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String trio Violin, Viola, Cello - Early Intermediate - Digital Download SKU: 2S.4251133754995 Composed by Jeremiah Clarke. Arranged by Lars Opfermann. Classical. Score. 4 pages. Soundnotation #4251133754995. Published by Soundnotation (2S.4251133754995). This music book contains the original sheet music of the Classical Song - The Prince of Denmark's March - from - A Collection of Ayres for the Harpsichord or Spinett with very Plain and Easey Directions for Young Beginners- - for String Trio. Easy arranged in D major. The work is a typical representative of a Trumpet Voluntary, as it was practiced in the English Baroque. It is very popular as wedding music.
The Prince of Denmark's March
Trio à Cordes: violon, alto, violoncelle

$3.95 3.43 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521013 Composed by Jeremiah Clarke. Arranged by Sherry Lewis Publishing. Baroque,Wedding. 9 pages. Sherry Lewis Publishing #3383237. Published by Sherry Lewis Publishing (A0.521013). TRUMPET VOLUNTARY (The Prince of Denmark) Jeremiah Clarke   String Trio, Intermediate Level for 2 violins and cello or violin, viola and celloIntermediate LevelScore: 2 pagesParts: 4 pages Time: 2'00MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit  https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
TRUMPET VOLUNTARY (The Prince of Denmark's March) Jeremiah Clarke String Trio, Intermediate Level f
Trio à Cordes: violon, alto, violoncelle

$6.50 5.64 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1138494 Composed by Jeremiah Clarke. Arranged by Abolin. Baroque,Chamber,Classical,March,Wedding. 7 pages. Abolin #738826. Published by Abolin (A0.1138494). Score and Parts. This arrangement of Trumpet Voluntary (Prince of Denmark's March) by Clarke is for a string trio (Violin, Viola, Cello), or for 2 Violins and Cello with the alternative Violin II part instead of the viola part. Some bowings are provided.For more chamber music transcriptions for strings, please visit TakeshiAbo.com.  Besides a list of music available, you will also find articles on violin playing and other useful information for string players at the website.
Prince of Denmark's March (Trumpet Voluntary) - for String Trio, or 2 Violins and Cello
Trio à Cordes: violon, alto, violoncelle

$6.99 6.07 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861880 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6205027. Published by Mark O'Connor Musik International (A0.861880). Butterfly’s Day Out (double bass part – mandolin/misc instr., cel, bs) MO110DDouble Bass Part (score and parts available)Music by Mark O’Connor4 pages - 4:45 minutes in length Butterfly’s Day Out for mandolin/misc. instr., cello and doublebass by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO110DCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
Butterfly's Day Out (double bass part - mandolin/misc. instr., cel, bs)
Trio à Cordes: violon, alto, violoncelle

$4.50 3.9 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861879 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6205029. Published by Mark O'Connor Musik International (A0.861879). Butterfly’s Day Out (score – mandolin/misc instr., vla, cel) MO111AMandolin Part (score - cel/bs, parts available)Music by Mark O’Connor4 pages - 4:45 minutes in length Butterfly’s Day Out adapted for mandolin/misc. instr., viola and cello by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO111ACopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
Butterfly's Day Out (mandolin part - mandolin/misc. instr., vla, cel)
Trio à Cordes: violon, alto, violoncelle

$4.50 3.9 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861876 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6205025. Published by Mark O'Connor Musik International (A0.861876). Butterfly’s Day Out (cello part – mandolin/misc instr., cel, bs) MO110CCello Part (score and parts available)Music by Mark O’Connor3 pages - 4:45 minutes in length Butterfly’s Day Out for mandolin/misc. instr., cello and doublebass by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO110CCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
Butterfly's Day Out (cello part - mandolin/misc. instr., cel, bs)
Trio à Cordes: violon, alto, violoncelle

$4.50 3.9 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.732612 Composed by George Frideric Handel. Arranged by Dave Prudon. Baroque,Easter,Sacred,Wedding. Score and parts. 14 pages. Prudon String Ensembles #4571417. Published by Prudon String Ensembles (A0.732612). Of all the arrangements of this baroque standard out there on the market, this one stands out as one of the most musically satisfying for the players and the audience.  Great care was taken to be sure that the harmonic structure is precise without sacrificing any of Handel's rich lyricism. To give the Trio another performance option, a Violin 2 part is included in the set.  To see a Trio arrangement of the other Hornpipe (the one in D), along with many other nice string ensemble arrangements, take a peek at: Prudon String Ensembles Sheet Music.
Handel's Hornpipe in D for String Trio
Trio à Cordes: violon, alto, violoncelle

$9.99 8.67 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.782793 Composed by Various. Arranged by Nicholas Palmer. Concert,Sacred,Standards,Wedding. Score and parts. 56 pages. Nicholas D Palmer #3382711. Published by Nicholas D Palmer (A0.782793). Ten (10) Baroque pieces arranged for string trio for weddings and other occasions.  Contents:Prince of Denmark's March/Trumpet Voluntary (Clarke)Trumpet Tune (Purcell)Rondo (Purcell)Pavane for the Earl of Salisbury (Byrd)Jesu, Joy of Man's Desiring (Bach)Bist du bei mir (Bach)Ave Maria (attr. Caccini)Air from Watermusic (Handel)Hornpipe/Allegro Maestoso from Watermusic (Handel)La Rejouissance from Fireworks (Handel)
Baroque Wedding collection for String trio - volume 1
Trio à Cordes: violon, alto, violoncelle

$14.99 13.01 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.732709 Composed by Boyce. Arranged by Dave Prudon. Baroque,Easter,Sacred,Wedding. Score and parts. 7 pages. Prudon String Ensembles #5020011. Published by Prudon String Ensembles (A0.732709). Played at Prince Harry & Meghan Markel's wedding, this wonderful little gem is a perfect addition to the repertoire list of any String Trio, especially if they're hired to play for a wedding.  All the majestic flavor and royal splendor is nicely contained in this arrangement and on top of that, it's fun to play.To see a huge selection of nice arrangements for strings, visit:  Prudon String Ensembles Sheet Music.
Boyce Symphony #1 (1st Mvt.) for String Trio
Trio à Cordes: violon, alto, violoncelle

$9.99 8.67 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 42.52 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 42.52 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
String Trio No. 2 in D major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 42.52 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 42.52 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus


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