Alto Voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.869013

Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #6326661. Published by Really Good Music, LLC. (A0.869013).

Struggiti, o core is an Aria 4 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the key of E minor (B3 – E5) for low voice.

Alto Voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.869010

Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326641. Published by Really Good Music, LLC. (A0.869010).

Stringa si dolce nodo is an Aria 2 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the key of F sharp minor (C#4 – E5) for low voice.

Alto Voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.869007

Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326627. Published by Really Good Music, LLC. (A0.869007).

Pur ti stringo is an Aria 1 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the key of G major (D4 – E5) for low voice.

Alto Voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.869011

Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #6326651. Published by Really Good Music, LLC. (A0.869011).

Ingoiatelo is an Aria 3 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the key of D major (A3 – F#5) for low voice.

Alto Voice,Vocal Solo - Level 5 - Digital Download

SKU: A0.799612

Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612).

The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.

All Accessible Accompaniments, including this one, boast several unique features:

1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.

2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.

3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.

4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.

5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.

6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.

About the Arranger: 

Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. 
For more information, please visit http://ndipaolo.musicaneo.com .

Alto Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.1289587

Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880297. Published by Benzaiten Editions (A0.1289587).

Hey! Are you a contralto singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!

Bach / Gounod Ave Maria in C major • alto sheet music with piano accompaniment

The Benzaiten Editions Arrangement

If you're searching for contralto voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here!

With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience.

Whether you aim to expand your repertoire or share the gift of music with others, our alto voice arrangement of Bach/Gounod's Ave Maria promises to inspire.

 

Bach / Gounod Ave Maria arrangements by Benzaiten Editions

In all 12 tonalities:
→ Soprano voice | piano accompaniment
→ Alto voice | piano accompaniment
→ Tenor voice | piano accompaniment
→ Baritone voice | piano accompaniment

About the song

Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.

It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.

While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.

Alto Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.1289581

Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880290. Published by Benzaiten Editions (A0.1289581).

Hey! Are you a contralto singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!

Bach / Gounod Ave Maria in B flat [Bb] • contralto sheet music with piano accompaniment and chords

The Benzaiten Editions Arrangement

If you're searching for contralto voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here!

With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience.

Whether you aim to expand your repertoire or share the gift of music with others, our alto voice arrangement of Bach/Gounod's Ave Maria promises to inspire.

 

Bach / Gounod Ave Maria arrangements by Benzaiten Editions

In all 12 tonalities:
→ Soprano voice | piano accompaniment
→ Alto voice | piano accompaniment
→ Tenor voice | piano accompaniment
→ Baritone voice | piano accompaniment

About the song

Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.

It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.

While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.

Alto Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.1289585

Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880295. Published by Benzaiten Editions (A0.1289585).

Hey! Are you a contralto singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!

Bach / Gounod Ave Maria in B major  • alto sheet music with piano accompaniment and chords

The Benzaiten Editions Arrangement

If you're searching for contralto voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here!

With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience.

Whether you aim to expand your repertoire or share the gift of music with others, our alto voice arrangement of Bach/Gounod's Ave Maria promises to inspire.

 

Bach / Gounod Ave Maria arrangements by Benzaiten Editions

In all 12 tonalities:
→ Soprano voice | piano accompaniment
→ Alto voice | piano accompaniment
→ Tenor voice | piano accompaniment
→ Baritone voice | piano accompaniment

About the song

Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.

It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.

While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.

Alto Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.1289591

Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880302. Published by Benzaiten Editions (A0.1289591).

Hey! Are you a contralto singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!

Bach / Gounod Ave Maria in C sharp major [C#] • alto sheet music with piano accompaniment

The Benzaiten Editions Arrangement

If you're searching for contralto voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here!

With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience.

Whether you aim to expand your repertoire or share the gift of music with others, our alto voice arrangement of Bach/Gounod's Ave Maria promises to inspire.

 

Bach / Gounod Ave Maria arrangements by Benzaiten Editions

In all 12 tonalities:
→ Soprano voice | piano accompaniment
→ Alto voice | piano accompaniment
→ Tenor voice | piano accompaniment
→ Baritone voice | piano accompaniment

About the song

Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.

It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.

While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.

Alto Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.1289600

Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #880309. Published by Benzaiten Editions (A0.1289600).

Hey! Are you a contralto singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!

Bach / Gounod Ave Maria in D major • alto sheet music with piano accompaniment and chords

The Benzaiten Editions Arrangement

If you're searching for contralto voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here!

With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience.

Whether you aim to expand your repertoire or share the gift of music with others, our alto voice arrangement of Bach/Gounod's Ave Maria promises to inspire.

 

Bach / Gounod Ave Maria arrangements by Benzaiten Editions

In all 12 tonalities:
→ Soprano voice | piano accompaniment
→ Alto voice | piano accompaniment
→ Tenor voice | piano accompaniment
→ Baritone voice | piano accompaniment

About the song

Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.

It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.

While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.

Alto Voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.868955

Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5309909. Published by Really Good Music, LLC. (A0.868955).

Al tribunal d'amore is a mezzo-soprano aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of Il Farnace from 1738. The music of the aria was largely borrowed by composer from the aria of the same title from his earlier opera L’Atenaide (1729); its score manuscript is written in in E flat major and contains significant textural and rhythmic differences (e. g., common time signature) from the late version of Il Farnace. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the original key of D major (D4 – D5) for low voice.

Alto Voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.869050

Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445603. Published by Really Good Music, LLC. (A0.869050).

In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the key of D minor (A3 – F5) for low voice.

Alto Voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.868944

Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033543. Published by Really Good Music, LLC. (A0.868944).

Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the key of F major (C4 – F5) for low voice.

Alto Voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.868842

Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4624059. Published by Really Good Music, LLC. (A0.868842).

Da quel ferro is a contralto version of the aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the key of D minor (C#4 – Eb5) for low voice.

Alto Voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.868840

Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4624057. Published by Really Good Music, LLC. (A0.868840).

 Da quel ferro is a contralto version of the aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the key of F minor (E4 – Gb5) for high voice.