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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1346346 Composed by Robert Schumann. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period,Wedding. 9 pages. Tully Road Music #931169. Published by Tully Road Music (A0.1346346). Robert Schumann’s song cycle Myrthen was a wedding present to his wife Clara Wieck. Myrthen, or “myrtles,” were the flowers traditionally associated with a marriage celebration. Schumann completed the Myrthen cycle in 1840, totaling 26 Lieder (songs for solo voice and piano), with texts by prominent 19th-century German poets such as Heinrich Heine, Johann Wolfgang von Goethe, and others. “Widmung,” which means “Dedication,” is the first song in the cycle, based on a love poem by Friedrich Rückert (1788-1866). The frequent repetition of the word “you” in the text, along with the soaring melody and undulating arpeggios that comprise the music, all serve to convey the composer’s state of blissful fulfillment as he contemplates marrying his beloved. This arrangement preserves Schumann’s original piano part as well as places the melody prominently in the top soprano voice. The lower voices provide supporting harmonies informed by the accompaniment, moving largely in parallel motion, but with their own counter-melodic value. It was premiered in 2013 by the University of Michigan Women’s Glee Club under the direction of conductor Jaclyn Johnson. The arrangement is also available in a version for TTB voices.
Widmung
Chorale 3 parties

$2.00 1.71 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.768516 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christian,Christmas,Romantic Period. Octavo. 144 pages. KVAMusic Edition #6078593. Published by KVAMusic Edition (A0.768516). Charles-Camille Saint-Saëns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist. He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de Noël (Christmas Oratorio) at the end of the 1850s and completed it in 1860. The first performanse was at the church La Madeleine in Paris December 1869. The work is dedicated to A Madame la Vicomtesse de Grandval. The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de Noël is drawn from the Old and New Testaments: (1. Instrumental).    2. Luke 2,8-14.   3. Psalm 39,1.   4. John 11.27.   5. Psalm 117, 26-28.   6. Psalm 2,1 and Gloria Patri.   7. Psalm 109,3 and Graduale.   8. Isaiah 49,13.   9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1.   10. Psalm 95,8-9, 11,13.
Saint-Saëns: Oratorio de Noël (Christmas Oratorio) 5 soli, SSAA choir, harp, organ and strings
Chorale 3 parties

$52.00 44.35 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.768518 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christmas,Romantic Period. Octavo. 80 pages. KVAMusic Edition #6078597. Published by KVAMusic Edition (A0.768518). Charles-Camille Saint-Saëns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist. He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de Noël (Christmas Oratorio) at the end of the 1850s and completed it in 1860. The first performanse was at the church La Madeleine in Paris December 1869. The work is dedicated to A Madame la Vicomtesse de Grandval. The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de Noël is drawn from the Old and New Testaments: (1. Instrumental).    2. Luke 2,8-14.   3. Psalm 39,1.   4. John 11.27.   5. Psalm 117, 26-28.   6. Psalm 2,1 and Gloria Patri.   7. Psalm 109,3 and Graduale.   8. Isaiah 49,13.   9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1.   10. Psalm 95,8-9, 11,13.
Saint-Saëns: Oratorio de Noël (Christmas Oratorio) 5 soli, SSAA choir, harp, organ and strings. Vo
Chorale 3 parties

$10.00 8.53 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir,Choral (SSA) - Level 2 - Digital Download SKU: A0.1348279 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period. 10 pages. Tully Road Music #933063. Published by Tully Road Music (A0.1348279). “Du bist die Ruh’” (D. 776; Op. 59, No. 3) is one of many Lieder for solo voice and piano written by Franz Schubert (1797-1828), with text by Friedrich Rückert (1788-1866). Although Rückert did not originally give the poem a title, Schubert titled his song after its first line, “Du bist die Ruh’,” and Rückert later titled his poem “Kehr ein bei mir,” or “Stay with me.” With a simple yet beautiful melody, sung with a seemingly uninterrupted legato, Schubert conveys the sense of “calm” and “peace” the poet feels in the companionship of his beloved. So many of the Lieder by 19th-century composers like Schubert and Schumann, chief proponents of the genre, lend themselves well to rearrangement for multiple voices. Here, D. Jason Bishop makes one of the most frequently performed German Lieder available to treble ensembles in an SSA arrangement that preserves both the melodic integrity of the song as well as its original piano accompaniment. It is also available in TTB.
Du bist die Ruh'
Chorale 3 parties

$2.00 1.71 € Chorale 3 parties PDF SheetMusicPlus






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