Choral 3-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1445623 Composed by Jacqueline Sadler. Children,Contest,Festival,Patriotic. 5 pages. Soft Pedal Life #1024771. Published by Soft Pedal Life (A0.1445623). We are the now! And we are proud!People from the whole wide world come to where the maple leaf's unfurled. We Are Canadian is a groovy little number for when you're ready to sing your Canadian Pride! Composed mostly in unison with a three-part chorus that can be sung with any voices, and a spoken section, it is quickly learned and able to be performed by ensembles of varying skill.Educators will enjoy using the lyrics as a jumping off point for lessons in Canadian geography, culture, and more. We Are Canadian will be a hit at events surrounding Canada Day, citizenship celebrations, opening ceremonies, and more. We are Canadian, and this is our home!

SSA choir, Piano - Digital Download SKU: LX.15-3732H Composed by Nadia Boulanger. Arranged by Douglas E. Wagner. General. Octavo. 8 pages. Heritage Music Press #e15/3732H. Published by Heritage Music Press (LX.15-3732H). ISBN 9780787768317.Nadia Boulanger's short, but exquisitely beautiful, setting of words from the last section of the Requiem mass is a highly spiritual work that reaches deep into the soul of the listener. A lightly pulsating quarter note accompaniment contrasts with finely crafted, melodically driven vocal lines. The original vocal solo is realized here in a full scoring that draws upon the unique qualities of women's voices.

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1266693 Composed by Traditional. Arranged by Colin Kirkpatrick. Contest,Country,Festival,Folk,Multicultural,World. Octavo. 11 pages. Colin Kirkpatrick Publications #859371. Published by Colin Kirkpatrick Publications (A0.1266693). This ever-popular American folksong probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. Paddling their canoes along the Mississippi and Missouri Rivers the traders were well-known for their singing. However, as most of the traders were illiterate, the songs were never written down and went through numerous changes over the years and centuries. Shenandoah became one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Most versions of the song have a similar couplet at the end of each verse. In some transcriptions, the melody is written out entirely in 4/4 time; others use triple time and some arrangements use a mixture of both. In this version, the lyrics have been selected from different versions of the song. This SAB arrangement for choir and piano is intended for high school, college or amateur choir and is ideal if the number of male voices is limited. The song is set in E flat major and modulates into F major. There is only one brief divisi passage (3 measure) of sustained notes in the soprano part. The top soprano note is F5 on the top line of the treble staff and the lowest note is B♭3 just under the staff. The top alto note is B♭ (mid-staff) (B♭4) and the lowest note is also B♭3. The top baritone note is the D above the bass staff (D4) and the lowest note is the low A♭ on the bass staff (A♭2). With a running time of 04:00 this piece is enjoyable to sing and hear. It’s an essential addition to your choir’s repertoire.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1257261 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Patriotic,Traditional. Octavo. 11 pages. Colin Kirkpatrick Publications #850592. Published by Colin Kirkpatrick Publications (A0.1257261). Here’s a new SSA choir arrangement of that ever-popular American folksong Shenandoah.  The original song probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. These traders exchanged weapons and tools for animal furs, especially beaver pelts. Paddling their canoes along the Mississippi and Missouri Rivers the traders were well-known for their singing. However, as most of the traders were illiterate, the songs were never written down and went through numerous changes over the years and centuries. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: evidently an individual of commanding presence who lived for over a hundred years.  Shenandoah became one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Most versions of the song have a similar couplet at the end of each verse. In some transcriptions, the melody is written out entirely in 4/4 time; others use triple time and some arrangements use a mixture of both. In this version, the lyrics have been selected from different versions of the song. This SSA arrangement for choir and piano is conceived for boy choir or girl choir and within easy technical reach of amateur or school choirs. The top soprano note is high F on the treble staff and the other parts fall well within the usual choral range. Each section of the choir takes the melody at some point. With a running time of 04:00 this piece is enjoyable to sing and hear. It’s an essential addition to your choir’s repertoire.

Choral Choir (SAT) - Level 2 - Digital Download SKU: A0.1274491 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Multicultural,Traditional,World. Octavo. 11 pages. Colin Kirkpatrick Publications #866635. Published by Colin Kirkpatrick Publications (A0.1274491). This ever-popular American folksong probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. Paddling their canoes along the Mississippi and Missouri Rivers the traders were well-known for their singing. However, as most of the traders were illiterate, the songs were never written down and went through numerous changes over the years and centuries. Shenandoah became one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Most versions of the song have a similar couplet at the end of each verse. In some transcriptions, the melody is written out entirely in 4/4 time; others use triple time and some arrangements use a mixture of both. In this version, the lyrics have been selected from different versions of the song. This SAT arrangement for choir and piano is intended for high school, college or amateur choir and is ideal if the number of male voices is limited. The song is set in E flat major and modulates into F major. There is only one brief divisi passage (3 measure) of sustained notes in the soprano part. The top soprano note is F5 on the top line of the treble staff and the lowest note is E ♭ on the lowest line of the staff. The top alto note is B♭ (mid-staff) (B♭4) and the lowest note is B ♭3. The top tenor note is D4 (middle of treble staff) and the lowest note (only twice) is the low B flat (with an optional B flat an octave higher). With a running time of 04:00 this piece is enjoyable to sing and hear. It would make a useful addition to your choir’s repertoire. 

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.888797 Composed by Jean-Jacques Goldman, Nadia Mladjao, and Stephane Goldman. Arranged by Natalie Goossens. A Cappella. Octavo. 6 pages. Natalie Goossens #6099105. Published by Natalie Goossens (A0.888797). In this beautiful love song, two lovers seduce each other, with respect. Imany sings about the physical love and the spiritual, divine love. It’s a fragile, sensible song that touches your heart. For concert choirs. Duration: 3'00

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1013551 Composed by Jean de Brebeuf. Arranged by Abigail Clarke. A Cappella,Christmas,Classical,Sacred,Spiritual. Octavo. 5 pages. Abigail Clarke #6503423. Published by Abigail Clarke (A0.1013551). This Canadian Christmas carol has been arranged for Soprano, Alto, Bass. Can be performed as a trio or choir. A wonderful modal melody with beautiful counterpoint and duetting.Ranges: Bass G2-Bâ™­3, Alto G3-Bâ™­4, Soprano G4-A5 (lower option split G5).

SSA choir and piano - Medium - Digital Download SKU: MQ.7.0672-E Composed by Stephen Chatman. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Instrument part. 12 pages. Duration 2 minutes, 40 seconds. Galaxy Music Corporation - Digital #7.0672-E. Published by Galaxy Music Corporation - Digital (MQ.7.0672-E). UPC: 600313706721. English.Night Vision was commissioned by Persephone Singers, a women’s choir in Whitehorse, Yukon, directed by Barbara Chamberlin. It was premiered on May 2, 2015 at the Yukon Arts Centre in Whitehorse. This setting of Whitehorse poet, Joanna Lilley, was part of Whitehorse Community Choir’s major commissioning project, which paired Yukon poets with Yukon and Canadian composers and arrangers. The words and music of Night Vision convey the spirit of the cold, vast northern wilderness. The fast, energetic music complements images of wild foxes, coyotes and wolves at night, through the back gate, two pairs of eyes electric in the flash-light. Contrasting homophonic and contrapuntal sections build in intensity toward the climactic final moments and a loud ending. This piece would be an effective finale to a set or program. Duration: 2:40.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1168510 Composed by Dr. John McCrae, John Jacobson, and Roger Emerson. Arranged by John Bouwmans. Historic. Octavo. 9 pages. Music4voices #768845. Published by Music4voices (A0.1168510). The poem “In Flanders Fields� was written by Canadian army doctor John McCrae during World War I, after his friend Alexis Helmer got fatally injured on May 2, 1915.Many arrangements of this poem include the 5th line musically in the second verse, whereas this line belongs to the first verse. In this version, along with various other changes, the music follows the original poem correctly. Arranged by John Bouwmans. Full Score (5 pages) and Choral Score (2 pages). Performance time approx. 2:35. SMP-401G.

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1359618 By Sarah McLachlan. By Sarah McLachlan. Arranged by Tom Rodgers. 20th Century,Pop. 11 pages. Tom Rodgers #944086. Published by Tom Rodgers (A0.1359618). Drawn To The Rhythm is by Canadian singer/songwriter, Sarah McLachlan, who has seen success since the 1980s. This song was written in 1992, the third single from her album “Solace�, and reached #1 on the RPM Cancon chart. The idea of “being drawn to the rhythm of the sea� is something that appeals to many, pulling people away from the craziness of life to the simplicity of nature. This arrangement is for an SAB of an intermediate standard. The recording is by the combined choirs of the United Singers (Hornchurch) and the New Essex Choir (Barkingside) accompanied by a professional chamber orchestra in 2023.

Choral Choir,Choral (SAT) - Level 2 - Digital Download SKU: A0.1374918 By Oscar Peterson. By Harriette Hamilton and Oscar Peterson. Arranged by Dominique Hogan and Marcus Mosely. Blues,Contemporary,Jazz,R & B. 4 pages. Dominique Hogan #959487. Published by Dominique Hogan (A0.1374918). Hymn to Freedom is Canadian Jazz Pianists Oscar Peterson's most relevant and timeless pieces. Written in 1962, it was swiftly embraced by people over the world as the anthem of the Civil Rights Movement. For more information on this piece visit: https://www.cshf.ca/song/hymn-to-freedom/ Arranged by Dominique Hogan and Marcus Mosely, this rendition is set for a soloist and SSAT. A great addition to your black history month concert.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1134293 Composed by Calixa Lavalée. Arranged by David Rosborough. Patriotic. Octavo. 2 pages. David Rosborough #734376. Published by David Rosborough (A0.1134293). The Canadian national anthem, O Canada, arranged for SAB choir (a capella). This arrangement features comfortable ranges for younger singers, while maintaining the traditional harmonies of the beloved anthem.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.978243 Composed by Jason A. Heald. Concert,Contemporary. Octavo. 13 pages. Call of the Wild Publishing #6620579. Published by Call of the Wild Publishing (A0.978243). Wanderlied for SATB voices and piano, is a setting of a text by Canadian poet Majorie Lowry Christie Pickthall, (1883-1922). The beautiful imagery of Pickthall's poetry is set to a lilting piano accompaniment. The arrangement is available for SATB and SAB choirs, and is accessible for all mixed choirs large and small.

Chorus - Digital Download SKU: AX.00-PO-0002359 Haven't Met You Yet - SAB. Composed by Alan Chang, Amy Foster, and Michael Buble. Arranged by Alan Billingsley. Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0002359. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002359). UPC: 038081361307.Here's the first single released from Canadian jazz singer Michael BublA(c)'s album Crazy Love. His upbeat contemporary sound and harmonies translate wonderfully in this choral setting. This title is available in Music Prodigy.Recorded Acc. Available.

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standards. 16 pages. J M Starr Music #973074. Published by J M Starr Music (A0.1389486). “Hallelujah� was originally released by Canadian singer/songwriter Leonard Cohen in 1984 on his album Various Positions. This composition, however, is one of the few in history that may be more well-known due to covers of the song than the original version. In 1991, John Cale did a cover of the song that removed the synthesizers, gospel choir, full band, and low, borderline-talking bass voice from Cohen’s original; and replaced it all with a bare-bones piano and tenor voice. It is not difficult to argue that this arrangement of the composition became the definitive version that all future covers would be based on: from Jeff Buckley’s stripped-down guitar and voice 1994 version, to Rufus Wainright’s piano and voice 2001 cover for the soundtrack to the motion picture Shrek, to k.d. lang, the a cappella group Pentatonix, and many, many more.When I first arranged this song in 2010 for my 8th grade SAB choir, I did not know the John Cale version existed; rather, I started by transcribing the Rufus Wainright recording and then made it my own from there. My arrangement is melodically akin to the Wainright, but I added harmonies in various places throughout. Lyric selection was also a choice I had to me, as each version of the song contains a different number of verses. Cohen’s 1984 original had four, and then in 1988 he sang a live version with seven (supposedly he drafted over 80 different verses!). I decided to go with five. This allowed me to structure the song in a way that got feature and give the melody to: a Soloist(s) (verse 1), the Baritones (verse 2), the Altos (verse 3), the Sopranos (verse 4) and then the entire choir (verse 5). Over the years that I have performed this with my students, I couldn’t help myself from rocking out with little bluesy fills and licks in the final choruses, so I decided to write it in. I hope you, your students, and accompanist have fun with that!