Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.787081 By The Shirelles. By Carole King and Gerry Goffin. Arranged by Matt Lammin. Hip-Hop,R & B. Octavo. 5 pages. Matthew Lammin #3591475. Published by Matthew Lammin (A0.787081). SAT arrangement (also works as SSA arrangement) of Will You Still Love Me Tomorrow by Carole King and more recently by Amy WinehouseThis piece should be accompanied by piano and/or guitar; chords are included above the stave for this purpose. The arrangement is written out in open score.Arrangement by Matt Lammin (mattlammin.com)

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.787050 By Bastille. By Dan Smith. Arranged by Matt Lammin. Rock. Octavo. 11 pages. Matthew Lammin #3591401. Published by Matthew Lammin (A0.787050). SSA arrangement of Pompeii by BastilleThis piece should be accompanied by piano and/or guitar; chords are included above the stave for this purpose. The arrangement is written out in open score.Arrangement by Matt Lammin (mattlammin.com)

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.883403 By Bastille. By Dan Smith. Arranged by Matthew Udland. A Cappella,Rock. Octavo. 14 pages. Midwest A Cappella #6856805. Published by Midwest A Cappella (A0.883403). SSSAAA plus soloistBastille's Pompeii is an exciting anthem of 2010s pop.  This treble arrangement for 7 voices (SSSAAA plus soloist) makes a terrific closer for your pop a cappella set.  The piece is laid out as two trios who can rehearse their progressions together with a fun polyphonic section in the middle.

Choral Choir (SAA) - Level 3 - Digital Download SKU: A0.518763 By Dave Matthews Band. By David Matthews. Arranged by Alandra Blume and Jeffrey Brannon. A Cappella,Contemporary. Octavo. 11 pages. Jeffrey Brannon #129471. Published by Jeffrey Brannon (A0.518763). Choral arrangement of Singing From The Windows by David J. Matthews, for three-part women's ensemble. In the early months of 2020, the COVID-19 pandemic caused lockdowns worldwide, including in the country of Italy. During this time of fear and social isolation, Italians still made music together, singing from their windows and playing instruments from their balconies. Inspired by their resilience, Dave Matthews wrote this tribute, which was first performed via livestream in March of 2020. In this a cappella arrangement, ideal for both rote learning and sight-reading, each voice part sings a section of the melody, while the lowest harmony also provides an ostinato. Arrangement is in the original Key of B and is also available in the Key of C upon request.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.921652 Composed by 16th Century English Christmas Carol. Arranged by Tom Dwight. A Cappella,Christmas,Renaissance,Sacred,World. Octavo. 2 pages. Tom Dwight #3686159. Published by Tom Dwight (A0.921652). The Coventry Carol is a 16th Century English Christmas Carol. In the form of a lullaby, it depicts the portion of the Christmas story from the book of Matthew when Herod orders the slaughter of all male infants under the age of two. While the subject matter is rather dark, it is still a beautiful and haunting melody. I hope you enjoy this arrangement!Please take a look at the other titles I have for sale. You can also join my mailing list and get some free sheet music as well as some other great deals: https://mailchi.mp/bfc4f2619558/tommydwightmusicTom Dwight919.395.8423tommydwightmusic@gmail.com

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious,Sacred,Traditional. Octavo. 8 pages. Philip Le Bas #721616. Published by Philip Le Bas (A0.1120365). A new arrangement by Philip Le Bas of a thirteenth century French Christmas carol from Provence harmonized by Jean-Baptiste Lully (1632-87, attrib.) and, more famously, by Georges Bizet (1838-75, in his L'Arlesienne Suite of 1872.) In France the melody is still tightly associated with Christmas, and French audiences start singing their own Christmas words whenever they hear the melody (the arranger has heard it himself!) The English translation used here is adapted from a variety of sources. The three kings (or more precisely the magi from St Matthew's gospel) are seen marching towards Bethlehem with their fantastic golden wealth and grandeur. But why are they going to see a low-born baby and why do they worship this child who will die on a cross? The organ sets the scene from the beginning with its marching accompaniment, and the first verse is sung in unison by all three parts. The second begins with a canon, as used by Bizet, and then breaks into harmony. The first section of the third verse is much quieter and legato, sung by the sopranos and altos, using wonderful chromatic harmonies based on another section from Bizet's suite. The lyrics express wonder at the beautiful music heard from the camp of the kings. The second section, sung in differentiated unison then begins to wonder why the kings stoop so low to a baby in a manger. Finally the fourth verse, sung in full harmony, returns to the marching accompaniment and reiterates the amazement of meeting these kings with their mysterious mission. The carol is aimed at parish choirs with limited resources, but a good organist. The melody is well-known, much of it is in unison, and other sections are relatively easy to sing. Care should however should be taken to sing the dotted rhythms accurately - this is what gives the carol its marching character.