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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521306 Composed by Cesar Auguste Franck. Arranged by Sherry Lewis Publishing. Christmas,Romantic Period,Sacred,Wedding. 13 pages. Sherry Lewis Publishing #4764777. Published by Sherry Lewis Publishing (A0.521306). Panis AngelicusString Trio of 2 violins and cello AND violin, viola and cello score: 3 pages parts: 7 pages time: 3'23 DEMO NOTE: I began the demo you'll hear at the main theme as the intro is rather long but is included. MY QUARTET VERSIONS in short notice work fine for solo, two parts, three parts and quartet however I offer individual versions for one, two, three and four parts: https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing to view all of the titles and sets I offer.If you can’t find a title then contact me at stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing.
PANIS ANGELICUS String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello
Trio à Cordes: violon, alto, violoncelle

$6.50 5.54 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1389312 Composed by serbian folk song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Traditional,Wedding,World. 14 pages. Zoran Radanovic #972894. Published by Zoran Radanovic (A0.1389312). This very famous serbian folk song arrangement is for string sextet with set of parts.Diese sehr berühmte serbische Volkslied Arrangement ist für String Sextett mit Partitüren.Kreće se laÄ‘a francuska (Serbian Cyrillic: Креће Ñе лађа француÑка; lit. 'The French Boat is Sailing') is a Serbian war song from the First World War, first sung in a Salonika harbor, where the Serbian army was recuperating after a long and painful withdrawal through the Albanian mountains. The author of the original text of the poem is Serbian officer colonel Branislav Milosavljević.[1] The song was frequently performed in both France and Serbia after the war and is commonly used as a symbol of Serbian and French friendship
Kreće se lađa francuska - for string sextet
Trio à Cordes: violon, alto, violoncelle

$8.99 7.67 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1080861 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by DaSola Arranging. Pop,Rock. Score and parts. 28 pages. DaSola Arranging #685079. Published by DaSola Arranging (A0.1080861). Intense and percussive like the original, this arrangement will have your listeners (and ensemble members!) rocking out. Featuring percussive effects like col legno bowings, pizzicatos, and glissandos, this arrangement will also spice up your setlist in a unique way and grab the attention of your listeners.
Believer
Trio à Cordes: violon, alto, violoncelle
Imagine Dragons
$12.99 11.08 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle

$8.00 6.82 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus


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