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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1329334 Composed by Gustav Holst. Arranged by César Madeira. Chamber,Classical,Film/TV,Multicultural,Romantic Period,World. 7 pages. Sheet Music To Play Editions #917314. Published by Sheet Music To Play Editions (A0.1329334). Jupiter Chorale from The Planets, Op.32 by Gustav Holst. Arrangement for String Trio - Violin, Viola and Violoncello. With Full Score and Individual Parts. Enjoy it!Gustav Holst (1874 – 1934) was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Jupiter Chorale from The Planets - String Trio (Full Score and Parts)
Trio à Cordes: violon, alto, violoncelle

$11.99 10.35 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1329335 Composed by Gustav Holst. Arranged by César Madeira. 19th Century,20th Century,Chamber,Children,Multicultural,World. 3 pages. Sheet Music To Play Editions #917315. Published by Sheet Music To Play Editions (A0.1329335). Jupiter Chorale from The Planets, Op.32 by Gustav Holst. Arrangement for String Trio - Violin, Viola and Violoncello. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Gustav Holst (1874 – 1934) was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed many other works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, Richard Wagner and Richard Strauss being most crucial early in his development.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Jupiter Chorale from The Planets - String Trio (Individual Parts)
Trio à Cordes: violon, alto, violoncelle

$6.99 6.04 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1449267 Composed by Alan Menken and Tim Rice. Arranged by Mattia Mugnai. 20th Century,Film/TV,Pop,Wedding. 7 pages. Matt80 #1029035. Published by Matt80 (A0.1449267). Here is a catchy and rich arrangement of the signature song from Disney's animated feature film Aladdin (1992).This successful piece garnered an Academy Award for Best Original Song at the 65th Academy Awards and a Golden Globe Award for Best Original Song at the 50th Golden Globe Awards.Although the individual parts are easy to perform, the whole is rich in counterpoint and faithful in the harmonic combinations to the original version of the piece.A perfect tune to be added to your repertoire, particularly suitable as an accompaniment to romantic settings.
A Whole New World
Trio à Cordes: violon, alto, violoncelle

$13.99 12.08 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle

$8.00 6.91 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
Trio à Cordes: violon, alto, violoncelle

$14.50 12.52 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1087392 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691612. Published by Regis Bookshar (A0.1087392). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Octet, consisting of 3 Violins, 2 Violas and 3 Violoncellos. In addition to this arrangement of Tchaikovsky's Coronation March for a String Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
Coronation March (Db) (String Octet - 3 Violins, 2 Violas, 3 Cellos)
Trio à Cordes: violon, alto, violoncelle

$26.00 22.45 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1087399 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691619. Published by Regis Bookshar (A0.1087399). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Octet, consisting of 4 Violins, 2 Violas and 2 Violoncellos. In addition to this arrangement of Tchaikovsky's Coronation March for a String Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
Coronation March (Db) (String Octet - 4 Violins, 2 Violas, 2 Cellos)
Trio à Cordes: violon, alto, violoncelle

$26.00 22.45 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636653. Published by Regis Bookshar (A0.813995). String Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 2 Violas and 3 Violoncellos, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 3 Cellos)
Trio à Cordes: violon, alto, violoncelle
the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia During this period, the melody changed slightly to become the version that is commonly heard today
$8.00 6.91 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1468390 By The Velvet Underground. By Lou Reed. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 11 pages. Sarah Cellobat Chaffee #1046703. Published by Sarah Cellobat Chaffee (A0.1468390). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO*I'll Be Your Mirror was released by New York-based rock band The Velvet Underground as part of their debut album in 1966. Originally written by guitarist Lou Reed, the song has been described as an understated love song, and its intricate guitar work and distinctive vocals by German singer Nico helped the band establish their distinctive sound and make their first breakthrough in popular culture. And it's still a fan favorite to this day! This Cellobat arrangement for your violin/viola/cello trio was originally written for a wedding ceremony, but this will also be perfect for receptions, cocktail hour, parties, solo & ensemble contest, or any other occasion you need some vintage rock n' roll. Rated intermediate; this will be learnable for students and easily sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
I'll Be Your Mirror
Trio à Cordes: violon, alto, violoncelle
The Velvet Underground
$14.99 12.94 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1472512 By The Velvet Underground. By Lou Reed. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 11 pages. Sarah Cellobat Chaffee #1050159. Published by Sarah Cellobat Chaffee (A0.1472512). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO*I'll Be Your Mirror was released by New York-based rock band The Velvet Underground as part of their debut album in 1966. Originally written by guitarist Lou Reed, the song has been described as an understated love song, and its intricate guitar work and distinctive vocals by German singer Nico helped the band establish their distinctive sound and make their first breakthrough in popular culture. And it's still a fan favorite to this day! This Cellobat arrangement for your violin/viola/cello trio was originally written for a wedding ceremony, but this will also be perfect for receptions, cocktail hour, parties, solo & ensemble contest, or any other occasion you need some vintage rock n' roll. Rated intermediate; this will be learnable for students and easily sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
I'll Be Your Mirror
Trio à Cordes: violon, alto, violoncelle
The Velvet Underground
$14.99 12.94 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1137673 By Dua Lipa. By Clarence Coffee Jr., Dua Lipa, Sarah Hudson, and Stephen Kozmeniuk. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 13 pages. Sarah Cellobat Chaffee #737924. Published by Sarah Cellobat Chaffee (A0.1137673). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO* Released in October of 2020 by English singer Dua Lipa, Levitating was the lead single from the artist's album Future Nostalgia; a fitting title, since the song feels like both a fresh new take on pop music and a fun and funky throwback! Reaching number 2 on the Billboard charts and receiving widespread critical and popular acclaim, the song ended up being named the number one song of 2021 -- so you can't go wrong having this one in your gig books! Featuring the catchy melodic lines, funky disco beats, and layered synth harmonies of the original, this Cellobat chart for your violin/viola/cello trio will be just as much fun to play as it is to listen to. You're sure to get your audience singing along! Rated advanced-intermediate, mainly for some tricky rhythms here and there; this chart will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
Levitating
Trio à Cordes: violon, alto, violoncelle
Dua Lipa
$14.99 12.94 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus






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