Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882263 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 11 pages. Adrian D Biggs #5726149. Published by Adrian D Biggs (A0.882263). Agnus dei for SSA Women’s Chorus, Violin Solo, and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. A Violin Solo introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882267 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 10 pages. Adrian D Biggs #5728919. Published by Adrian D Biggs (A0.882267). Agnus dei for SSA Women’s Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Versions with piano accompaniment are also available.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882259 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5723761. Published by Adrian D Biggs (A0.882259). Agnus dei for SSA Women’s Chorus and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. 

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.882265 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 11 pages. Adrian D Biggs #5726159. Published by Adrian D Biggs (A0.882265). Agnus dei for High Voice Solo, SAB Chorus, Violin Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. A Solo Violin introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.882261 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5723775. Published by Adrian D Biggs (A0.882261). Agnus dei for SAB Chorus and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes.

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.882272 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 13 pages. Adrian D Biggs #5970785. Published by Adrian D Biggs (A0.882272). Agnus dei for SSA Women’s Chorus, Violin Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the chorus statement of agnus dei, qui tollis peccata mundi. An instrumental meditation follows and leads back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, violin and organ.Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available with piano in place of organ.

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.882273 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 14 pages. Adrian D Biggs #5970801. Published by Adrian D Biggs (A0.882273). Agnus dei for High Voice Solo, Violin Solo, SAB Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB, SATB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, violin and organ. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available with piano in place of organ.

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.882271 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5970773. Published by Adrian D Biggs (A0.882271). Agnus dei for SAB Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the choir section agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers and organ. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available for SAB and piano.

Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1422372 Composed by Deborah Johnson. Arranged by Deborah Johnson. Broadway,Contest,Festival,Historic,Musical/Show,Opera,Romantic Period. 19 pages. Deborah Johnson #1003714. Published by Deborah Johnson (A0.1422372). With a charming message evoking nostalgia for days gone by, 'Dishes, Dolls, Dresses and Dreams' is an enchanting song crafted for solos and chorus. Its whimsical melody and heartfelt lyrics transport listeners to a bygone era filled with innocence and wonder. Originally written for a musical, this versatile composition can stand alone as a captivating musical selection or be enhanced with the addition of dance, adding visual depth to its already enchanting narrative. Furthermore, its adaptable nature allows for easy dramatization, making it suitable for theatrical performances. For those seeking versatility, the song offers the flexibility to be shortened after measure 117 without compromising its impact, ensuring it can be tailored to fit various performance contexts and preferences. Sheet music, including vocal lead sheet score is 19 pages including cover. Instrumental accompaniment track also available for download. Range is G below middle C to high C, which occurs once very quickly.Written and arranged by Deborah Johnson, first written to be included in the musical TSARINA. (http://TsarinaTheMusical.com) DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released books have garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Additional production & keyboards: Richard Callaci, guitars Jack Majdecki. Additional vocals: Deborah Johnson, Joyce Anderson, Micah Pearsal, Lori Donato, Melanie Smith. Recorded at DJWorks Studios & Callaci Studios. https://DJWorksMusic.com Books & Products: https://goalsforyourlife.com/goal-setting-products Twitter: @DJWorksMusic; LinkedIn: https://www.linkedin.com/in/deborahjjohnson/ Follow on Facebook: http://on.fb.me/14hfyhf For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com

Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 2 - Digital Download Composed by Kathleen Thomerson. Arranged by Benjamin Harlan. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred SingPraise Series. Baptism; Communion; Confirmation; Sacred. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-19877. Published by Jubilate Music Group - Digital

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1398264 Composed by Wolfgang Amadeus Mozart. Arranged by David Lantz. Classical,Contest,Festival. 11 pages. Lantz Choral Publications #981539. Published by Lantz Choral Publications (A0.1398264). Due Notturni II is a follow-up to the popular Due Notturni, featuring two more of Mozart’s Six Nocturnes, originally written for 3 solo voices. These two gems for SAB voices work beautifully as a pair. The first, Ecco quell fiero istante (KV436) pairs up well with Due pupille amabili (KV439). These are flexible in that they can be performed with the provided piano accompaniment, a cappella, or with two different instrumental combinations available separately: violins I, II and cello, or clarinets I, II and bassoon (or other bass clef C-Instrument). Meant to be performed in Italian, these short pieces are lovely to sing and are great pieces to introduce your choirs to the language.Available separately:String trio accompaniment: Violin I, Violin II, Viola, (alt. for Violin II) and Cello – LCP0212Woodwind trio accompaniment: Bb Clarinet I, Bb Clarinet II, Bb Bass Clarinet (Bassoon, alternate for Bb Bass Clarinet) – LCP0213Related product: Due Notturni (with Se lontan, ben mio, tu sei (KV438) and Luci care, luci belle (KV346) – LCP0111(optional strings and/or woodwinds also available)

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1305468 By The Chordettes. By Pat Ballard. Arranged by David Warin Solomons. 20th Century,Contemporary,Jazz. 9 pages. David Warin Solomons #894914. Published by David Warin Solomons (A0.1305468). Arrangement of Pat Ballard's song Mister Sandman, giving the tune and accompanying dum-dum and do-be-do-be-do motifs alternately to the lower and higher voices of the choir.This version is in B flat and is sung here by the Singkreis of the Northern England Lutheran diocese.Instrumentalists can improvise on the basis of the written accompaniment, which is given here just for guidance.The attached video is also my arrangement as sung by me (multitracking), but it is slightly different in a few places.

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1328088 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Kathryn Sherman. Contemporary,Jazz. 38 pages. Kathryn Sherman #916078. Published by Kathryn Sherman (A0.1328088). Challenge your ensemble to sing soft unisons and close harmony with this tender reharmonization and reinterpretation of Lerner & Loewe's classic, Almost Like Being in Love. The improvisation section can feature vocalists, instrumentalists, or both, challenging soloists to focus on creating melodies over these adapted chord changes. For more of Kathryn's music, you can find her at katsherman.com or on Instagram @katshermanmusic. You can also reach out via email at kat@katsherman.com.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.832767 By Danny Gokey. By Bernie Herms, Matthew West, and Randy Phillips. Arranged by Keith McCauley. Contemporary,Pop,Praise & Worship. Octavo. 10 pages. Cantus Youth Choirs Publishing #4738209. Published by Cantus Youth Choirs Publishing (A0.832767). SSA version. A beautiful choral arrangement of DANNY GOKEY'S performance of TELL YOUR HEART TO BEAT AGAIN. Can be performed with just piano. Add acoustic guitar, electric bass, and drums. Add cello solo OR string quartet (violin 1, violin 2, viola, cello). This purchase includes Piano/Lead/SATB and Lead/SATB PDFs. Instrumental Pack (A439574) includes Director's Score, Violin 1, Violin 2, Viola, Cello, Cello Solo, Acoustic Guitar, Electric Bass, Drum Set. Also available for SATB (A698390).

Choral Choir (SSA) - Level 5 - Digital Download SKU: A0.828165 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Shelley Gray. A Cappella. Octavo. 7 pages. Shelley Gray #4639165. Published by Shelley Gray (A0.828165). For female a cappella chorus. My arrangement is based on the Jamie Cullum version, with it's cool jazz rhythms and wonderful instrumental lines. I have attempted to create interest for all voice parts and the leads certainly have a 'lead' role here with the opportunity to solo in the opening section. To make the most of the 'jazzy' rhythms I've included some body percussion too!For more information and to discuss teach tracks please contact me at shelleygray40@gmail.com.