Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.1038251 By Châu Gia Chuyển. By Châu Gia Chuyển. Blues,Multicultural,World. Octavo. 1 pages. Châu Gia Chuyển #643183. Published by Châu Gia Chuyển (A0.1038251). Lương tâm của ta hãy mở lòng ra Nhìn vào nhân thế nhớ l�i yêu thương Lương tâm của ta đó chính là ta Dang đôi cánh tay ôm lấy Bình yên * Bài H�c ��i * ( Châu Gia Chuyển ) Làm ngư�i ai ai mà không ước muốn mình giàu sang �ồng ti�n lợi danh vây quay khát khao những hy v�ng �ể rồi nhận ra không có ai đi bên cạnh ta Buồn vui sớt chia nay chỉ có ta riêng ta mà thôi Nhìn từng đoàn ngư�i bon chen sao ta thấy đáng thương Chà đạp lên nhau nào ai quan tâm gi đến mình ��i nhi�u phong ba sẽ giúp ta hiểu được lòng ngư�i Bài h�c cuộc đ�i giúp ta nhìn thấy trắng đen t� tư�ng ( �K ) Lương tâm của ta hãy mở lòng ra Nhìn vào nhân thế nhớ l�i yêu thương Lương tâm của ta đó chính là ta Dang đôi cánh tay ôm lấy Bình yên.

Choral Choir (SAB) - Digital Download SKU: A0.972807 By Herman's Hermits. By Carole King and Gerry Goffin. Arranged by John Sandford. Contemporary. Octavo. 8 pages. John A Sandford #6658409. Published by John A Sandford (A0.972807). Looking for a classic popular song for your mixed voice choir but don't have enough men to have both tenor and bass parts? If so, this SAB arrangement of the Goffin/King classic is just right for you. The men mostly sing the verses with the middle 8 section sung by the ladies. The bluesy piano backing adds a slightly more relaxed vibe to the arrangement.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.985292 Composed by Carol Hall. Arranged by Jeff Lowden. Contemporary. Octavo. 23 pages. Jeffry Lowden #5209981. Published by Jeffry Lowden (A0.985292). This is one of my very favorite Christmas songs. When I first heard it, I knew I wanted my high school choir to perform it. After searching in vain for an arrangement,  I wrote my own. Don't be fooled by its origin on the television special Christmas  Eve on Sesame Street - it's not just for the little ones; over the years I've found it to be appealing to people of all ages. Along with the piano accompaniment, I've included  electric bass and guitar parts which will complement True Blue Miracle's character,  effectiveness and fun. I'm still convinced it could become a holiday standard.  Jeff Lowden

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.854719 By Electric Light Orchestra. By Jeff Lynne. Arranged by Jake Alexander. Pop,Rock. Octavo. 7 pages. Jake Alexander #4319135. Published by Jake Alexander (A0.854719). An easy three-part choral version of the upbeat '60s pop song. Approximately 2'30 in length. This arrangement contains ukulele accompaniment, although the song can also be accompanied on guitar, piano or any chordal instrument simply by reading the chord symbols in the score. It can be sung by a choir in SSA, SABar or SSA/Bar (mixed alto/baritone third part) configuration, meaning that it is suitable for female voice and mixed voice ensembles.My name is Jake Alexander - I’m a composer, arranger and choir leader based in London. I create accessible arrangements that play to the strengths of community choirs. If you would like to offer any feedback, or just want to say hi, please get in touch at jake@jakealexander.org. Also, feel free to get in touch if you would like to be sent rehearsal tracks - these are available for all of my scores. Happy singing!jakealexander.orgquaggycommunitychoir.com

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standards. 16 pages. J M Starr Music #973074. Published by J M Starr Music (A0.1389486). “Hallelujah� was originally released by Canadian singer/songwriter Leonard Cohen in 1984 on his album Various Positions. This composition, however, is one of the few in history that may be more well-known due to covers of the song than the original version. In 1991, John Cale did a cover of the song that removed the synthesizers, gospel choir, full band, and low, borderline-talking bass voice from Cohen’s original; and replaced it all with a bare-bones piano and tenor voice. It is not difficult to argue that this arrangement of the composition became the definitive version that all future covers would be based on: from Jeff Buckley’s stripped-down guitar and voice 1994 version, to Rufus Wainright’s piano and voice 2001 cover for the soundtrack to the motion picture Shrek, to k.d. lang, the a cappella group Pentatonix, and many, many more.When I first arranged this song in 2010 for my 8th grade SAB choir, I did not know the John Cale version existed; rather, I started by transcribing the Rufus Wainright recording and then made it my own from there. My arrangement is melodically akin to the Wainright, but I added harmonies in various places throughout. Lyric selection was also a choice I had to me, as each version of the song contains a different number of verses. Cohen’s 1984 original had four, and then in 1988 he sang a live version with seven (supposedly he drafted over 80 different verses!). I decided to go with five. This allowed me to structure the song in a way that got feature and give the melody to: a Soloist(s) (verse 1), the Baritones (verse 2), the Altos (verse 3), the Sopranos (verse 4) and then the entire choir (verse 5). Over the years that I have performed this with my students, I couldn’t help myself from rocking out with little bluesy fills and licks in the final choruses, so I decided to write it in. I hope you, your students, and accompanist have fun with that!