Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1174068 Composed by African American Spiritual. Arranged by Martin Dover. Christian,Easter,Praise & Worship,Religious,Spiritual. Octavo. 15 pages. Martin Dover #774233. Published by Martin Dover (A0.1174068). An arrangement of the spiritual Were you there when they crucified my Lord?Arranged for 3 part choir (SAB) with a sensitive piano accompaniment, the 5 verses are treated to their own arrangement as the piece progresses.  Key changes lead to the final rousing verse Were you there when he rose up from the dead?.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.750181 By Bradley Sowash. By Traditional. Arranged by Bradley Sowash. Jazz,Sacred,Spiritual. Octavo. 19 pages. Bradley Sowash #4611305. Published by Bradley Sowash (A0.750181). Calm and uplifting SAB Lightly rhythmic and appealing, this arrangement includes short, quieter excerpts of Were You There When They Crucified My Lord that contrast with the overall uplifting quality.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.938299 Composed by Walter Kent. Arranged by Rachel M Hamilton (UK). Contemporary. Octavo. 6 pages. Rachel M Hamilton #6589695. Published by Rachel M Hamilton (A0.938299). A new arrangement of the classic song made famous by Dame Vera Lynn. Arranged for SAB with piano accompaniment.  Always a good concert item!

Choral Choir,Choral (3-Part) - Level 3 - Digital Download SKU: A0.576393 Composed by David Warin Solomons. 20th Century,Contemporary,Sacred,Spiritual. 9 pages. David Warin Solomons #20919. Published by David Warin Solomons (A0.576393). St Helen's church in Hollinfare celebrated its 500th anniversary in 1997 and invited the gentlemen of Manchester Cathedral Choir to sing at the celebratory service. The service included a Te Deum and Jubilate, which I wrote especially for the purpose. The Te Deum is a full setting with organ and alto, tenor and bass singers. The Jubilate is a psalm chant. Both are available on this site. The sound sample in each case is the original performance.The words of the Te Deum are: We praise thee, O God : we acknowledge thee to be the Lord. All the earth doth worship thee : the Father everlasting. To thee all Angels cry aloud :  the Heavens, and all the Powers therein. To thee Cherubim and Seraphim : continually do cry, Holy, Holy, Holy : Lord God of Hosts; Heaven and earth are full of the Majesty : of thy glory. The glorious company of the Apostles : praise thee. The goodly fellowship of the Prophets : praise thee. The noble army of Martyrs : praise thee. The holy Church throughout all the world : doth acknowledge thee; The Father : of an infinite Majesty; Thine honourable, true : and only Son; Also the Holy Ghost : the Comforter. Thou art the King of Glory : O Christ. Thou art the everlasting Son : of the Father. When thou tookest upon thee to deliver man : thou didst not abhor the Virgin's womb. When thou hadst overcome the sharpness of death : thou didst open the Kingdom of Heaven to all believers. Thou sittest at the right hand of God : in the glory of the Father. We believe that thou shalt come : to be our Judge. We therefore pray thee, help thy servants : whom thou hast redeemed with thy precious blood. Make them to be numbered with thy Saints : in glory everlasting. O Lord, save thy people : and bless thine heritage. Govern them : and lift them up for ever. Day by day : we magnify thee; And we worship thy Name : ever world without end. Vouchsafe, O Lord : to keep us this day without sin.O Lord, have mercy upon us : have mercy upon us. O Lord, let thy mercy lighten upon us : as our trust is in thee. O Lord, in thee have I trusted : let me never be confounded.

Choral Choir,Choral,SAB Chorus - Level 3 - Digital Download SKU: A0.1489122 Composed by Richard O'brien. Arranged by Vicky Jacobs. Broadway,Musical/Show,Pop. 4 pages. Vicky Jacobs (Glee Club) #1065973. Published by Vicky Jacobs (Glee Club) (A0.1489122). This is a fun 3 part of arrangement of this classic from the Rocky Horror Show. It won't take your choir long to learn and has a really exciting build in the middle which they will love to sing.

Choir (SSA) - Level 3 - Digital Download By Herman\'s Hermits. By Geoff Stephens and Les Reed. Arranged by Jenny Walker. 20th Century, Contemporary, Pop. Octavo. 7 pages. J Walker #766881. Published by J Walker

Choral Choir (3-Part) - Level 1 - Digital Download SKU: A0.817386 Composed by Richard O'brien. Arranged by Vicky Jacobs. Film/TV,Pop. Octavo. 2 pages. Victoria Jacobs #6562727. Published by Victoria Jacobs (A0.817386). This is part of a series of leadsheets I've put together for singalongs or as easy, quick songs to do with your choir. They have fun, singable harmonies, are in friendly keys and are designed to be easy to read and not create too much photocopying!

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standards. 16 pages. J M Starr Music #973074. Published by J M Starr Music (A0.1389486). “Hallelujah� was originally released by Canadian singer/songwriter Leonard Cohen in 1984 on his album Various Positions. This composition, however, is one of the few in history that may be more well-known due to covers of the song than the original version. In 1991, John Cale did a cover of the song that removed the synthesizers, gospel choir, full band, and low, borderline-talking bass voice from Cohen’s original; and replaced it all with a bare-bones piano and tenor voice. It is not difficult to argue that this arrangement of the composition became the definitive version that all future covers would be based on: from Jeff Buckley’s stripped-down guitar and voice 1994 version, to Rufus Wainright’s piano and voice 2001 cover for the soundtrack to the motion picture Shrek, to k.d. lang, the a cappella group Pentatonix, and many, many more.When I first arranged this song in 2010 for my 8th grade SAB choir, I did not know the John Cale version existed; rather, I started by transcribing the Rufus Wainright recording and then made it my own from there. My arrangement is melodically akin to the Wainright, but I added harmonies in various places throughout. Lyric selection was also a choice I had to me, as each version of the song contains a different number of verses. Cohen’s 1984 original had four, and then in 1988 he sang a live version with seven (supposedly he drafted over 80 different verses!). I decided to go with five. This allowed me to structure the song in a way that got feature and give the melody to: a Soloist(s) (verse 1), the Baritones (verse 2), the Altos (verse 3), the Sopranos (verse 4) and then the entire choir (verse 5). Over the years that I have performed this with my students, I couldn’t help myself from rocking out with little bluesy fills and licks in the final choruses, so I decided to write it in. I hope you, your students, and accompanist have fun with that!

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1264867 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Early Music,Folk,Irish,Wedding. Octavo. 10 pages. Colin Kirkpatrick Publications #857706. Published by Colin Kirkpatrick Publications (A0.1264867). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as O Waly, Waly which means something like “woe is me�. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906, using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because in the past, performers would often create new lyrics for the song. This melody has attracted an entire family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular lyrics used during the twentieth century. The song was arranged for voice and piano in 1948 by British composer Benjamin Britten but in more recent times, was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct� one.This SAB arrangement by Colin Kirkpatrick is ideal for high school or college choir, especially if the tenor/bass section is a bit low on numbers. Each section of the choir has the melody line at some point and there are attractive and evocative counter-melodies. In the soprano part (which has one brief divisi section), the highest note is G5 (which occurs only once and safely approached) and the highest note in the alto part is C5 (in the middle of the treble staff). The bartione part lies between A flat 2 (bottom space in bass clef) and D3 (just above the staff). The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1251832 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Multicultural,Wedding,World. Octavo. 9 pages. Colin Kirkpatrick Publications #846048. Published by Colin Kirkpatrick Publications (A0.1251832). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly� which means something like “woe is me�. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906 using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because performers would often create new lyrics for the song. This melody has attracted a family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular and optimistic lyrics used during the twentieth century. The song was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct� one.This SSA arrangement by Colin Kirkpatrick is ideal for boy choir, amateur choir, school or college choir. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the Soprano 1 part (which has one brief divisi section), the highest note is G5 (the G just above the staff) and the highest note in the Soprano 2 part is E5 (near the top of the treble staff). The Alto part has a range of G below Middle C (G4) up to B flat in the middle of the treble staff. The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike. Note that the audio sample cannot yet render the words.

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1264866 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Wedding. Octavo. 9 pages. Colin Kirkpatrick Publications #857705. Published by Colin Kirkpatrick Publications (A0.1264866). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly� which means something like “woe is me�. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906, using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because in the past, performers would often create new lyrics for the song. This melody has attracted an entire family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular lyrics used during the twentieth century. The song was arranged for voice and piano in 1948 by British composer Benjamin Britten but in more recent times, was made popular by many folk singers notably The Seekers, Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct� one.This SAB arrangement by Colin Kirkpatrick is ideal for high school or college choir. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the soprano part (which has one brief divisi section), the highest not is G5 which appears only once and is approached safely.  The highest note in the alto part is C5 (in the middle of the treble staff). The baritone part lies between A flart 2 and D 3 (just above the staff) and well within the normal choral range. The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike.

Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1367060 Composed by Deborah Johnson. Comedy,Contest,Festival,Jazz,Pop. 14 pages. Deborah Johnson #951406. Published by Deborah Johnson (A0.1367060). The song Chocolate by Deborah Johnson is a delicious ballad that is easy to listen to and fairly easy to perform. This arrangement can be performed solo, as a duet, SSA chorus or SAB chorus. Originally on the album Chocolate: Songs of Love. (https://DJWorksMusic.com/products) Individual Original Album MP3 here: https://www.amazon.com/Chocolate-Songs-Love-Deborah-Johnson/dp/B0015KJAD2 for listening to complete album cut. Video is here: https://youtu.be/LWAPaXkekEg This lively arrangement is perfect for performance and the arrangement is very versatile. The full score with vocals, piano and chords for rhythm instruments is included as well the extra value of Individual extracted vocal parts with rhythm ncluding piano/chords and vocal for rhythm sections for a total of 14 pages, including cover. The vocals are from A below middle C to C above for only a little over an octave range. The piano score is written out and is at the easy-intermediate level, very achievable for most players. There is plenty of room for improvisation. Chocolate is a fun thematic piece that would be a good addition for most any event! MP3s of the song and the instrumental track are also available, both with and without piano for performance. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnson Get weekly updates & articles here: https://goalsforyourlife.com/newsletter DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards.You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson; Background Vocals: Deborah Johnson & Charlie Clark; Sequencing & Orchestration: Richard Callaci.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.969155 Composed by Martha Hill Duncan. Celtic,Contemporary. Octavo. 37 pages. Martha Hill Duncan #6074741. Published by Martha Hill Duncan (A0.969155). LADY'S SLIPPER for SSA, violin and piano - Martha Hill DuncanA beauty was she, an ethereal spriteHovering in mid-air, a magical sightFlitting through forest and fern and fenSweeping o’er stream again and againHer radiance reflected in every brookJoy, exuberance flooding each lookFace upturned to loving sunWhirling, twirling, mystical fun...Poetry by Carol ChitovasWritten for She Sings! Women's Choir and acclaimed fiddler and step dancer Kelli Trottier, this has a Celtic flavour and can show off a soloist or small group of singers.  The premiere used a cajon drum to further the storytelling.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.887976 Composed by Graham Yates. Children,Christmas,Contemporary,Standards. Octavo. 8 pages. Graham Yates #6027209. Published by Graham Yates (A0.887976). For 2 soloists, children's choir (or treble choir, or mixed choir), and piano accompaniment. Approx. 3:42.I first began writing a Christmas carol about the Covid-19 pandemic in March of 2020 when it seemed unfathomable that the global social distancing measures could last until Christmas. First drafts, therefore, were upbeat and whimsical. The song was completed in May 2020, however, and not only did it seem likely that lockdowns could extend not only to Christmas, but beyond – until a treatment or a vaccine could be found. Though obviously written with this contemporary situation in mind, Holding on for Christmas avoids direct references to remain a universal message of hope despite hopeless circumstances. Through its imagery of a Nativity story told wrong, of an individual facing unexplained solitude, and of enduring a winter in order to experience brighter days ahead, the song can apply to many cryptic or overt scenarios.

Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.1007139 Composed by Charles McCreery. 20th Century,Children,Contemporary,Romantic Period. Octavo. 19 pages. St Maur Music #4853779. Published by St Maur Music (A0.1007139). This song is one of a series of ‘Fourteen Tolkien Songs’. A comment on the collection by an Oxford piano teacher: ‘For those who only know Tolkien via the recent blood-and-thunder films, this song-cycle by Charles McCreery will give a very different angle on the classic saga. Here we find a gentle and ethereal world, where rhythms lilt and words echo. The twelve songs, suitable for choir, evoke a dreamy, water-colour landscape with no harsh sounds, the tunes are singable and in a traditional style that Tolkien would surely have approved. Dr Julia Gasper, LGSM   A general comment on Charles McCreery’s music by a violinist and composer in the USA: ‘Charles McCreery’s beautifully melodic, intricately textured compositions are infused with classical, romantic and folk idioms.’ Samantha Gillogly   ‘Galadriel’s Song’ is appropriate for either women’s or children’s voices, and is potentially of interest to anyone who is familiar with the works of J.R.R. Tolkien. The three vocal parts and the piano accompaniment can each be printed out separately at the end of the full score. The MP3 which plays from this page is of an orchestral version of the song, which can be heard on the stmaurmusic channel on YouTube. On the front cover of Galadriel’s Song is a photograph of leaves in Wytham Woods, Oxford, and at the end of the score is a photograph of the sea off Treyarnon Bay, Cornwall . Charles McCreery’s social media channels: Facebook: https://www.facebook.com/St-Maur-Music-164619846916182/ https://www.facebook.com/Tolkien-Songs-for-Childrens-Voices-259698587390960/   Contact information: charlesmccreery@gmail.com