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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1317505 Composed by Traditional. Arranged by Angelica Dunsavage. A Cappella,Contest,Festival,Instructional,Traditional. 19 pages. Canorous Music Publishing #906169. Published by Canorous Music Publishing (A0.1317505). Trebled Seas combines three popular 19th-century sea shanties into an epic voyage on the high seas. Cape Cod Girls, originating from North America, is traditionally thought of as a short-drag shanty used in activities such as raising sails. Its lyrics vary from version to version between ā€œheaveā€, ā€œhaulā€, and ā€œboundā€ away, depending on the physical activity required. Jolly Sailor Bold first appears in a collection of sailing songs out of London, but has many similarities to the Irish ballad The Banks of Claudy. While not used as a working song, its minor tonality and association to sailing folklore makes for an interesting middle point along the journey. This setting contains a newly written verse warning of the dangers of sirens, mythical creatures known to sing to lure sailors to their doom. Lastly, Leave Her, Johnny is a pump shanty, usually one of the last activities done as a ship docks. In these types of pieces, sailors sing to complain about the rough conditions aboard, knowing they are soon to leave and will face no punishment.Ā While sea shanties have been popular repertoire for tenor/bass ensembles, there has been a distinct lack of arranging for treble choirs. Historical research is discovering more and more evidence that while piracy and sailing was male-dominated, female captains like Anne Bonny, Mary Read, Zheng Yi Sao and others made their mark on the high seas. This piece is dedicated to the women that his-tory has forgotten.
Trebled Seas: A Sea Shanty Melody
Chorale 3 parties

$2.50 2.14 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1039721 Composed by Alan Bullard. 20th Century,Classical,Contemporary. Octavo. 8 pages. Colne Edition / BullardMusic #644597. Published by Colne Edition / BullardMusic (A0.1039721). Autumn for SSA(A) choir: music by Alan Bullard, words by F. Politzer. 'The text of this short but effective setting for upper voice choir is a word-picture of autumn, and the music captures its rhythmic variety and quicksilver changes of mood' - Rosemary Broadbent, writing in the journal of the Association of British Choral DirectorsAlan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
Autumn, for SSA(A) choir, unaccompanied
Chorale 3 parties

$1.99 1.7 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (3-Part) - Level 3 - Digital Download SKU: A0.774732 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contemporary. Octavo. 13 pages. Sandra Milliken #4368260. Published by Sandra Milliken (A0.774732). Beds are Burning is a powerful and immediately recognisable song by the Australian band Midnight Oil. It was written by band members Peter Garrett, Jim Moginie and Rob Hirst in 1987 following the band’s Blackfella-Whitefella tour of indigenous communities in outback Australia during 1986.Following its release, the song peaked at No. 1 in Canada, New Zealand and South Africa, at No. 6 in Australia and the UK, and reached the top 20 in America.in 1988 Beds are Burning was named ARIA Song of the Year and remains a powerful and recognisable anthem three decades after its release. Its enduring appeal was also recognised when the Australian Performing Rights Association (APRA) placed it third in their Top 30 Australian Songs of all time poll, revealed in 2001 to celebrate the copyright agency’s 75th anniversary.Beds are Burning focused on the issue of Aboriginal land rights. The words it belongs to them, let’s give it back put reconciliation front and centre on the domestic agenda as Australia prepared to mark its Bicentenary in 1988.This arrangement of Beds are Burning, features piano accompaniment, guitar chords and body percussion.
Beds Are Burning
Chorale 3 parties
Midnight Oil
$2.30 1.97 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.774733 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contemporary. Octavo. 13 pages. Sandra Milliken #4368262. Published by Sandra Milliken (A0.774733). Beds are Burning is a powerful and immediately recognisable song by the Australian band Midnight Oil. It was written by band members Peter Garrett, Jim Moginie and Rob Hirst in 1987 following the band’s Blackfella-Whitefella tour of indigenous communities in outback Australia during 1986.Following its release, the song peaked at No. 1 in Canada, New Zealand and South Africa, at No. 6 in Australia and the UK, and reached the top 20 in America.in 1988 Beds are Burning was named ARIA Song of the Year and remains a powerful and recognisable anthem three decades after its release. Its enduring appeal was also recognised when the Australian Performing Rights Association (APRA) placed it third in their Top 30 Australian Songs of all time poll, revealed in 2001 to celebrate the copyright agency’s 75th anniversary.Beds are Burning focused on the issue of Aboriginal land rights. The words it belongs to them, let’s give it back put reconciliation front and centre on the domestic agenda as Australia prepared to mark its Bicentenary in 1988.This arrangement of Beds are Burning, features piano accompaniment, guitar chords and body percussion
Beds Are Burning
Chorale 3 parties
Midnight Oil
$2.30 1.97 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1487526 Composed by Taleya Jordan. Contemporary. 13 pages. Rising Tide Music Press #1064472. Published by Rising Tide Music Press (A0.1487526). For SSA chorus + body percussionCommissioned by the American Choral Directors Association as part of The New Canon Project.From the composer:Farewell is a powerfi; a cappella composition that embodies human determination and resilience. Breaking societal barriers, it combines appealing a cappella and impactful body percussion to encourage self-expression and the pursuit of dreams. The soloist's ornamentation underscores the importance of staying true to oneself. Particularly resonany with young audiences, it inspires them to push beyond limitations and pursue their passions. Farewell is a dynamic piece that makes a profound statement about personal freedom, resilience, and the transformative power of music.- Taleya Jordan.
Farewell
Chorale 3 parties

$2.99 2.56 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1003298 Composed by Dennis Tobenski. Contemporary,Folk. Octavo. 12 pages. Dennis Tobenski #539737. Published by Dennis Tobenski (A0.1003298). Sunset: St. Louis for SSA choir and piano was written at the suggestion of a conductor I met at the 2013 American Choral Directors’ Association national conference in Dallas, TX. He lamented the lack of new music for SSA choir that kept the voices within a restricted range yet wasn’t simplistic, and also didn’t use a restricitve number of accompanying instruments; throughout the week his sentiment was echoed by countless other conductors who I had the pleasure of spending time with. At that point, I also had no music for treble/women’s choir in my catalog, so this piece is not only an attempt to fill in this hole in the repertoire, but also an attempt to fill in the hole in my own choral output. The piece opens with a short passage for solo piano evocative of late afternoon light on water which leads into the voices’ hazy entrance of close diatonic harmonies and loose, liquid rhythms. After this soft opening, the piano begins a gently undulating, water-like accompaniment that – like the Mississippi – flows by, bringing harmonic shifts and swells. The words Dream by the river captured my imagination, conjuring images of the city drifting to sleep as the sun sets, so I couldn’t resist making the single word Dream into a refrain, weaving it into the larger structure of the poem, which makes the piece not only a love song to the city, but also a lullaby. The vocal parts have a compressed range: Soprano 1 has a few unsustained Gs, and the Alto line never drops below B-flat. There are some minor challenges with rhythm and pitch (hemiolas, tuplets, and some harmonic cross-relations with the piano), but all are navigable. The piece was written and prepared for publication in a compositional frenzy between 1pm on March 30, 2013 and 7pm on March 31, 2013 in Montauk, NY.Duration: ca. 4 min. Composed: 2013 Registered with ASCAP. Please email dennis@dennistobenski.com so that your performance of Sunset: St. Louis can be added to Dennis' website calendar. Email: dennis@dennistobenski.com Website: dennistobenski.com Facebook: facebook.com/dennistobenski Twitter: @dennistobenski Tumblr: A Commonplace Blog Soundcloud: soundcloud.com/dennistobenski
Sunset: St. Louis
Chorale 3 parties

$1.99 1.7 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.781585 Composed by Luke Flynn. 20th Century,Contemporary,World. Octavo. 15 pages. Luke Flynn Publishing #539475. Published by Luke Flynn Publishing (A0.781585). Commissioned by the Haiku International Association, Japan for the 30th Annual Japan National Cultural Festival (Kagoshima, Japan). For SSA + Piano (women's chorus). Set to ancient Japanese poetry by Lady Izumi Shikibu.Luke Flynn (b. 1988) is a composer and conductor living in Los Angeles, CA. In the media music industry, Flynn is a highly active force, composing the scores for a variety of films and video games, and working on film scores for the biggest composers in the industry, including John Williams, James Newton Howard, and Danny Elfman. His Hollywood music department credits include some of the biggest movies in the world, including Star Wars: The Last Jedi, Disney's The Jungle Book, Ghostbusters (2016), and many others. As a concert composer, his music is regularly performed and commissioned by major symphony orchestras, choirs, and ensembles throughout the world. Flynn’s works also consistently win or place as a finalist in international composition contests, including the Sydney Australia Contemporary Orchestra call for scores, the South Korea Busan Maru International Composition Contest (orchestra), the Minnesota Orchestra Composer Institute, the CSUN Orchestra Northridge Composition Prize, and the Young New Yorkers’ Chorus Composition Competition. Flynn holds a Master of Music Composition degree from Butler University, where he studied with Michael Schelle, a Bachelor of Arts in Music Composition from Clarke University, where he studied with Amy Dunker, and has also had the privilege of being the first ever American student to study music composition at é¹æå…å³¶å›½éš›å¤§å­¦, the International University of Kagoshima in Japan, where he studied with Tadashi Kubo.www.LukeFlynnCompositions.com
Until Autumn...
Chorale 3 parties

$1.99 1.7 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.774766 By Az Yet featuring Peter Cetera. By David Babyface Foster and Peter Cetera. Arranged by Sandra Milliken. Contemporary. Octavo. 11 pages. Sandra Milliken #5998067. Published by Sandra Milliken (A0.774766). Hard to Say I’m Sorry is a No. 1 song by the American rock band Chicago. It was released in May 1982, as the lead single for the album Chicago 16.  The song reached No. 1 on the Billboard Hot 100 Chart in September of that year, where it remained for two weeks. It was the group’s second No. 1 single (their first was If You Leave Me Now) and their first top 50 hit since Tell No Lover in 1978. It spent twelve weeks in the top 5 of the Billboard Chart.Written by Peter Cetera (Chicago’s bassist, who also sang lead vocals) and the group’s producer David Foster (who played piano on the track), the song is about a person trying desperately to hold on to a relationship that has fizzled out, promising to make up for his/her indiscretions and playing the we’ve been through so much card.Hard to Say I’m Sorry was nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocal and was certified Gold by the Recording Industry Association of America in September 1982. Peter Cetera won an ASCAP Pop Music Award for the song in the category, Most Performed Songs.Two arrangements of Hard to Say I’m Sorry are available for immediate download: one for SATB choir and one for SSA voicing, both with piano accompaniment.
Hard To Say I'm Sorry
Chorale 3 parties
Az Yet featuring Peter Cetera
$2.20 1.88 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (3-Part) - Level 1 - Digital Download SKU: A0.854750 Composed by Horatius Bonar, Ira D. Sankey. Arranged by Jake Alexander. A Cappella,Broadway,Musical/Show,Patriotic,Religious,Traditional. Octavo. 1 pages. Jake Alexander #4849013. Published by Jake Alexander (A0.854750). A three-part unaccompanied arrangement of the gorgeous hymn by Horatius Bonar and Ira D. Sankey for female, male or mixed voice choir. It's association with the hugely successful play, War Horse, makes this song ideal for memorials and armistice commemorations. Approximately three minutes in length.My name is Jake Alexander - I’m a composer, arranger and choir leader based in London. I create accessible arrangements that play to the strengths of community choirs. If you would like to offer any feedback, or just want to say hi, please get in touch at jake@jakealexander.org. Also, feel free to get in touch if you would like to be sent rehearsal tracks - these are available for all of my scores. Happy singing!jakealexander.orgquaggycommunitychoir.com
Only Remembered - SSA/TTB/SAT/SAB a cappella
Chorale 3 parties

$5.00 4.27 € Chorale 3 parties PDF SheetMusicPlus






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