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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1022086 Composed by Bill Taylor and Jaye Alison Moscariello, Bill Taylor music, and Lyrics. Arranged by Bill Taylor. Broadway,Contemporary,Pop. 3 pages. William R Taylor #6475621. Published by William R Taylor (A0.1022086). Who’s Driving the Bus (©2014, lyrics ©2018 Bill Taylor and Jaye Alison Moscariello) – Piano, Vocals.  The intense theme and title came in a dream.  This is the fast and angry version of the sentiment in Nature's Dream.  Jaye and Bill wrote the lyrics and both sing them.  Bill Taylor, music, lyrics, piano and vocals; Jaye Alison Moscariello, lyrics and vocals Am I cause in my life or just obeying orders? Listening to Gaia or stuck in human quarters? Who is driving this bus? Standing and feeling the beauty of the Earth Life pushing out on the knife of human greed We live for life, it’s time to grow up Live as the whales, take what is given Oceans now are dying, greed exceeding hunger Land around us frying, power killing spying Life gives us all we ever need Standing and feeling the beauty of the Earth Life pushing out on the knife of human greed We live for life, it’s time to grow up Live wise as whales, take what is given I am here for all life, healthy, dying, growing What we take we honor, keep the cycles flowing Let the love enfold us
Who's Driving the Bus?
Voix Alto, Piano

$1.99 1.7 € Voix Alto, Piano PDF SheetMusicPlus

Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.866108 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period,Sacred. 12 pages. Ondine Press #3114457. Published by Ondine Press (A0.866108). This is the piano vocal score to an arrangement of the 5th movement of Mahler's Third Symphony, Es Sungen Drei Engel from Des Knaben Wunderhorn. This arrangement is one of 4 versions by Yoon Jae Lee, the curator of the Mahler Chamber Project. Version D is solo voice (alto solo). This version omits the boy’s (children’s choir) and women's chorus allowing for performances of this work to be sung by only one singer. The vocal is nearly identical to Mahler's original Lieder version but the revisions made to the final symphonic version, both rhythmic and structural, have been incorporated into this arrangement. Given the wide tessitura of the vocal part, it may be a stretch to say that it is ideally suited for alto. A few ossia parts with lower notes are given where the voice goes to a high register. This arrangement can be performed as a stand alone work with piano, or with Yoon Jae Lee’s reduction for chamber orchestra or with Mahler’s original forces.
Mahler (arr. Lee): Symphony No. 3 5th movement, Piano Vocal Score (Version D for Alto solo)
Voix Alto, Piano

$7.50 6.39 € Voix Alto, Piano PDF SheetMusicPlus

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859662 Composed by Sydney Stevens. Contemporary,Folk,Holiday,Pop. 7 pages. Sydney Stevens, Water Music #2949759. Published by Sydney Stevens, Water Music (A0.859662). Contact: sydneystevenspianostudio@gmail.comBrian's Song: Emotional piano/vocal composed by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords.Sounds like: Lucy Kaplansky, Loreena McKennittFrom Album: Cycles of Life   Theme: The passing of, (letting go of) a father.Mood: Heartfelt, emotional, hopeful.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 2:56Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific compose.
Brian's Song
Voix Alto, Piano

$4.95 4.22 € Voix Alto, Piano PDF SheetMusicPlus

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1262040 Composed by Phil Rawle. Classical,Contemporary,Folk. 3 pages. Phillip Rawle #855098. Published by Phillip Rawle (A0.1262040). ‘The Wildflower’s Song’ speaks of the joy that can come with simplicity and being grounded in the things that matter. By keeping the right priorities and a good mind frame, beauty can be found in the less polished parts of life, and with that idea in mind, there is no need to let “scorn†hinder a positive attitude that is linked to good things. This “Wild Flower†is a representation of a thriving, enduring mindset that can be achieved through those right priorities—that even with “scorn,†there can be “joy.†A song for Alto Solo with Piano accompaniment.
The Wild Flower's Song - Alto Solo
Voix Alto, Piano
keeping the right priorities and a good mind frame, beauty can be found in the less polished parts of life, and with that idea in mind, there is no need to let “scorn†hinder a positive attitude that is linked to good things This “Wild Flower†is a representation of a thriving, enduring mindset that can be achieved through those right priorities—that even with “scorn,†there can be “joy
$5.00 4.26 € Voix Alto, Piano PDF SheetMusicPlus

Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Voix Alto, Piano

$8.95 7.63 € Voix Alto, Piano PDF SheetMusicPlus

Alto Voice,Piano - Level 1 - Digital Download SKU: A0.1170223 By Connie Boss. By Connie Boss. Children. Full Performance. Duration 116. Connie Boss #770588. Published by Connie Boss (A0.1170223). This is a song about summer fun for kids. So many things to do. It has a simple piano accompaniment. You can purchase sheet music at https://www.sheetmusicdirect.com/en-US/se/ID_No/897832/Product.aspx and at https://www.sheetmusicplus.com/title/who-loves-summer-kids-song-solo-and-piano-digital-sheet-music/21721509 Questions or requests email cdboss@cvalley.net See lyrics below: Who Loves Summer? By Connie Boss Refrain: Who loves summer? Spending time together The weather’s warmer And the days are longer Verse 1: Let’s go fishing in the pond We can fish all day long Go for a walk in the creek We’ll play hide and seek Refrain: Verse 2: Play some baseball in the heat We hope we won’t get beat And if we win it’s twice as sweet We’ll eat ice cream for a treat Refrain: Verse 3: We’ll swim in the afternoon At the lake or at the pool But before we can begin We’ll need sunscreen for our skin.
Who Loves Summer Children's song - solo and piano with sound effects
Voix Alto, Piano
Connie Boss
$1.99 1.7 € Voix Alto, Piano PDF SheetMusicPlus

Alto Voice,Piano - Level 1 - Digital Download SKU: A0.1170096 By Connie Boss. By Connie Boss. Children,Christmas. Full Performance. Duration 122. Connie Boss #770464. Published by Connie Boss (A0.1170096). This is a fun song about winter activities for kids. It's for solo and piano. Purchase sheet music at https://www.sheetmusicdirect.com/en-US/se/ID_No/897833/Product.aspx and at https://www.sheetmusicplus.com/title/wintertime-kids-song-solo-and-piano-digital-sheet-music/21721640 Questions or Requests, email cdboss@cvalley.net. See lyrics below: Wintertime By Connie Boss Refrain: Wintertime Is the time To play out in the snow Even if it’s cold. Verse1: We’ll go sledding down a hill Going fast is such a thrill Refrain:Verse 2: We’ll build a snowman Carrots, coal and stick hands Refrain: Verse 3: The snow is cold and white We’ll have a snowball fight Refrain: Verse 4: We’ll ski down a mountain top So fast we may not stop Refrain: Verse 5: It’s almost Christmas Day We love to celebrate Refrain:.
Wintertime Children's song - solo and piano
Voix Alto, Piano
Connie Boss
$1.99 1.7 € Voix Alto, Piano PDF SheetMusicPlus

Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1022081 Composed by Bill Taylor and Jaye Alison Moscariello, lyrics and Bill Taylor music. Contemporary,Jazz,Sacred. 7 pages. William R Taylor #6475263. Published by William R Taylor (A0.1022081). Nature’s Dream (©2012) – Piano, Vocal, Flute, Soprano Sax, Upright Bass. The first several bars came to me in a 2011 vivid dream in which Paul McCandless was playing soaring soprano sax melodies and Jaye Alison Moscariello was singing lyrics I did not remember from the dream.  It was originally in D with some Dad-related chord progressions.  This version is in A to better fit the alto voice.  After writing 3 verses of rather convoluted lyrics about healing the planet, Jaye helped pare it down to one powerful verse that could be a world anthem.  George and Paul play solos during the instrumental break. We think this would make a great national, or international, anthem. This is our planet, the one that we all share Let us remember that all life breathes the air Our world is sacred, its future in our trust And it continues after bodies turn to dust Shall we continue to think we own the beasts? Or know the truth that all of us share the feast? Grow for each other and for the creatures too Plant life and fungi nourish the whole zoo Lessons we’ve learned from species that have passed Transform our ways or we may not last Take time to learn what ancestors teach us Honor the spirit residing in that which feeds us Act for the future of seven generations And together we can share in this dance of life Act for the future of seven generations Act for the welfare of seven generations
Nature's Dream
Voix Alto, Piano

$3.99 3.4 € Voix Alto, Piano PDF SheetMusicPlus

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1022084 Composed by Bill Taylor music, Bill Taylor with Jaye Alison Moscariello, and Lyrics. Arranged by Bill Taylor. Broadway,Contemporary,Jazz. 3 pages. William R Taylor #6475595. Published by William R Taylor (A0.1022084). Release ©2006, lyrics©2010.  Bill’s mom Priscilla Alden Taylor (nee Rowe) passed on at age 90 in January, 2010.  This piece was one she loved, but the words did not come until 2 months after her death and 2 days before Jaye and I were to perform Mom’s song Every Time We Meet at the Anderson Valley Variety Show.  We sung it as best we could with so little practice time and in a key way too high.  This version is transposed down a fifth.  Listeners with parents who have gone on, and those who haven’t, may find some familiar themes here.  If inspired, support your local elder and/or hospice organizations. I love my children to be happy.  What’s new with you Mom?  Charlotte’s got a bakery. Hannah is teaching, playing in San Jose. Tom and Jeanne expecting, he’s flying a new plane. Lucy’s kids are doing well, I’m seeing Uncle Jay. My life is going on in a most pleasant way. When are you coming here to visit, it’s been way too long? When we were children everything was made into a song. Father’s jazzy flute, brother’s boogie woogie She left Julliard to help her family Factory in the war, music she wrote A job at Schirmers she met my Dad had 5 kids Trips to Vermont and Jersey and New York Kept house, school lunch, kind words, praising Now she is running and swimming Dancing and flying, she’s singing All new adventures, new worlds to learn and know Earth body left behind, all life is love and flow Walker made her so tired, shuffling oh so slow She learned to ask for help from all of us below Gathered her children all around her at her time to go Now she’s with her God.
Release
Voix Alto, Piano

$2.99 2.55 € Voix Alto, Piano PDF SheetMusicPlus

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life   Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
Another Day
Voix Alto, Piano

$4.95 4.22 € Voix Alto, Piano PDF SheetMusicPlus


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