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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.964510 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Individual part. 3 pages. Leyandder Trustworthy #6331243. Published by Leyandder Trustworthy (A0.964510). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Contrabass, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Contrabass and piano with chords
Contre Basse

$4.99 4.38 € Contre Basse PDF SheetMusicPlus

Double Bass - Digital Download SKU: A0.1314897 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 61 pages. Andrew Cody Williams #903655. Published by Andrew Cody Williams (A0.1314897). â??Popular Orchestral Excerpt Etudes For Double Bassâ? is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 â??Greatâ?, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.
Popular Orchestral Excerpt Etudes For Double Bass: Standard Packet
Contre Basse

$20.00 17.54 € Contre Basse PDF SheetMusicPlus

Double Bass,String Bass Solo - Digital Download SKU: A0.533638 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3034051. Published by Musik Fabrik Music Publishing (A0.533638). Ode (2005) for solo contrabass was commissioned by and written for contrabassist P. KellachWaddle, and is dedicated in memory of jazz bassist and teacher Bob Stata, who died on June14, 2005 at the age of 52. (Stata commissioned and directed the premiere of Cooman's TheGreat Wilno (1999) for solo piano and wind ensemble.)This work is cast in a single movement and contrasts passionate sweeping figurations withlyric melodic material in the bass's upper register. An elegaic chorale section appears in themiddle and returns at the end, dying away to nothing.
Carson Cooman: Ode (2005) for solo contrabass
Contre Basse

$9.10 7.98 € Contre Basse PDF SheetMusicPlus

Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1332996 Composed by Gustav Holst. Arranged by César Madeira. Children,Classical,Film/TV,Multicultural,Romantic Period,World. Individual part. 2 pages. Sheet Music To Play Editions #919382. Published by Sheet Music To Play Editions (A0.1332996). Jupiter Chorale from The Planets, Op.32 by Gustav Holst. With Individual Contrabass Part with Chords. Enjoy it!Gustav Holst (1874 – 1934) was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Jupiter Chorale from The Planets - Contrabass Solo - W/Chords
Contre Basse

$4.99 4.38 € Contre Basse PDF SheetMusicPlus

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.1018899 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056133. Published by Benjamin Sajo (A0.1018899). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Contrabass
Contre Basse

$3.50 3.07 € Contre Basse PDF SheetMusicPlus

Double Bass,String Bass Solo - Digital Download SKU: A0.886705 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Individual part. 9 pages. Panagiotis Theodossiou #3585349. Published by Panagiotis Theodossiou (A0.886705).  Affliction for contrabass solo (2018)Work written in the memory of the victims of the great fire at Mati resort, Greece in July 2018. It is dedicated to French contrabassist Thierry Barbé, principal contrabass in Paris Opera Symphony Orchestra and professor in Paris Conservatory (Conservatoire National Superiere de Musique et de Danse de Paris), who actually was the motive for this composition. It is based on: a. a 11tone row with D as supplementary, b. Thierry Barbé letter-name notes and c. perfect 4th interval.
"Affliction" for contrabass solo
Contre Basse

$12.00 10.52 € Contre Basse PDF SheetMusicPlus

Brahms : Traits d'orchestre, Symphonie n° 4, Op. 98 - III. Allegro giocoso (mes. 1-17, mes. 125-155)
Contre Basse
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Mozart : Traits d'orchestre, Symphonie n° 39, K.543 - I. Adagio - Allegro (mes. 13-21, mes. 40-97)
Contre Basse
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Beethoven : Traits d'orchestre, Symphonie n° 3, Op. 55 - II. Marche funèbre. Adagio assai (mes. 160-166)
Contre Basse
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Beethoven : Traits d'orchestre, Symphonie n° 3, Op. 55 - I. Allegro con brio (mes. 109-123, mes. 303-330)
Contre Basse
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Beethoven : Traits d'orchestre, Symphonie n° 3, Opus 55 - IV. Finale (mes. 290-322)
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