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String Ensemble,String Trio - Digital Download

SKU: A0.1004149

Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149).

Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).

It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.

The Sundials: II; Pereunt et Imputantur (They pass and are counted)
Trio ą Cordes: violon, alto, violoncelle

$2.00 1.9 € Trio ą Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Digital Download

SKU: A0.1027981

Composed by Stefan Perry. Contemporary. Score and parts. 4 pages. Stefan Perry #3121641. Published by Stefan Perry (A0.1027981).

This String Trio has been written for general performance and above all for the pleasure of the performer. I am aiming for maximum flexibility for the performers. All written dynamics are not to be taken too literally. Never think too much about volume (eg pianissimo is quiet and forte is loud), but rather think about the application of the bow (as in softer bowing for pianissimo passages and stronger/heavy bowing for forte passages)and think of the rising and falling dynamics as breathing. Also there are no specific bowings (accept for a down bow at the beginning of each movement). I will leave that to the discretion of the performers so they can decide what works best for their playing styles and technical possibilities (there is no need to follow slurs to the letter providing the slurred passages are smooth as I intend). One more thing is that the software I used doesn't make key changes as visible as I like so I have written a note to indicate said key changes. I hope anyone who plays this receives maximum enjoyment from my composition. Happy music making!

String Trio in F(I)
Trio ą Cordes: violon, alto, violoncelle

$3.00 2.85 € Trio ą Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Digital Download

SKU: A0.1027985

Composed by Stefan Perry. Contemporary. Score and parts. 4 pages. Stefan Perry #3121647. Published by Stefan Perry (A0.1027985).

This String Trio has been written for general performance and above all for the pleasure of the performer. I am aiming for maximum flexibility for the performers. All written dynamics are not to be taken too literally. Never think too much about volume (eg pianissimo is quiet and forte is loud), but rather think about the application of the bow (as in softer bowing for pianissimo passages and stronger/heavy bowing for forte passages)and think of the rising and falling dynamics as breathing. Also there are no specific bowings (accept for a down bow at the beginning of each movement). I will leave that to the discretion of the performers so they can decide what works best for their playing styles and technical possibilities (there is no need to follow slurs to the letter providing the slurred passages are smooth as I intend). One more thing is that the software I used doesn't make key changes as visible as I like so I have written a note to indicate said key changes. I hope anyone who plays this receives maximum enjoyment from my composition. Happy music making!

String Trio in F(III)
Trio ą Cordes: violon, alto, violoncelle

$3.00 2.85 € Trio ą Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Digital Download

SKU: A0.1027984

Composed by Stefan Perry. Contemporary. Score and parts. 2 pages. Stefan Perry #3121645. Published by Stefan Perry (A0.1027984).

This String Trio has been written for general performance and above all for the pleasure of the performer. I am aiming for maximum flexibility for the performers. All written dynamics are not to be taken too literally. Never think too much about volume (eg pianissimo is quiet and forte is loud), but rather think about the application of the bow (as in softer bowing for pianissimo passages and stronger/heavy bowing for forte passages)and think of the rising and falling dynamics as breathing. Also there are no specific bowings (accept for a down bow at the beginning of each movement). I will leave that to the discretion of the performers so they can decide what works best for their playing styles and technical possibilities (there is no need to follow slurs to the letter providing the slurred passages are smooth as I intend). One more thing is that the software I used doesn't make key changes as visible as I like so I have written a note to indicate said key changes. I hope anyone who plays this receives maximum enjoyment from my composition. Happy music making!

String Trio in F(II)
Trio ą Cordes: violon, alto, violoncelle

$3.00 2.85 € Trio ą Cordes: violon, alto, violoncelle PDF SheetMusicPlus






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