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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.521569 Composed by Antonio Vivaldi. Arranged by Sherry Lewis Publishing. Baroque,Holiday,Sacred,Wedding. 17 pages. Sherry Lewis Publishing #6212355. Published by Sherry Lewis Publishing (A0.521569). GLORIA IN EXCELSIS, Vivaldi, String Trio, Early Intermediate Level , early intermediate level for 2 violins and cello or violin, viola and celloScore: 6 pages parts: 8 pages time: 2'35 MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
GLORIA IN EXCELSIS, Vivaldi, String Trio, Early Intermediate Level , early intermediate level for 2
Trio à Cordes: violon, alto, violoncelle

$6.50 5.51 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissance,Wedding. 12 pages. Jmsgu3 #875746. Published by jmsgu3 (A0.1284572). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
Bull: Gloria tibi trinitas for String Trio
Trio à Cordes: violon, alto, violoncelle

$24.95 21.14 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1327200 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 9 pages. Jmsgu3 #915260. Published by jmsgu3 (A0.1327200). The Christmas carol Angels We Have Heard on High is sung to the hymn Gloria, a traditional French carol. The phrase Gloria in Excelsis Deo is a memorable feature of the chorus, where the o of Gloria is fluidly sustained through 16 notes of a rising and falling melismatic. The carol commemorates the birth of Jesus Christ as narrated in the Gospel of Luke, specifically the scene outside Bethlehem where shepherds encounter many angels singing and praising the newborn child. The Gloria is believed to have inspired the chorus in Angels We Have Heard on High, it is considered one of the earliest known Christmas hymns. The melody uses the effect of a refrain and is one of the few texts that congregations sing regularly in Latin: Gloria in excelsis Deo!. The phrase Gloria has a rich history, with reports indicating that in 129 A.D., Pope Telesphorus ordained that the Gloria be sung at the Christmas Eve midnight mass. The melody has been popularized worldwide and has become a holiday standard.
Angels We Have Heard on High for String Trio
Trio à Cordes: violon, alto, violoncelle

$24.95 21.14 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.530745 Composed by Various. Arranged by Joel Lish. Baroque,Standards,Wedding. Score and parts. 205 pages. Last Resort Music Publishing #5335547. Published by Last Resort Music Publishing (A0.530745). 34 Arrangements of Baroque Favorites including works by Albinoni, Bach, Charpentier, Corelli, Handel, Marcello, Pegolesi, Vivaldi and more! Set of parts - includes 3 parts for Violin, Viola and CelloPart 2 for Clarinet in Bb is available separatelyTable of ContentsConcerto in G, Op. 5, No. 4, 1st Mvt. (Albinoni) Brandenburg Concerto No. 5, 1st Mvt (Bach) Brandenburg Concerto No. 5, 2nd Mvt (Bach) Brandenburg Concerto No. 5, 3rd Mvt (Bach) Brandenburg Concerto No. 6, 1st Mvt (Bach) Concerto in D Minor (Double), 1st Mvt (Bach) Concerto in D Minor (Double), 2nd Mvt (Bach) Concerto in D Minor (Double), 3rd Mvt (Bach) Te Deum (Charpentier) Trio Sonata No. 7 in C, 1st Mvt (Corelli) Trio Sonata No. 7 in C, 2nd Mvt (Corelli) Entrance of the Queen of Sheba (Handel) March from St. Cecilia (Handel) Piangi Pur, from Tolomeo (Handel) Arm Ye The Brave, from Judas Maccabeus (Handel) Hornpipe, from Water Music (Handel) Concerto Grosso, Op. 6, No. 2, 1st Mvt (Handel) Oboe Concerto in C Minor, 1st Mvt (Marcello) Largo from Violin Concerto in G Minor (Pergolesi) Trio in F for Recorder, Violin & Continuo, 1st Mvt (Telemann) Trio in F for Recorder, Violin & Continuo, 2nd Mvt (Telemann) Trio in F for Recorder, Violin & Continuo, 3rd Mvt (Telemann) Concerto for Viola in G, 1st Mvt (Telemann) Concerto for Viola in G, 2nd Mvt (Telemann) Violin Concerto in G Major, 1st Mvt (Vivaldi) Violin Concerto in G Major, 2nd Mvt (Vivaldi) Concerto in A Minor, Op. 3, No. 8, 1st Mvt (Vivaldi) Concerto in A Minor, Op. 3, No. 8, 2nd Mvt (Vivaldi) Concerto in A Minor, Op. 3, No. 8, 3rd Mvt (Vivaldi) Laudamus Te, from Gloria (Vivaldi) Domine Deus, from Gloria (Vivaldi) Largo, from Winter (Vivaldi)Published by Middle Fiddle MusicDistributed by Last Resort Music Publishing Inc. www.lastresortmusic.com
Basically Baroque for String Trio - Violin, Viola, and Cello #10200
Trio à Cordes: violon, alto, violoncelle

$55.00 46.61 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle

$8.00 6.78 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1389036 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 118 pages. Jmsgu3 #972554. Published by jmsgu3 (A0.1389036). O Come, O Come, Emmanuel (Veni, veni Emmanuel)HelmsleyJoy to the World (Antioch)It Came Upon a Midnight Clear (Carol) Lo, How a Rose E’er Blooming (Es ist ein Ros)Angels We Have Heard on High (Gloria) God Rests Ye Merry, Gentlemen (God Rest You Merry)What Child is This? (Greensleeves)In Dulci JubiloHark! the Herald Angels Sing (Mendelssohn) Personet hodie The First Noel SalzburgWe Three Kings (Three Kings of Orient)O Come, All Ye Faithful (Adeste Fidelis)O Little Town of Bethlehem (St. Louis)Away in a MangerSilent Night (Stille Nacht) Auld Lang Syne We Wish You a Merry Christmas.
Guthrie: The Christmas String Trio Book
Trio à Cordes: violon, alto, violoncelle

$38.95 33.01 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.525076 Composed by Traditional French Christmas Carol. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 18 pages. John A. Dempsey #6641871. Published by John A. Dempsey (A0.525076). Arranged as a lively string trio for violin, viola and cello, this exultant arrangement of a traditional French Christmas carol contains variation in all three parts as well as dynamic shading, embellishments and incidental music by Grieg, all adding to the joyful atmosphere of praise and thanksgiving.  Gloria in excelsis Deo is Latin for Glory to God in the Highest.  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture and special music.  Key: C major.  14 pages of music (that includes the score and separate two-page parts for each instrument).
Angels We Have Heard on High (String Trio): Violin, Viola and Cello
Trio à Cordes: violon, alto, violoncelle

$9.99 8.47 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.521207 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Sherry Lewis Publishing. Rock. 16 pages. Sherry Lewis Publishing #3926939. Published by Sherry Lewis Publishing (A0.521207). DO YOU HEAR WHAT I HEARString Trio, Intermediate Level for 2 violins and cello or violin, viola and celloScore: YesParts: 8 pagesTime: 2'00MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit  https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
Do You Hear What I Hear
Trio à Cordes: violon, alto, violoncelle
Carrie Underwood
$12.99 11.01 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus






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