SKU: A0.837748

One of Australia's most beloved folk songs and bush ballads, Waltzing Matilda by Banjo Paterson (music by Marie Cowan) is known by just about every Australian. This score was arranged for a beginner string orchestra at Grade 1 level. My primary school beginner string orchestra love playing it and the students have even requested solo versions to play by themselves as well. The parts include Violin 1, Violin 2, Viola (or Violin 3), and optional Cello.

SKU: A0.1138534

*INSTRUMENTATION: VIOLIN, VIOLA, CELLO*
Feel It Still was released in 2017 by the band Portugal. The Man., and it was not immediately a hit -- but word got around, and after a few months, it reached the top 5 on the Billboard charts! It has since reached number one on six of the major charts and received a Grammy award, and it's now considered one of the band's signature songs; if you've turned the radio on at all in the last few years, this one was impossible to miss. So you can't go wrong adding this to your gig books! This Cellobat arrangement for your violin/viola/cello trio truly does this monumental song justice; maintaining the original's catchy melodies, unexpected form, back-and-forth lines, and danceable beat, this chart will definitely be as much fun to play as it is to listen to. This will be perfect for weddings, parties, cocktail hour, private events, solo & ensemble contest, or any other occasion you need to get your audience singing along! Rated intermediate; this will be playable for students and easily sightreadable for professionals.

Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:

http://www.cellobat.com
http://www.instagram.com/cellobat
https://www.youtube.com/@Cellobat.

SKU: A0.1079970

This World War I song of parting may be adapted to other farewell occasions as well. Originally discarded by the composer, it won a Detroit theater contest and worked its way to number one (1919), having three separate recordings in the top 40 that year. Set of Parts. Performance Time (with repeat): approx. 3:35.

SKU: A0.1138463

*INSTRUMENTATION: VIOLIN, VIOLA, CELLO*
Released as the lead single from Dr. Dre's multi-platinum second studio album, Still D.R.E. was a massive hit that helped put the rapper at the forefront of the hip-hop scene. After going seven years without releasing an album, Dre wanted to make a statement, announcing to the world that he was back and better than ever -- and it's safe to say that his statement was a success! The song received widespread critical and audience acclaim, and it has been featured in multiple movies, TV shows, and video games; and with the recent resurgence of 90's nostalgia, it's been more of a popular request than ever. So make sure to add this one to your gig books! This Cellobat arrangement for your violin/viola/cello trio features the driving beat, classic hooks, and musically notated rap lines of the original for a chart that's sure to get your audience dancing! This was originally written for a wedding, but it will also be perfect for cocktail hour, receptions, parties, events, and more. Rated intermediate; this will be playable for students and easily sightreadable for professionals.

Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:

http://www.cellobat.com
http://www.instagram.com/cellobat
https://www.youtube.com/@Cellobat.

SKU: A0.521541

BABY IT'S COLD OUTSIDE (BABY ITS COLD OUTSIDE) String Trio, Early Intermediate Level for 2 violins and cello or violin, viola and cello

Score: Yes

Parts: 4 pages 

Time: 2'10

MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts 

however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.

Please visit  https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.

If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.

VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.

PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. 

AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.

LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. 

ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.

EXCELLENT for corporate events, weddings, social gatherings and recitals.

APPROPRIATE for students and schools.

CHURCH REPERTOIRE I’m always adding more titles.

Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!

SKU: A0.1307012

Experience the electrifying and iconic Devil Went Down to Georgia like never before with this exceptional string trio arrangement, featuring a virtuosic first violin part. This captivating arrangement can be performed with either a second violin or a viola, making it a versatile choice for various musical settings, from concerts to special events.

Key Features:
1. Virtuoso First Violin Part: The arrangement shines with an extraordinary first violin part that showcases the virtuosic and fiery performance required for this famous piece. Musicians will revel in the opportunity to demonstrate their technical prowess and expressiveness.

2. Versatile Performance: Whether you're organizing a lively concert, a unique recital, or a memorable event, this arrangement adds an element of excitement and versatility to your program. Musicians can choose to complement the first violin with either a second violin or a viola, providing flexibility for different trio configurations.

3. Dual Parts Included: The package includes both the second violin and viola parts, allowing musicians to select the ideal complement to the dazzling first violin, catering to the strengths and preferences of the ensemble.

4. High-Energy Entertainment: Devil Went Down to Georgia is renowned for its high-energy and enthralling performance. This trio arrangement maintains the song's fervor while providing an exciting and dynamic experience for the audience.

Prepare for an extraordinary musical journey with this string trio arrangement of Devil Went Down to Georgia. Whether you're the daring first violinist or one of the skilled supporting musicians on second violin or viola, this arrangement offers a unique and exhilarating performance opportunity that is sure to leave a lasting impression on your audience.

SKU: A0.576736

Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.