Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869050 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6445603. Published by Really Good Music, LLC. (A0.869050). In bosco romito is an aria from the opera L’Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The manuscript of the aria also contains alternative text: Mi sento d’intorno Un figlio tradito etc. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D minor (A3 – F5) for low voice.

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868672 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4368052. Published by Really Good Music, LLC. (A0.868672). Fragil fior ch’appena nasce is a mezzo-soprano aria from from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C major (C4 – D5) for high voice. .

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868682 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4368084. Published by Really Good Music, LLC. (A0.868682). Perchè veggo is a mezzo-soprano aria from the opera Arsilda Regina di Ponto (1716) by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of A major (E4 – E#5). .

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868839 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4614785. Published by Really Good Music, LLC. (A0.868839). Col piacer della mia fede is an aria from the opera Arsilda Regina di Ponto, composed in 1716 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (C4 – D5) for low voice. .

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868736 Composed by Jacopo MELANI (1623 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4409123. Published by Really Good Music, LLC. (A0.868736). Bionde chiome is an aria from the opera (dramma musicale burlesco) Il Girello, composed in 1668 by Jacopo MELANI (1623 – 1676). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (C4 – Eb5) for low voice.

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868829 Composed by Antonio VIVALDI (1678 â?? 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4610127. Published by Really Good Music, LLC. (A0.868829). Più non si trovano is a mezzo-soprano aria from the opera Lâ??Olimpiade, composed in 1734 by Antonio VIVALDI (1678 â?? 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E minor (D4 â?? E5) for low voice.

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868838 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4614781. Published by Really Good Music, LLC. (A0.868838). Ben conosco is an aria from the opera Arsilda Regina di Ponto, composed in 1716 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (B3 – E5) for low voice. .

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868831 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4610131. Published by Really Good Music, LLC. (A0.868831). Più non si trovano is a mezzo-soprano aria from the opera L’Olimpiade, composed in 1734 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D minor (C4 – D5) for low voice.

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868675 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4368058. Published by Really Good Music, LLC. (A0.868675). Fragil fior ch’appena nasce is a mezzo-soprano aria from from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B flat major (Bb3 – C5) for low voice. .

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868676 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4368068. Published by Really Good Music, LLC. (A0.868676). Mentre dormi amor is a beautiful mezzo-soprano aria from the opera L’Olimpiade by Antonio Vivaldi (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – E5). .

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868971 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #5709677. Published by Really Good Music, LLC. (A0.868971). Senza l'amato ben is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (C#4 – G5) for low voice.

Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.868687 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 8 pages. Really Good Music, LLC. #4368216. Published by Really Good Music, LLC. (A0.868687). Veni, veni, me sequere fida is an amazingly beautiful aria from the oratorio Juditha triumphans (1716) by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B flat major (C#4 – D5). .

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868669 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #4368046. Published by Really Good Music, LLC. (A0.868669). Augelletti voi col canto is an aria from solo cantata Lungi dal vago volto by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (B3 – F#5) for low voice.

Alto Voice,Vocal Solo - Digital Download SKU: A0.1017886 Composed by Hilary Brooks, Lyrics by Clive King. Dance,Musical/Show,Pop. 2 pages. Hilary Brooks #6344955. Published by Hilary Brooks (A0.1017886). Musical theatre. A 'club' instrumental - bows music from WEE FREE! The Musical Piano/Voice. 2p.  1984. Morna escapes the city to teach music on the remote Isle of Munst. When she accidentally marries a pillar of the community, she finds herself at odds with the quirks of The Kirk and the strange ways of the locals. Can a New Romantic survive on an island ruled by The Old Testament? Cleverly written... great songs... outstanding cast... crisp direction. **** The Herald Delightful performances... fine sings of love and disappointment... has the audience rolling in the aisles. **** The Scotsman A rare and scintillating treat... funny and cannily observant. **** Mumble Musicals A chamber musical for four actors - 2F, 2M. Original production length: 57 minutes. Suitable for MT students, colleges, MT societies. contact: @BrooksandKing Brooks & King are represented by Micheline Steinberg Associates: micheline@steinplays.com.     020 3214 8282 Script perusal and hires can be arranged through MSA

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1307983 Composed by Anonymous. Arranged by Stephen Smith. Advent,Christmas,Classical,Religious,Sacred. 3 pages. Stephen Smith #897258. Published by Stephen Smith (A0.1307983). This arrangement (for alto solo and piano) of the German carol Maria durch ein Dornwald ging employs a brand new English singing translation of the text which matches the beautiful mystical quality of the much-loved tune. The first verse paints a picture of Mary walking through a forest of barren thorn-bushes, the second provides a climactic moment in praise of the Virgin Mother, and the last verse is an awestruck description of the miraculous blossoming of roses as Mary passes each tree.