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Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.780037 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Graham Boag. Rock. Individual part. 19 pages. Graham Boag #5023745. Published by Graham Boag (A0.780037). Don't Stop Believin’ is a song by American rock band Journey, originally released as the second single from their seventh album Escape (1981). It became a number 9 hit on the Billboard Hot 100 on its original release after entering the chart at position 56 on 31st October 1981. In the United Kingdom, the song was not a Top 40 hit on its original release; however, it reached number 6 in 2009.Mike DeGagne of AllMusic has described Don't Stop Believin' as a perfect rock song and an anthem, featuring one of the best opening keyboard riffs in rock. It is the best-selling digital track from the 20th century with over 7 million copies sold in the United States. It was used in the Final scene of HBO’s The Sopranos bringing the song to a newer audience and then it’s use in the US television series Glee where it was performed in either whols or part in six different episodes throughout the run of the show, including the 120th (second last) episode, once again brining the song to a new younger audience.   I have now done an arrangement for Double Bass quartet which is sure to prove popular with audience’s young and old as well as your Bass group.
Don't Stop Believin'
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Journey
$12.99 10.92 € Contre Basse PDF SheetMusicPlus

Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.780003 By Ozzy Osbourne. By Bob Daisley, Ozzy Osbourne, and Randy Rhoads. Arranged by Graham Boag. Metal,Rock. Individual part. 20 pages. Graham Boag #3868665. Published by Graham Boag (A0.780003). Crazy Train is the first single from British heavy metal vocalist Ozzy Osbourne's debut solo album, Blizzard of Ozz, released in 1980. A live version of the song recorded in 1981 from the album Tribute was also released as a single in 1987 with an accompanying music video. The song was written by Osbourne, Randy Rhoads and Bob Daisley. The subject matter of the lyrics is the Cold War and the fear of annihilation that existed during this period.It has been arranged here for Double Bass Quartet and is bound to be a popular piece with players young and old as well as audiences. Each player has a chance to shine and the First part even gets to 'shred' a solo.
Crazy Train
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Ozzy Osbourne
$12.99 10.92 € Contre Basse PDF SheetMusicPlus

Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.779967 By Manhattan Transfer. By Joe Zawinul. Arranged by Graham Boag. Jazz. Individual part. 22 pages. Graham Boag #3482741. Published by Graham Boag (A0.779967). Birdland marked the peak of Weather Report's commercial career with the release of Heavy Weather. With the addition of Jaco Pastorius, the band was able to push its music to the height of its popularity, and with that came Birdland. Weather Report's most commercially successful composition, Birdland served as a tribute to the New York City jazz club on 52nd street that housed many famous jazz musicians. The song was also named in honor of the man after whom the club was named, Charlie Parker, the 'Bird' himself. It was this club, which he frequented almost daily, that inspired Zawinul to write the song. Looking back, Zawinul claimed, The old Birdland was the most important place in my life.This arrangement has an 'optional' Kit part that may or may not be used for performances but it does set the whols picture.
Birdland
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Manhattan Transfer
$15.99 13.44 € Contre Basse PDF SheetMusicPlus

Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1379150 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Century,Classical,Contemporary,Film/TV,Rock. Individual part. 1 pages. Legacy Artists #963818. Published by Legacy Artists (A0.1379150). This sheet music features the string bass partition for the radical, high-gain, symphonic art-rock single Stendhal Syndrome, the Legacy Artists studio fanfare soundtrack, from Jacques Cameron's debut release performed and recorded with the Czech National Symphony Orchestra. Brought tactilely to life in breathtaking compositions by Josh Williams and Dylan Hunter Olson with inspired transcription and arrangements by Elad Regev and Raphaël Hinojosa, Stendhal Syndrome is the prolific dawn of a prodigious cinematic legacy.Titles: 130 BPM *Stendhal Syndrome.Instrumental Arrangements: String Bass.
Jacques Cameron - Stendhal Syndrome (Legacy Artists Fanfare): String Bass
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Jacques Cameron
$2.99 2.51 € Contre Basse PDF SheetMusicPlus

Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Contrabass
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$3.50 2.94 € Contre Basse PDF SheetMusicPlus

Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018919 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064803. Published by Benjamin Sajo (A0.1018919). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Aubade: A Pairing with Beethoven's Symphony #1 - Contrabass
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$3.50 2.94 € Contre Basse PDF SheetMusicPlus






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