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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805519 Composed by Laura C. Quijada Ortíz. Concert,Instructional,Standards. Individual part. 13 pages. Laura Quijada #6711755. Published by Laura Quijada (A0.805519). 20 Melodies on two strings at a time, a good complement to beginner bass methods. The finger pattern is kept on the three pair of strings, and the melodies can be started randomly (not necessarily in the order they appear). With the exception of the last one, all the melodies are in 2/4 to facilitate the staff reading at this level. Scales and arpeggios are included to keep up with the instrument's technique. No technique marks (arco, pizzicato), bowings, dynamics or tempi are indicated, leaving this to the teacher's discretion to assign them, as the goal is to have the student play the tunes perfectly at his/her own pace and abilities. This music can also be used for solo recitals. Keys: D Major, A Major, E Major
Two-Strings Melodies for the beginner bassist.
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.869659 Composed by Thomas Oboe Lee. Contemporary. Individual part. 14 pages. Thomas Oboe Lee #5888343. Published by Thomas Oboe Lee (A0.869659). There is a lot of time to compose when you are stuck at home during the Pandemic of 2020. This is the fifth work I completed under lockdown.:Trio 803 was completed on April 7, 2020Kindertodtotenlieder was completed on May 13, 2020Préludes … Hommage à C.D. was completed on June 5, 2020Chansons de Maeterlinck was completed on June 20, 2020I have always been a huge fan of the Mendelssohn Octet for double string quartet. In my search of octets on YouTube I noticed that there were a number of octets that used a double bass instead of a second cello. I thought that configuration would suit what I had in mind for my octet.Octet for Strings is in five movements.I. AdagioII. Allegro III. AdagioIV. Allegro TRIOV. AndantinoTotal duration, ca. 22 minutes.Enjoy!!!
Octet for Strings (2020) double bass part
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Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1297620 Composed by Frederic Chopin. Arranged by Milanov. Classical,Romantic Period,Wedding. Individual part. 1 pages. Milanov #887623. Published by Milanov (A0.1297620). Waltz in A Minor B. 150, Op. Posth. by Chopin for french string bass. Arrangement in C Minor. Easy Intermediate. Chopin's Waltz in A minor, B.150, is a brief yet evocative composition that captures the essence of a wistful dance. Written in 3/4 time, this waltz reveals Chopin's trademark melodic charm and emotional depth in a concise format. The piece opens with a delicate and yearning melody, immediately tugging at the listener's heartstrings. Its brevity doesn't diminish its impact, as Chopin weaves fleeting moments of elegance and melancholy into every note, concluding with a poignant simplicity that leaves an indelible impression of tender nostalgia.
Waltz in A Minor | B. 150, Op. Posth. | Chopin | String Bass
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Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1298192 Composed by Frederic Chopin. Arranged by Milanov. Classical,Romantic Period,Wedding. Individual part. 2 pages. Milanov #888169. Published by Milanov (A0.1298192). Waltz in A Minor B. 150, Op. Posth. by Chopin for french string bass. Chords. Arrangement in C Minor. Easy Intermediate. Chopin's Waltz in A minor, B.150, is a brief yet evocative composition that captures the essence of a wistful dance. Written in 3/4 time, this waltz reveals Chopin's trademark melodic charm and emotional depth in a concise format. The piece opens with a delicate and yearning melody, immediately tugging at the listener's heartstrings. Its brevity doesn't diminish its impact, as Chopin weaves fleeting moments of elegance and melancholy into every note, concluding with a poignant simplicity that leaves an indelible impression of tender nostalgia.
Waltz in A Minor | B. 150, Op. Posth. | Chopin | String Bass | Chords
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1018960 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078717. Published by Benjamin Sajo (A0.1018960). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Kommos (Lamentation) / "When the World Moved On" - Contrabass
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