By Several artists. By Several Composers. Arranged by Maria- Soledad Belloir. Celtic, Christian, Christmas, Irish, Sacred, Traditional. Score. 16 pages. Maria-Soledad Belloir #732170. Published by Maria- Soledad Belloir

Harp - Intermediate - Digital Download Arranged by Darhon Rees- Rohrbacher. Christmas. 46 pages. Published by Afghan Press Music for the Harp

Lever Harp - Level 1 - Digital Download

SKU: A0.1312558

By Bing Crosby. By Irving Berlin. Arranged by Carrie Tollett and Christy-Lyn Dosé. Christmas,Jazz,Pop. Score. 3 pages. Learning the Harp #901031. Published by Learning the Harp (A0.1312558).

The arrangement is a great one to add to your Christmas repertoire with those nostalgic, comforting harmonies. You'll practice some challenging overlapping brackets, play hands together, and even do some lever changes. The song wouldn't be the same without them! 

Difficulty Level and Skills Required: Late-beginner. The right hand carries the melody with overlapping brackets, a few cross-overs, and jumps. The left hand is quite simple with notes but is responsible for various lever changes throughout.

Type of Harp: For big and small harps, 22 strings (C-C) and larger.

Range: Lowest note is C, one octave below middle C. Highest note is D, just more than two octaves above middle C.

Levers/Pedals: In the key of C. Several D and F lever changes throughout.

What's Included: PDF download of 3 pages. Fingering and bracketing are included.

Lever Harp - Level 3 - Digital Download

SKU: A0.1312559

By Bing Crosby. By Irving Berlin. Arranged by Carrie Tollett and Christy-Lyn Dosé. Christmas,Jazz,Pop. Score. 3 pages. Learning the Harp #901037. Published by Learning the Harp (A0.1312559).

Enjoy playing this sparkly, nostalgic arrangement of White Christmas! People will love hearing this on the harp, with the crisp rolled chords and lever changes that create those satisfying harmonies. You'll get practice with quick placing and coordinating the lever changes so that they blend right in with the piece, along with lots of dynamics.

Difficulty Level and Skills Required: Mid-Intermediate. The right hand carries the melody with overlapping brackets, quick placing, and cross-overs. The left hand consists of rolled chords, 4-2-1 patterns, and many lever changes.

Type of Harp: For big and small harps, 22 strings (C-C) and larger.

Range: Lowest note is C, one octave below middle C. Highest note is D, just more than two octaves above middle C.

Levers/Pedals: In the key of C. Many D, F, and A lever changes throughout.

What's Included: PDF download of 3 pages. Fingering and bracketing are included.

TO NOTE: We also have arrangements for a Late-Beginner level and a Late-Intermediate level of this song available for sale.

Harp - Digital Download

SKU: A0.506833

By Angelika Kutscher. By Eduard Ebel, Peter Blümer. Arranged by Angelika Kutscher. Christmas,Classical,Multicultural,Spiritual,Traditional,World. Score. 1 pages. Published by Kutscher Angelika (A0.506833).

A very charming arrangement for all harp players of this famous Christmas song. Playable on any kind of harp, starting from 27 strings harp upwards. For the advanced beginner.

By Sarah McLachlan. By Hugh Martin and Ralph Blane. Arranged by Anne Crosby Gaudet. Broadway, Christmas, Film/TV, Holiday, Jazz, Musical/Show. Score. 5 pages. Music Discoveries #722112. Published by Music Discoveries

Double-Strung Harp - Intermediate - Digital Download Composed by Various. Arranged by Cindy Blevins. Christian, Praise and Worship, General Worship. Sheet Music Single. 39 pages. Published by Cindy Blevins

Harp - Early Intermediate - Digital Download Arranged by Ray Pool. Christian, General Worship. Lead Sheet. 128 pages. Published by Afghan Press Music for the Harp

Lever Harp - Level 3 - Digital Download

SKU: A0.1334985

Composed by Mark A. Brymer. Arranged by Carrie Tollett and Christy-Lyn Dosé. Christian,Christmas. Score. 7 pages. Learning the Harp #916727. Published by Learning the Harp (A0.1334985).

The arrangement highlights the song’s beautiful melodies and calming nature. It’s such a nice piece to add to your holiday repertoire! Among the many lush rolled chords and arpeggios, you’ll get to play a few left and right-hand harmonics along with a glissando. There are some challenging moments where the left hand jumps around registers. 

Difficulty Level & Skills Required: Mid-Intermediate. The left hand has moments of jumping between registers, late placing, and many cross-unders. The right hand carries the melody line with some interesting rhythms and quick placing. Both hands have many rolled chords, and there are some special techniques such as right and left harmonics and a glissando.

Type of Harp: Big harp version is for 33-string harps or larger, but small harp version works for 26-string harps or larger.

Range: For big harps: Lowest note is D, almost two octaves below middle C. Highest note is F, two and a half octaves above middle C. For small harps: Lowest note is C, one octave below middle C. Highest note is F, two and a half octaves above middle C.

Levers/Pedals: In the key of F major. There are no lever changes in this piece.

What's Included: PDF download of 7 pages. Fingering and bracketing are included.

TO NOTE: We also have a Mid-Beginner level and an Early-Intermediate level of this song available for sale.

Lever Harp - Level 2 - Digital Download

SKU: A0.1301637

Composed by Scottish Traditional. Arranged by Carrie Tollett and Christy-Lyn Dosé. Christian,Traditional. Score. 3 pages. Learning the Harp #891247. Published by Learning the Harp (A0.1301637).

Enjoy the free-flowing, reflective nature of this “When I Survey The Wondrous Cross� arrangement. It’s a beautiful piece that fits so nicely under the fingers and helps reinforce good technical habits.

Difficulty Level and Skills Required: Early-Intermediate. The right hand mostly carries the melody line but also shares a portion of the accompaniment with the left hand. The left hand supports the melody with mostly 4-2-1 arpeggios and occasionally playing two-note intervals.

Type of Harp: For big and small harps, 22-strings (C-C) or larger.

Range: The lowest note is C, one octave below middle C. The highest note is G, one and a half octaves above middle C.

Levers/Pedals: In the key of C major. There are no lever changes in this piece.
 
 

Lever Harp - Level 3 - Digital Download

SKU: A0.1301639

Composed by Scottish Traditional. Arranged by Carrie Tollett and Christy-Lyn Dosé. Christian,Traditional. Score. 7 pages. Learning the Harp #891249. Published by Learning the Harp (A0.1301639).

This is a stunning piece to add to your repertoire that will really bless anyone who listens! The melody beautifully intertwines with the left-hand accompaniment, making it sound effortless and free-flowing.

Difficulty Level and Skills Required: Mid-Intermediate. The right hand mostly carries the melody and frequently shares a continuation of the left-hand accompaniment. The right hand has many overlapping brackets and downward arpeggios. The left hand consists largely of 4-2-1 arpeggios with cross-unders, rolled chords, and jumping to cross over right hand to play notes in the treble clef.

Type of Harp: Big harp version is for 33-string harps or larger, but small harp version works for 26-string (C-G) harps or larger.

Range: For big harps: the lowest note is C, two octaves below middle C. The highest note is F, two and a half octaves above middle C. For small harps: the lowest note is C, one octave below middle C. The highest note is G, two and a half octaves above middle C.

Levers/Pedals: In the key of C major. There are no lever changes in this piece.
 

Lever Harp - Level 2 - Digital Download

SKU: A0.1301632

Composed by Scottish Traditional. Arranged by Carrie Tollett and Christy-Lyn Dosé. Christian,Traditional. Score. 3 pages. Learning the Harp #891241. Published by Learning the Harp (A0.1301632).

Enjoy the free-flowing, reflective nature of this “The Water Is Wide� arrangement! It’s a beautiful piece that fits so nicely under the fingers and helps reinforce good technical habits.

Difficulty Level and Skills Required: Early-Intermediate. The right hand mostly carries the melody line but also shares a portion of the accompaniment with the left hand. The left hand supports the melody with mostly 4-2-1 arpeggios and occasionally playing two-note chords. 

Type of Harp: For big and small harps, 22-strings (C-C) or larger.

Range: Lowest note is C, one octave below middle C. Highest note is G, one and a half octaves above middle C.

Levers/Pedals: In the key of C major. There are no lever changes in this piece.
 
 

Lever Harp - Level 3 - Digital Download

SKU: A0.1328662

Composed by Scottish Traditional. Arranged by Carrie Tollett and Christy-Lyn Dosé. Christian,Traditional. Score. 7 pages. Learning the Harp #891245. Published by Learning the Harp (A0.1328662).

This is a stunning piece to add to your repertoire that will really bless anyone who listens! The melody beautifully intertwines with the left-hand accompaniment, making it sound effortless and free-flowing.

Difficulty Level and Skills Required: Mid-Intermediate. The right hand carries the melody but frequently shares a continuation of the left-hand accompaniment. The right hand has many overlapping brackets and downward arpeggios. The left hand consists largely of 4-2-1 arpeggios with cross-unders, rolled chords, and jumping to cross over right hand to play notes in the treble clef.

Type of Harp: Big harp version is for 33-string harps or larger, but small harp version works for 26-string (C-G) harps or larger.

Range: For big harps: The lowest note is C, two octaves below middle C. The highest note is F, two and a half octaves above middle C. For small harps: The lowest note is C, one octave below middle C. The highest note is G, two and a half octaves above middle C.

Levers/Pedals: In the key of C major. There are no lever changes in this piece.
 
 

Harp - Level 3 - Digital Download

SKU: A0.797493

Composed by Carol Wood. Celtic,Halloween,Holiday,New Age,Spiritual. Score. 22 pages. Afghan Press Music for the Harp #4886961. Published by Afghan Press Music for the Harp (A0.797493).

 While all eight of these Celtic holidays may not be truly ancient, several of them certainly are; some, like Samhain, have had Christianizing veils cast over them but have kept many of the pre-Christian customs associated with their celebration. Interested harpists will find a wealth of available information about these holidays, their names, and their customs. 

Imbolc, February 1st or 2nd, is also the Feast of St. Bridget or Brigid and is associated with the ancient goddess of that name in Celtic mythology.

Ostara is the name sometimes given to the neo-Celtic celebration of the Spring Equinox. This piece depicts the dawn of the day and of the year.

Beltaine, the joyous celebration of spring’s warmth and wealth of flowers and new greenery, occurs on the first day of May. 

The longest day of the year and the shortest night mark the Summer Solstice-Midsummer. Since long before Shakespeare’s funny and lyrical play A Midsummer Night’s Dream, the Summer Solstice has been associated with magic.

Lughnasadh, on August 1st, is the festival of the first harvest. A version of the name of this festival survives in Manx and Scots Gaelic as well as in Irish Gaelic, and the name itself derives from Lugh, one of the most important Celtic gods

Mabon marks the Autumn Equinox and the end of summer; for me, it is a wistful moment of the year-extremely beautiful yet transitory.
Samhain is one of the most significant celebrations in the Celtic year- the word itself means the end of summer, the beginning of the dark part of the year. It survives even in non-Celtic countries as Halloween, thanks to its adoption into the Christian calendar as All Hallows’ Eve. It is said to be the  time when the veils between this world and the next are at their most thin.

The Winter Solstice is marked in many European cultures as a time for celebrating the birth of the new light and a time for decorating with evergreens like holly. For The Holly King, modal and traditional versions of the carol The Holly and the Ivy, were used because of the lyrics’ references to the rising of the sun, and the running of the deer.