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Choral Choir (SSA) - Digital Download SKU: A0.846745 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 15 pages. Keep Calm and Keep Singing #453433. Published by Keep Calm and Keep Singing (A0.846745). A beautiful haunting arrangement for female voices and piano of this traditional sea song. The Handsome Cabin Boy (also known as the Female Cabin Boy) tells the tale of a young girl who longs to see the world, so dresses up as a boy and runs away to sea. Her good looks attract the attention of both the Captain and his wife! Her true identity is eventually discovered as is the double affair! For ease verse, each part is either on the tune or singing their own harmony line against the melody. I have marked at the start of each verse which part is on the melody for ease. Eventually all the parts come together in the final verse. At this point you will need to allocate a few voices from each part to sing the melody or if you are able to go into SSAA at this point you could give the tune to Alto 1. FREE resources are available (piano track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase. Easy level Duration: 3'30.
The Handsome Cabin Boy SSA
Chorale 3 parties

$1.99 1.72 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1042625 Composed by Todd Marchand. Sacred. Octavo. 7 pages. Con Spirito Music #647400. Published by Con Spirito Music (A0.1042625). Tobias Clausnitzer (1619-1684) was a German Lutheran pastor and writer of theological treatises, sermons, and hymns. His best-known hymn, perhaps, is Liebster Jesu wir sind bier, translated to English and published as Blessed Jesus, at thy word by the English hymn-writer and educator Catherine Winkworth (1827-1878) in her Lyra Germanica — Hymns for the Sundays and Chief Festivals of the Christian Year, translated from the German (1858), and repeated in her Chorale Book for England (1863). Winkworth was also translator for Clausnitzer's Wir glauben all an einen Gott, Yater, Sohn und heilgen Geist (We all believe in one true God, Father, Son, and Holy Ghost), a metrical paraphrase of the Apostles Creed designated for Trinity Sunday in the Culmbach-Bayreuth Gesang-Buch (1668). Winkworth also included this in her Chorale Book for England.This new musical setting, mostly in unison and briefly expanding to three-part harmony at the peak of each verse, is very singable by small and developing choirs composed of soprano, alto, and baritone/bass voices. The accompaniment, with sustained tones, is best realized on organ.The opening phrase, We all believe in one true God, may be sung by a solo male voice, similar to the opening intonation of a chanted canticle or psalm. Dynamic contrasts (crescendi and decrescendi) throughout follow the rising and falling of the melodic line and should be carefully observed. ©Copyright 2022 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
Hymn to the Holy Trinity — anthem for SAB voices, organ
Chorale 3 parties

$2.00 1.73 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1412590 By Steve Angrisano and Tom Tomaszek. By Steve Angrisano and Tom Tomaszek. Arranged by Kenneth Martin. Contemporary,Contest,Festival,Instructional,Praise & Worship,Spiritual. 11 pages. Martin Music Editions #994608. Published by Martin Music Editions (A0.1412590). Get ready to ignite the stage with an electrifying rendition of Go Make A Difference, a dynamic arrangement originally crafted by the talented duo of Steve Angrisano and Tom Tomaszek. Now reimagined for sacred youth choirs, this rendition is a firecracker of energy and inspiration, perfect for those momentous occasions like Baccalaureate or Commencement ceremonies.Tailored specifically for SAB voicing, this arrangement is a breeze to prepare, allowing singers to dive headfirst into its infectious rhythms and uplifting harmonies. With choruses that reverberate with hope and determination, there's ample room for singers to pour their hearts into each phrase, fostering deep connections with the empowering message.The piano accompaniment is a driving force, crafted with the intermediate student accompanist in mind. It pulses with energy, propelling the choir forward while providing a sturdy foundation for the voices to soar.Based on the timeless wisdom of Matthew 5:13–16, the text of Go Make A Difference is a beacon of light in a world hungry for hope. Its words resonate particularly strongly with youth voices, inspiring them to rise to the occasion and be the change they wish to see.But here's where things truly get exciting: soloists take center stage during the verses and final chorus, infusing their unique talents into the performance. And when the breakdown section hits, complete with hand claps, the energy skyrockets, turning the performance into a celebration of passion and purpose.Directors, let your creativity run wild with this arrangement. Use it as a canvas for improvisation, exploring different vocal textures and dynamics. Whether you stick to the script or venture into uncharted musical territory, the possibilities are as limitless as the stars in the sky.With its pulsating energy, empowering message, and unwavering faith, this arrangement of Go Make A Difference is not just a song—it's a call to action. So grab your choir robes, raise your voices, and get ready to set the world on fire with your music!
Anthem for Sacred Youth Choir - "Go Make A Difference"
Chorale 3 parties
Steve Angrisano and Tom Tomaszek
$2.10 1.81 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1107023 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #709859. Published by Con Spirito Music (A0.1107023). Bread of the World, Bread of Heaven combines texts on the eucharist, or holy communion, by the Anglican bishop Reginald Heber (1783-1826) and the English Congregationalist author, editor, and hymn-writer Josiah Conder (1789-1855). The first stanza of Heber's Bread of the world in mercy broken focuses on the forgiveness of sin and sinners by Christ's grace as they gather at the Lord's table, while Conder's Bread of heav'n, on thee we feed emphasizes the restoration to health and wholeness of those who eat and drink of Christ's Body and Blood. Both texts refer to the sacramental bread and wine as the gifts by which our souls are fed. In this original setting for SAB choir and organ, Heber's text is set to a chant-like tune for unison SA voices in D minor, which transitions to a chorale-like setting of Conder's text for full SAB in D major. ©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
Bread of the World, Bread of Heaven — SAB voices, organ
Chorale 3 parties

$2.00 1.73 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1405934 By Michael A. Schmid. By Kenneth Martin. Arranged by Kenneth Martin. 21st Century,Contest,Easter,Festival,Sacred,Traditional. 19 pages. Martin Music Editions #988981. Published by Martin Music Editions (A0.1405934). Experience the profound gratitude expressed in 'We Thank You, Lord', a stirring choral work with text by Michael A. Schmid. Specifically voiced for SAB choirs with an optional C instrument, this piece is a beautiful addition to any smaller choir's repertoire.  In 'We Thank You, Lord', the melody is shared and seamlessly handed off between Soprano, Alto, Tenor, and Baritone voices, allowing each section to shine. This unique approach ensures that both upper and lower voices have moments to be featured, creating a harmonious blend of sound.  The rolling piano accompaniment provides solid support to the voices, with melodies and harmonies delicately woven into the right hand. This thoughtful arrangement assists singers in delivering a heartfelt performance with depth and emotion.  For an added touch of beauty and versatility, 'We Thank You, Lord' offers the option to include a C instrument such as violin, flute, or oboe. This special addition enhances the overall sound and adds a layer of richness to the performance.  Additionally, parts are included for guitar/lead sheet, providing flexibility for accompaniment options.  Whether you're performing in a church, a community center, or any other venue, 'We Thank You, Lord' is a heartfelt expression of gratitude that will resonate deeply with audiences.  Don't miss the opportunity to share the message of thankfulness and appreciation with 'We Thank You, Lord' – a heartfelt choral piece that will uplift and inspire all who hear it!
We Thank You, Lord - Communion Anthem for Smaller Choirs
Chorale 3 parties
Michael A Schmid
$2.10 1.81 € Chorale 3 parties PDF SheetMusicPlus

Choral SAB choir + 11 handbells - Digital Download SKU: H1.C5597DP Arranged by Russell Schulz-Widmar. Piano with Optional 11 Handbells. General Worship, Eternal Life. Octavo. 8 pages. Hope Publishing - Digital #C5597DP. Published by Hope Publishing - Digital (H1.C5597DP). Revelation 19:1 - Revelation 22:1 - Revelation 22:2 - Revelation 22:3 - Revelation 22:4 - Revelation 22:5.Scottish hymn Drawing from a Scottish text and tune, Russell Schulz-Widmar has captured with simple, folk-like elegance the words, There is a happy land far, far away, where saints in glory stand bright, bright as day. A gentle flow is beautifully created with SAB choral lines accompanied by only eleven handbells. This reflection on the eternal hope of heaven is useful for general occasions and ideal for the celebration of All Saints Day. The reproducible handbell part is included in the anthem.
There Is a Happy Land
Chorale 3 parties

$2.95 2.55 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.726153 Composed by Orlando Gibbons. Arranged by Todd Marchand. Sacred. Octavo. 6 pages. Con Spirito Music #6794749. Published by Con Spirito Music (A0.726153). Draw Nigh and Take the Body of the Lord is a Communion anthem with words taken from a collection of chants, hymns, and anthems compiled at Bangor (Ireland) Abbey in the late 7th century, translated by the Anglican priest, scholar, and hymnodist John Mason Neale (1818-1866). The tune accompanying the text in this arrangement is Song 46, one of many melodies written by the English composer Orlando Gibbons (1583-1625) for use with The Hymnes and Songs of the Church, published in England in 1623.
Draw Nigh and Take the Body of the Lord - SAB voices, organ
Chorale 3 parties

$2.00 1.73 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.1254269 By Traditional Spiritual. By Traditional Spiritual. Arranged by J. Daintree. 20th Century,Christian,Christmas,Holiday,Spiritual. Octavo. 4 pages. Julia Daintree #847842. Published by Julia Daintree (A0.1254269). Traditional Spiritual arranged for three part choir.No piano part, just guitar / piano chords. Don't be put off by the key signiture - it keeps moving up a semitone with each verse so gets easier! I have just written the first key change, but you can just keep climbing.We used a handful of solists for different verses, which worked well to give lots of singers a go at performing on their own.This was used by our Gospel Choir, but would work as part of any Christmas programme. Drums and bass can add a lot here.It is an easy arrangement, but getting the order of the the verses was the most challenging part :)Enjoy!
Children Go Where I Send Thee
Chorale 3 parties
Traditional Spiritual
$1.99 1.72 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.890639 Composed by Stella ter Hart. Arranged by Stella ter Hart. 20th Century,Folk,Standards. 12 pages. Stella ter Hart #3455153. Published by Stella ter Hart (A0.890639). This hauntingly beautiful and artistic arrangement of She's Like the Swallow contains the original, very old Newfoundland folk text very rarely used due to it's tragic story line. It is in the genre of beware the uncaring man common in folk songs of Europe which served to teach and warn young girls about the dangers of infatuation.  This genre travelled to the United States and Canada in the 1700's. The expression apron low/apron high is a common thread in this genre and refers to being pregnant.  She's Like the Swallow tells the tragic tale of a young girl who has fallen in love with, no doubt, a handsome but uncaring man.  The story is told from each character's perspective plus an observer (narrator).  The girl ultimately creates her own funeral bower of rose petals (ripping them off in desperation as she frantically runs through a garden), lies down on this 'bed of roses' and dies.  You have probably heard this song many times without ever knowing the true meaning due to significant verses left out. You will need a skilled accompanist!  The accompaniment utilizes significant word painting throughout to highlight the haunting melody line. Word painting depicts the swallow, uncaring cruelty, desperation, blindly going in circles, anger, church bells and fading away/dying.  The conductor is free to take liberties with the tempi and dynamics in order to create a unique interpretation that will resonate with their own choral group. This arrangement of She's Like the Swallow is an exceptional festival or competition piece and one that should be in the repertoire of every skilled women's choir! Duration:  4 minutes                                                                                                                                                             Key: C minor (plus modulations)                                                                                                                                                                      Level: intermediate/early advanced composer contact:  www.stellaterhart.com
She's Like the Swallow for SSA choir and piano. Newfoundland folk song ballad.
Chorale 3 parties

$2.75 2.37 € Chorale 3 parties PDF SheetMusicPlus


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