Said to have been written by a German Jesuit of the 17th century, the text translation originally accompanied a set of Introits issued in connection with the first edition of Hymns Ancient and Modern, 1861. Callahan has set this beautiful text to an equally beautiful melody. Appropriate for Communion or general use.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.719784 Composed by Curtis Hanson. Christian,Christmas,Sacred. Octavo. 6 pages. Curtis Hanson #6572757. Published by Curtis Hanson (A0.719784). This wonderful Christmas text is here given a new treatment with an original melody and three-part SSA harmonization. The first verse is for optional solo with a humming choral accompaniment and is in a minor mode. The second verse is tutti with all voices singing the text and is in the parallel major. The final verse incorporates the familiar tune by Gustav Holst. The piece concludes by recalling the original humming motif in the middle voices. This work has comfortable ranges and relatively easy voice-leading so is accessible for a wide variety of choral abilities, but it requires a good ear for the close harmonies. It is also available in SATB and SAB voicings.