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1 16 31 ....121

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488232

Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232).

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty.

The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.

The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition.

This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.

Robert Hoskins.

String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 47.06 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488228

Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228).

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty.

The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.

The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket.

Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources.

The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.

Robert Hoskins.

String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 47.06 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488229

Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229).

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty.

The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.

The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition.

This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.

Robert Hoskins.

String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 47.06 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488231

Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231).

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty.

The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.

The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition.

This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.

Robert Hoskins.

String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 47.06 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Digital Download

SKU: A0.1488225

Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225).

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty.

The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.

The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition.

This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.

Robert Hoskins.

String Trio No. 2 in D major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 47.06 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1169256

Composed by David McKeown. Blues,Contemporary,Instructional,Jazz,Ragtime. Score and parts. 39 pages. David McKeown #769608. Published by David McKeown (A0.1169256).

5 Jazz Trios is a fun, flexible and original collection of Trios written in a Jazz style by David McKeown for Strings. The pdf file contains the scores, separate parts for Violin, Viola and Cello, and also alternative parts for additional Violin and Viola. There are chord symbols on the scores for additional accompaniment on piano, bass or guitar.

5 Jazz Trios are suitable for players at an intermediate level and above. The key and range are accessible and there are some simple syncopated rhythms and accidentals. With a total playing-time of around ten minutes, 5 Jazz Trios are a perfect upbeat source for any performance program, formal or informal.

The five titles are Swing Thing, Jazz Train, Mini Minor, Pet Rock and Red Rag.

Click on the YouTube link to see and hear the clarinet versions of these arrangements. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.

5 Jazz Trios for Strings
Trio à Cordes: violon, alto, violoncelle

$12.99 12.48 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488290

Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290).

Artaria Editions AE427

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.
 
Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition.
 
This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
 
 Robert Hoskins.

String Trio No. 7 in G major
Trio à Cordes: violon, alto, violoncelle

$49.00 47.06 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488292

Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292).

Artaria Editions AE428

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.

 
Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
 
Robert Hoskins.

String Trio No. 8 in F major
Trio à Cordes: violon, alto, violoncelle

$49.00 47.06 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.1488294

Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294).

Artaria Editions AE429

Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity.
 
Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition.
 
This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
 
Robert Hoskins.

String Trio No. 9 in A major
Trio à Cordes: violon, alto, violoncelle

$49.00 47.06 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.745576

Arranged by Tracey Craig McKibben. Christmas,Sacred. Score and parts. 34 pages. Tracey Craig McKibben #1900509. Published by Tracey Craig McKibben (A0.745576).

This collection is comprised of Oh Sing a Song of Bethlehem (KINGSFOLD), Veni, Veni Emmanuel, and Shepherd Serenade, arranged for intermediate String Trio (Violin, Viola, Cello). This arrangement of KINGSFOLD presents the melody with a chordal accompaniment pattern in the first verse. It then moves into a contrapuntal trio and finishes with a rousing third verse that returns to the chordal accompaniment pattern to end the arrangement. The haunting Advent carol, Veni, Veni, Emmanuel, is arranged reflectively to encourage contemplation of the coming of the Christ Child. The prelude length medley, Shepherd Serenade, presents several songs centered around shepherds. It contains both Christmas and non-Christmas melodies (The Lord's My Shepherd (BROTHER JAMES' AIR), Rise Up, Shepherds and Follow (FOLLOW), The King of Love My Shepherd Is (ST COLUMBA), He Shall Feed His Flock from Handel's Messiah, and Who Is He in Yonder Stall). The arrangement is unified by the underlying idea that God is our shepherd (Psalm 23) and maybe the angels came first to tell the glad tidings of great joy to the shepherds because our Lord has a special place in his heart for shepherds. Each part takes a turn playing the melody. For more information on current and upcoming arrangements, like my page on Facebook, TLC-Notes Music at www.facebook.com/TLCNotesMusic and visit my website at www.tlc-notes.com.

Christmas Trios for Strings, Vol. 1
Trio à Cordes: violon, alto, violoncelle

$17.99 17.28 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 2 - Digital Download

SKU: A0.1398531

By Paul Barker Music. By Beethoven, Elgar and Haydn. Arranged by Paul Barker. Classical,Contemporary,Contest,Festival,Instructional,Romantic Period. 31 pages. Paul Barker Music #981806. Published by Paul Barker Music (A0.1398531).

An easily accessible collection of three popular concert classics, which includes: Ode To Joy (Beethoven), Nimrod (Elgar), and the Surprise Symphony (Haydn). Imaginatively scored for String Trio, this collection is ideal for general concerts, recitals, and festivals. A violin II is included which doubles the Viola part. Performance recordings are available individually for rehearsal and performance accompaniment.

Also, explore our extensive range of Christmas Holiday arrangements for the same instrumentation and level.     
                  
Level: Early Intermediate - Grade 2+
Duration: Various
Occasion: General Concert - Formal/Informal Occasions - Festivals
Instrumentation: String Trio.

Concert String Trios - Book 1
Trio à Cordes: violon, alto, violoncelle
Paul Barker Music
$12.95 12.44 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download

SKU: A0.763472

Composed by Traditional Irish. Arranged by Nigel Williams. Celtic,Holiday,Instructional,Irish,Lent. 6 pages. Nigel Williams #5772381. Published by Nigel Williams (A0.763472).

Score and parts. Londonderry Air, also known as Danny Boy, is also sung to the Gospel hymn He Looked Beyond My Faults. The cello has the melody with the violin and viola providing a counter melodic accompaniment. The performance duration is around three minutes, and phrasing has been added to encourage a legato performance. This arrangement will be a welcome repertoire addition to all High School string trios looking for new music for St Patrick's Day. The full score has three individual parts attached. I also have a string quartet arrangement available on SMP. Enjoy browsing my many string solo, duet, trio and quartet arrangements, all available on SMP.

Londonderry Air (Danny Boy), for String Trio
Trio à Cordes: violon, alto, violoncelle

$7.99 7.67 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus


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