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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.546002 By Ingrid Michaelson. By Ingrid Michaelson. Arranged by Sherry Lewis. Contemporary,Wedding. 13 pages. Sherry Lewis Publishing #156117. Published by Sherry Lewis Publishing (A0.546002). THE WAY I AM STRING TRIO Intermediate Level for 2 violins and cello or violin, viola and cello Parts: 6 pages Time: 2:30 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
The Way I Am
Trio à Cordes: violon, alto, violoncelle
Ingrid Michaelson
$12.99 12.41 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
Trio à Cordes: violon, alto, violoncelle

$2.00 1.91 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.945200 Composed by JP Wogaman II. 20th Century,Contemporary. Score and parts. 19 pages. JP Wogaman II #6209411. Published by JP Wogaman II (A0.945200). The 21st Century is giving way to the most extraordinary technological advances from medicine to travel. Even our sports, like baseball and football, are following these new trends. For instance, hyper-speed cameras are being used for instant replay to better officiate games. New sports all together have been birthed from the all-mighty internet. I am speaking of course, of Drone Racing. A drone is a small, four-propellered flying machine. The newest racing units are reaching speeds upwards of 100mph! What started out as a YouTube video is now a multi-million-dollar industry and soon-to-be televised sport. In this piece, I am attempting to tap into the fast-paced and energetic curiosity as to where this sport could end up.This piece premiered on March 15th, 2017 in Stamps Auditorium at the University of Michigan, Ann Arbor, and was part of the CoLab Concert Series between student composers and the studios of cello, oboe, voice, and piano.More arrangements and originals by JP Wogaman II can be found at www.wogamusic.com
Drone Race!
Trio à Cordes: violon, alto, violoncelle

$25.00 23.89 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Digital Download SKU: A0.1027984 Composed by Stefan Perry. Contemporary. Score and parts. 2 pages. Stefan Perry #3121645. Published by Stefan Perry (A0.1027984). This String Trio has been written for general performance and above all for the pleasure of the performer. I am aiming for maximum flexibility for the performers. All written dynamics are not to be taken too literally. Never think too much about volume (eg pianissimo is quiet and forte is loud), but rather think about the application of the bow (as in softer bowing for pianissimo passages and stronger/heavy bowing for forte passages)and think of the rising and falling dynamics as breathing. Also there are no specific bowings (accept for a down bow at the beginning of each movement). I will leave that to the discretion of the performers so they can decide what works best for their playing styles and technical possibilities (there is no need to follow slurs to the letter providing the slurred passages are smooth as I intend). One more thing is that the software I used doesn't make key changes as visible as I like so I have written a note to indicate said key changes. I hope anyone who plays this receives maximum enjoyment from my composition. Happy music making!
String Trio in F(II)
Trio à Cordes: violon, alto, violoncelle

$3.00 2.87 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1183589 Composed by Wolfgang Amadeus Mozart. Arranged by Sherry Lewis. Classical. Score and parts. 21 pages. Sherry Lewis Publishing #783269. Published by Sherry Lewis Publishing (A0.1183589). The Magic Flute Overture- Adagio & Allegro, MozartSTRING TRIO Intermediate Level for 2 violins and cello or violin, viola and celloABOUT THE DEMO: The arrangement has the adagio (15 bar intro) but I am allowed 30 seconds only for the demo so I chose to start at the Allegro for the audio demonstration.Score: YesParts: 8 pagesTime: 3:10If you can't find a title then contact me through https://baysbest.com/contact/ and I'll give you the link back to SMP. Thank you for your order!
The Magic Flute Overture, Adagio and Allegro
Trio à Cordes: violon, alto, violoncelle

$4.99 4.77 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Digital Download SKU: A0.1027981 Composed by Stefan Perry. Contemporary. Score and parts. 4 pages. Stefan Perry #3121641. Published by Stefan Perry (A0.1027981). This String Trio has been written for general performance and above all for the pleasure of the performer. I am aiming for maximum flexibility for the performers. All written dynamics are not to be taken too literally. Never think too much about volume (eg pianissimo is quiet and forte is loud), but rather think about the application of the bow (as in softer bowing for pianissimo passages and stronger/heavy bowing for forte passages)and think of the rising and falling dynamics as breathing. Also there are no specific bowings (accept for a down bow at the beginning of each movement). I will leave that to the discretion of the performers so they can decide what works best for their playing styles and technical possibilities (there is no need to follow slurs to the letter providing the slurred passages are smooth as I intend). One more thing is that the software I used doesn't make key changes as visible as I like so I have written a note to indicate said key changes. I hope anyone who plays this receives maximum enjoyment from my composition. Happy music making!
String Trio in F(I)
Trio à Cordes: violon, alto, violoncelle

$3.00 2.87 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Digital Download SKU: A0.1027985 Composed by Stefan Perry. Contemporary. Score and parts. 4 pages. Stefan Perry #3121647. Published by Stefan Perry (A0.1027985). This String Trio has been written for general performance and above all for the pleasure of the performer. I am aiming for maximum flexibility for the performers. All written dynamics are not to be taken too literally. Never think too much about volume (eg pianissimo is quiet and forte is loud), but rather think about the application of the bow (as in softer bowing for pianissimo passages and stronger/heavy bowing for forte passages)and think of the rising and falling dynamics as breathing. Also there are no specific bowings (accept for a down bow at the beginning of each movement). I will leave that to the discretion of the performers so they can decide what works best for their playing styles and technical possibilities (there is no need to follow slurs to the letter providing the slurred passages are smooth as I intend). One more thing is that the software I used doesn't make key changes as visible as I like so I have written a note to indicate said key changes. I hope anyone who plays this receives maximum enjoyment from my composition. Happy music making!
String Trio in F(III)
Trio à Cordes: violon, alto, violoncelle

$3.00 2.87 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
Fuga a tre (3 part fugue) for string trio
Trio à Cordes: violon, alto, violoncelle

$7.00 6.69 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1281002 Composed by Francesco Landini (1325-1397). Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Traditional. 13 pages. Jmsgu3 #872337. Published by jmsgu3 (A0.1281002). Si Dolce Non Sono (So sweet I am not ) is Landini's homage to French composer Philippe de Vitry, master of the sophisticated mathematical techniques of isorhythmic motet composition. It is one of his most famous works. It speaks of the sweet torment of loving someone who does not return that love.Landini was a leading composer of 14th-century Italy, famed during his lifetime for his musical memory, skill in improvisation, and virtuosity on the organetto, or portative organ, as well as for his compositions. Landini was blinded in childhood by smallpox. His blindness did not prevent him from becoming a highly skilled and renowned musician, composer, and instrument maker. His blindness may have contributed to his prodigious memory and great skill at improvisation. He was crowned with a laurel wreath as the winner of a poetical contest at Venice in 1364.  Landini's output, preserved in the Squarcialupi Codex, represents almost a quarter of all surviving 14th-century Italian music. He was by far the most famous composer in Italy and is considered one of the most revered composers of the second half of the 14th century.Landini's music is characterized by lyrical, songlike melodies that possess an easy-flowing grace and are charmingly harmonized. He was the foremost exponent of the Italian Trecento style, sometimes called the Italian ars nova. His output was almost exclusively secular, and he is known for his ballet and madrigals, which were popular forms of Italian secular songs. It is assumed that he wrote the texts for many of his works.Francesco Landini's music is characterized by its lyrical melodies, secular themes, and unique rhythms, which set him apart from his contemporaries and contributed to his enduring legacy as a composer.
Landini: Si Dolce Non Sono for String Trio
Trio à Cordes: violon, alto, violoncelle

$24.95 23.84 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus






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