EUROPE
2049 articles
USA
0 articles
DIGITAL
11 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
11 partitions trouvées


String Ensemble,String Trio - Level 1 - Digital Download SKU: A0.515757 By X Ambassadors. By Adam Levin, Alexander Junior Grant, Casey Harris, Noah Feldshuh, and Samuel Harris. Arranged by Eve C. Mailly. Contemporary,Pop,Rock. Score and parts. 20 pages. Zene Strings #4595425. Published by Zene Strings (A0.515757). Renegades is a song by American rock band X Ambassadors. Per the composer,  We wanted to make it emotional and personal and this arrangement for string trio faithfully delivers the feel of the original.This string trio arrangement includes the second part in both treble clef (when played by a violinist) and in alto clef (for a violist), giving you the flexibility of performing it either with two violins and a cello, or with a violin, viola and cello. From your friends at Zene Strings! Enjoy!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!
Renegades
Trio à Cordes: violon, alto, violoncelle
X Ambassadors
$12.99 11.22 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1232300 By Phish. By Tom Marshall and Trey Anastasio. Arranged by AZSAP MUSiC. Rock. 17 pages. AZSAP MUSiC #827989. Published by AZSAP MUSiC (A0.1232300). Take a deep dive into the serene sounds of Wading in the Velvet Sea by Phish with our exquisite string trio arrangement. This rendition transports the essence of the original song, inviting you to wade in a tranquil sea of music. With the optional viola part included, this arrangement offers even more flexibility and depth for your ensemble.Key Features:1. **Serene Transformation:** Wading in the Velvet Sea is known for its tranquil and emotive qualities. Our string trio arrangement preserves the song's serene essence, creating a soothing and mesmerizing performance.2. **Versatile Ensemble:** This arrangement can be performed as a trio, and the included optional viola part opens up the possibility for a quartet, allowing you to tailor your ensemble's configuration to your preferences.3. **Ideal for Multiple Occasions:** Whether you're planning a relaxed recital, an intimate gathering, or a special event, this arrangement provides a serene and emotionally resonant backdrop for your performance.4. **Professionally Notated:** Our sheet music is professionally notated, ensuring that each member of your ensemble has meticulously crafted parts that harmonize seamlessly, resulting in a polished and expressive performance.5. **Room for Artistic Expression:** While staying true to the original, our arrangement allows for artistic interpretation, giving your ensemble the freedom to infuse their unique style and emotions into the performance.6. **Instant Digital Download:** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation both convenient and efficient.Let the soothing waves of Wading in the Velvet Sea wash over your string trio. This arrangement was thoughtfully designed to capture the serenity and depth of the original while providing flexibility through the optional viola part. Order your copy today and embark on a musical journey that envelops your audience in tranquility and emotion, leaving a lasting impression on both your ensemble and your listeners.
Wading In The Velvet Sea
Trio à Cordes: violon, alto, violoncelle
Phish
$12.99 11.22 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle

$8.00 6.91 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
Trio à Cordes: violon, alto, violoncelle

$2.00 1.73 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1365424 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 18 pages. John A. Dempsey #949749. Published by John A. Dempsey (A0.1365424). Arranged as a prayerful, serene string trio for violin, viola and cello, this beautiful Christian hymn of Irish origin is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  Also suitable for wedding music as a prelude, recessional, bridesmaid processional and unity candle accompaniment.  Key: C major.  14 pages of music (that includes separate two-page parts for each instrument)                                                                Be Thou my vision, O Lord of my heart;                    Naught be all else to me, save that Thou art:            Thou my best thought, by day or by night                 Waking or sleeping, Thy presence my light.
Be Thou My Vision (String Trio): Violin, Viola and Cello
Trio à Cordes: violon, alto, violoncelle

$9.99 8.63 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1357784 Composed by Robert Lowry, Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Holiday,Sacred,Traditional. 16 pages. John A. Dempsey #942286. Published by John A. Dempsey (A0.1357784). Also known as Low in the Grave He Lay and Hallelujah, Christ Arose, this string trio for violin, viola and cello celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and elation of the season.  This hymn arrangement, complete with mood and tempo changes, is filled with moments of quiet beauty, prayerful reflection and joyful thanksgiving.  The serene incidental music is from a Paderewski nocturne.  Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music.  12 pages of music (that includes separate two-page parts for each instrument).  Key: C major.
He Arose (String Trio): Violin, Viola and Cello
Trio à Cordes: violon, alto, violoncelle

$9.99 8.63 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2026

Accueil - Version intégrale