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Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1273402 Composed by Irving Berlin. Arranged by Laura Harrison. Jazz. Octavo. 36 pages. LauraHarrisonMusic #865557. Published by LauraHarrisonMusic (A0.1273402). This is a great arrangement for a budding SSA choir or a 2-part choir that wants to try something with a little more challenge.The Ella Fitzgerald solo (which I will link) is one of the best vocal improvisations of the era. The introduction on the recording is not featured here. Her solo is.Please contact me if it would be helpful for you to receive a written out bass part, piano part, guitar part, or drum part. Most people who buy my charts don't want it. That being said, I would love to do that for you (at no extra cost to you) if you would like. Just provide me with proof of purchase of the arrangement and I'll email those to you.For Printing (to save paper), you only need to print the full score for the director. You will only need two copies of each rhythm section part (one for the performer, one for the director) and 10 copies of your SSA charts for your students.If you would like a perpetual license for your school (so you don't have to buy more copies since that option isn't available at Hal Leonard). What you can do is the following: if you pay for 30 copies ($90 is how much I usually charge for arrangements), I will be happy to write you a letter giving you and your school a perpetual license to use my arrangement. It is perfectly legal since you will have paid for the arrangements.Please contact me at: DrLauraHarrison@gmail.com if you have any questions, would like written out rhythm section parts, or would like me to arrange something else for you.
You Keep Coming Back Like A Song
Chorale 3 parties

$3.00 2.55 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.888086 By Peggy Lee. By Bill Schluger and Peggy Lee. Arranged by Ruby Rhea/Ken Potter. Pop. Octavo. 4 pages. Ken Potter #6788411. Published by Ken Potter (A0.888086). This arrangement for female quartet (SAI) was originally written by Ruby Rhea. I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Please observe all copyright laws and contest rules for clearance. Ruby wanted her charts to be used by the public legally. Please note that I do not receive compensation for managing her charts. Contact me directly if you need to speak to me about Ruby Rhea's material. (310-702-5285).
I Love Being Here With You
Chorale 3 parties
Peggy Lee
$5.00 4.25 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.774770 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 8 pages. Sandra Milliken #6021501. Published by Sandra Milliken (A0.774770). Ebony and Ivory was written by Paul McCartney and released in March 1982 as a recoding by Paul along with Stevie Wonder. It reached number one on both the UK and the US charts. It was Stevie Wonder's first number-one single in the UK, his only other one being I Just Called to Say I Love You in 1984.At a very basic level, the song is about the black and white keys on a piano. But at a deeper level, the ebony and ivory keys are a metaphor for racial harmony, equality and integration. Paul liked the piano analogy, since you can play the instrument using just the white keys or just the black keys, but to make great music, you really have to combine the two.Ebony and Ivory is available in four arrangements (all with piano accompaniment) for SATB, SSA, SAB and 2-Part choirs.Each arrangement begins with a classically-inspired piano accompaniment that soon modulates into the soft rock feel that made this song so popular for so many decades. Solo options are included and the well-known guitar solo has be rewritten as a scat solo with the option to ad lib over the repeated motifs.
Ebony And Ivory
Chorale 3 parties
Paul Mccartney W/Stevie Wonder
$2.20 1.87 € Chorale 3 parties PDF SheetMusicPlus

Choral 3-Part Mixed Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1503626 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Mark A. Brymer. Contemporary,Pop,Rock,Singer/Songwriter,Standards. 9 pages. Brymark Publishing #1079101. Published by Brymark Publishing (A0.1503626). Available now on SheetMusicDirect.comBIRDS OF A FEATHER - choralSATB, 3-Part Mixed , SSA. (approx. 3:05) Now at the TOP of the CHARTS. The lead single off the new Billie Eilish hit record. Be the first to perform this song with your choir. This BETA-VERSION is only available for a limited time on SheetMusicDirect.com. Once it's available in print, it will be off this site and available from your favorite dealer.
Birds Of A Feather
Chorale 3 parties
Billie Eilish
$2.99 2.54 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir,Choral (SSA) - Level 2 - Digital Download SKU: A0.881162 By Rachel Platten. By Dave Bassett and Rachel Platten. Arranged by Rebecca (Boo) de Bruin. Pop. 6 pages. Rebecca de Bruin #3879389. Published by Rebecca de Bruin (A0.881162). Words and Music by Rachel Platten and David Bassett. Arranged in 2016 by Rebecca (Boo) de Bruin. 6 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice the men's barbershop voicing names are used (tenor, lead, baritone and bass) and an octave-shifted bass clef is used for the baritone and bass parts. Fight Song was recorded in 2015 by Rachel Platten. It peaked at number 6 in the Billboard 100 chart, and also topped the charts in the UK . This arrangement was written for a chorus of young women, and as such the ranges are relatively narrow. It is suitable for middle school / high school groups (although might be better sung in G than F for particularly young voices), with a positive, self-empowering message.  Vocal ranges are:Tenor (S1): F4 - D5 (F above middle C to D above high C)Lead (S2): A3 - D5 (A below middle C to D above high C) - However, until the last two bars, the lowest note is a middle C. By swapping the baritone and lead parts at the end, it would be possible to keep this part on middle C and above.Baritone (A1): A3 - Bb4 (A below middle C to Bb above middle C)Bass: F3 - G4 (F below middle C to G above middle C)
Fight Song
Chorale 3 parties
Rachel Platten
$1.99 1.69 € Chorale 3 parties PDF SheetMusicPlus






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