Choral Choir (SAB) - Digital Download

SKU: A0.986162

Composed by Graham Dickson-Place. Christian,Concert,Easter,Sacred. Octavo. 7 pages. Gramonimusica 2021 #6347721. Published by Gramonimusica 2021 (A0.986162).

This is an Easter Anthem telling the story of the angel visiting the two Marys at the tomb. It is for Soprano Solo, SAB with piano or organ accompaniment.

Choral Choir (SAB) - Level 2 - Digital Download

SKU: A0.1240322

By Edison Lighthouse. By Barry Mason and Tony MacAuley. Arranged by Roger Emerson. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Rock. Octavo. 12 pages. EMERSONGS #835692. Published by EMERSONGS (A0.1240322).

This infectious melody of the 70's Hit by Edison Lighthouse is fun to sing and easy 3-part harmony on the chorus.  Tenor/Basses are featured on the verses and the range is perfect for emerging voices.  The song was featured in the movie Shallow Hal and has been requested recently by school singers.

Choral Choir (3-Part Mixed) - Level 2 - Digital Download

SKU: A0.1170213

Composed by Mary Rounsavall. Contest,Festival,Instructional,Patriotic,Standards,Traditional. Octavo. 6 pages. Mary Rounsavall #770581. Published by Mary Rounsavall (A0.1170213).

BEST SELLING PATRIOTIC WORK!!

Three part easy with piano accompaniment - perfect for Veteran's Day or other patriotic holiday performance.

·         Copyright Requirements: One purchased copy of sheet music per performer, director, and accompanist must be in possession of the organization performing this work.

Choral Choir (SAA) - Level 4 - Digital Download

SKU: A0.1175267

Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #775419. Published by Kevin G. Pace (A0.1175267).

A beautiful, inspiring choral composition for women's choir inspired by the story of Esther.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.

Text:
For such a time as this we come to fight the foe,
Wherever we are placed, like Esther long ago. 
Though Satan lays his snares and tries our souls to cheat,
Our courage we'll maintain; our mission we'll complete. 

Not on our watch, we will not retreat. 
Yes, on our watch, Satan we will beat. 
Not on our watch, we will not withdraw. 
Yes, on our watch, we will keep God's laws. 

For such a time as this, through covenants we'll convey
Our trust in God's sure care until the coming day. 
We will manifest true faith and cheerfully comply. 
We'll consecrate our all and honor God on high. 

Not on our watch, we will not recede. 
Yes, on our watch, we will ever heed. 
Not on our watch, we'll not fail to stand. 
Yes, on our watch, we will take God's hand. 

For such a time as this, our Savior's always near. 
By fasting and through prayer, we will not ever fear.
We have come to do his will, and in his strength abide.
For such a time as this, our God is by our side. 

Yes, in these days, vict'ry we will claim. 
Yes, we'll conquer, honoring his Name. 
This is our time, courage He'll bestow, 
And, like Esther, heaven's God we know. 

And, like Esther, heaven's God we know.

Choral Choir (SSA) - Level 2 - Digital Download

SKU: A0.854317

Composed by Melanie B. Guerin. Contemporary,Folk,Standards. Octavo. 8 pages. Melanie B Guerin #3445159. Published by Melanie B Guerin (A0.854317).

This haunting piece for SSA women's choir tells the tale of an important but relatively unknown figure from history, amateur paleontologist Mary Anning, whose groundbreaking fossil discoveries on the coast of England contributed to our understanding of prehistoric life and evolution.

Lulling 6/6 rhythms conjure the ebb and flow of the tide along Lyme Regis, where Mary Anning found and sold her fossils. The lyrics reference the tongue twister She sells sea shells by the sea shore, which some claim was inspired by Anning, as well as descriptions of the sea dragon (plesiosaur) that she discovered. After noting that Anning is now buried in the same lias clay that once held her greatest discoveries, the music fades into the sounds of the waves rolling onto shore.

Difficulty: Medium Easy

Optional part also available for alto saxophone.
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Choral Choir (SAB) - Level 2 - Digital Download

SKU: A0.1127905

Composed by Traditional. Arranged by Philip Le Bas. Christmas,Easter,Sacred,Traditional. Octavo. 57 pages. Philip Le Bas #728514. Published by Philip Le Bas (A0.1127905).

A new setting by Philip Le Bas of the ancient carol The Seven Joys of Mary (or Joys Seven, or a variety of other possible titles.) This version includes easy accompaniment parts for flute, clarinet, horn, bassoon and piano. Since medieval times the number of Joys of Mary has varied between five, seven, ten and twelve, but the the current number of seven has become popular, especially since the basic harmonization of R.R. Terry published in 1833 and the contemporary version for 8-part choir by Stephen Cleobury in the OUP's Carols for Choirs series. (A history of the carol can be found in the New Oxford Book of Carols, edited by H Keyte and A Parrott, p.462f.) The version presented here is kept relatively simple to perform, being scored only for a three-part choir (SABar - soprano, alto, baritone) and piano, but with plenty of interest including changes in voicing, changes of rhythm (especially verse 6) and two key changes. The arranger hopes performers and listeners will find it energetic and fun! It should certainly be sung in that spirit! Although often associated with Christmas, it could in fact be performed in any season, including Easter, referring as it does to the whole life, death and resurrection of Christ.

Choral Choir,Choral (SAB) - Level 2 - Digital Download

SKU: A0.1127914

Composed by Traditional. Arranged by Philip Le Bas. Christian,Christmas,Easter,Sacred. 57 pages. Philip Le Bas #728523. Published by Philip Le Bas (A0.1127914).

A new setting by Philip Le Bas of the ancient carol The Seven Joys of Mary (or Joys Seven, or a variety of other possible titles.) This version includes the optional flute and B flat clarinet parts. Since medieval times the number of Joys of Mary has varied between five, seven, ten and twelve, but the the current number of seven has become popular, especially since the basic harmonization of R.R. Terry published in 1833 and the contemporary version for 8-part choir by Stephen Cleobury in the OUP's Carols for Choirs series. (A history of the carol can be found in the New Oxford Book of Carols, edited by H Keyte and A Parrott, p.462f.) The version presented here is kept relatively simple to perform, being scored only for three-part choir (SABar - soprano, alto, baritone) and piano, but with plenty of interest including changes in voicing, changes of rhythm (especially verse 6) and two key changes. The arranger hopes performers and listeners will find it energetic and fun! It should certainly be sung in that spirit! Although often associated with Christmas, it could in fact be performed in any season, including Easter, referring as it does to the whole life, death and resurrection of Christ.