Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1269255 Composed by Traditional. Arranged by Anthony Mosakowski. Folk,Multicultural,Traditional,World. 11 pages. Anthony Mosakowski #861790. Published by Anthony Mosakowski (A0.1269255). This is a reworking (for solo voice) of my choral arrangements of three folk songs from the northeastern region of England: The Water of Tyne, Bonny at Morn, & Bobby Shaftoe. They may be sung as a set or individually. The songs range from sweet and tender to fun and sassy.Also available for soprano voice and SSA voices a cappella. Note that the audio sample and video correspond to the soprano voice version.

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.867173 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary,Spiritual. 41 pages. Juliettamusic #1750221. Published by Juliettamusic (A0.867173). I Heard a Voice Like the Salted Air and other songs for alto & piano are a set of pieces inspired by nature themes. These are at an intermediate level, and they are expressive pieces that are ideal for undergraduate voice majors and anyone who loves to sing. Contents include Against the Sky song cycle, The Wild Ashe Deer, Wyoming Songs song cycle, and I Heard a Voice Like the Salted Air.

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1269247 Composed by Anthony Mosakowski. 20th Century,Contemporary. 18 pages. Anthony Mosakowski #861784. Published by Anthony Mosakowski (A0.1269247). This song cycle for alto voice and piano is a setting of selections from Shakespeare's Hamlet. Each song uses a different text addressed to, spoken by, or describing the character Ophelia.Also available for soprano voice. Note that the audio sample and video correspond to the soprano voice version.

Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1047360 Composed by Anonymous. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred. 7 pages. Daniel Carter #651918. Published by Daniel Carter (A0.1047360). NOTE: The performance demo recording is in the HIGH VOICE key, BUT is IDENTICAL to the Medium-Range Voice arrangement. The medium-range voice pitch range is A below treble clef to E (top space). Traditional, anonymous pioneer hymn tune PROSPECT OF HEAVEN, first published in Southern Harmony in 1835, was combined with pioneer LDS poet, William W. Phelps' text about the Garden of Eden with the future hope of Christ's return to the valley of Adam-ondi-Ahman, which the LDS faith believes is the original location of the Garden. Arranged with a dance-like piano accompaniment and complimentary fiddle obbligato of Jesu, Joy of Man's Desiring make a delightful special musical number for worship, concert settings, historical music, and hymn studies. Arranged for both high- and medium-range vocal solos. Obbligato part included on the last page.

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868641 Composed by Domenico SCARLATTI (1685 – 1757). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4365844. Published by Really Good Music, LLC. (A0.868641). Consolati, e spera is an aria from the opera Ifigenia in Tauri (1713) by Domenico SCARLATTI (1685 – 1757), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in G minor (Bb3 – C5) for low voice. .

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868838 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #4614781. Published by Really Good Music, LLC. (A0.868838). Ben conosco is an aria from the opera Arsilda Regina di Ponto, composed in 1716 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (B3 – E5) for low voice. .

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868842 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4624059. Published by Really Good Music, LLC. (A0.868842). Da quel ferro is a contralto version of the aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students.It is available in the key of D minor (C#4 – Eb5) for low voice.

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868829 Composed by Antonio VIVALDI (1678 â?? 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4610127. Published by Really Good Music, LLC. (A0.868829). Più non si trovano is a mezzo-soprano aria from the opera Lâ??Olimpiade, composed in 1734 by Antonio VIVALDI (1678 â?? 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E minor (D4 â?? E5) for low voice.

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868837 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4624055. Published by Really Good Music, LLC. (A0.868837). Da quel ferro is a contralto version of the aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of the opera from 1738. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of E minor (D#4 – F5) for high voice.

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869029 Composed by Luigi ROSSI (1597 – 1653). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #6400583. Published by Really Good Music, LLC. (A0.869029). Mio ben, teco il tormento is an aria (Euridice's lament) from the opera Orfeo, composed in 1647 by Luigi ROSSI (1597 – 1653), one of the most important Italian composers of the early Baroque. It was carefully realized from the score and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of B minor (B3 – E5) for low voice.

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868944 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #5033543. Published by Really Good Music, LLC. (A0.868944). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (C4 – F5) for low voice.

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.867190 Composed by Julietta Anne Rabens. 20th Century,Concert,Contemporary. 7 pages. Juliettamusic #1986019. Published by Juliettamusic (A0.867190). I heard a voice like the salted air for alto & piano is inspired by nature themes. This is an expressive, intermediate level piece that is ideal for undergraduate voice majors and anyone who loves to sing.

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869047 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 6 pages. Really Good Music, LLC. #6444203. Published by Really Good Music, LLC. (A0.869047). La pena amara is a mezzo-soprano aria from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D major (B3 – D5) for low voice.

Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869007 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326627. Published by Really Good Music, LLC. (A0.869007). Pur ti stringo is an Aria 1 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – E5) for low voice.

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868831 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4610131. Published by Really Good Music, LLC. (A0.868831). Più non si trovano is a mezzo-soprano aria from the opera L’Olimpiade, composed in 1734 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D minor (C4 – D5) for low voice.