SKU: A0.1114594

Adapted for string trio: violin, viola and violoncello this polyphony piece is full of listening challenges perfect to have fun with your friends. This is the Third one of the 15 symphonies a 3 voices written originally for the keyboard.

SKU: A0.785977

This three-part canon in G major was originally attributed to Mozart but is now thought to have been composed by the Czech physician/composer Wenzel Trnka (1739-91). Originally this simple canon was originally composed for three voices and I adapted it for two different instrumentations (vln1, 2 and vla or vln, vla and ‘cello) to suit your specific needs. The lyrics are concerned with eating and drinking! Great piece for ensemble performances or private occasions. Suggested grade 2+

This arrangement is for violin 1, 2 and viola

$7.95

SKU: A0.1117526

Adapted for string trio: violin, viola and violoncello this polyphony piece is full of listening challenges perfect to have fun with your friends. This is the sixth one of the 15 symphonies a 3 voices written originally for the keyboard.

SKU: A0.1114424

Adapted for string trio: violin, viola and violoncello this polyphony piece is full of listening challenges perfect to have fun with your friends. This is the second one of the 15 symphonies a 3 voices written originally for the keyboard.

SKU: A0.785979

This three-part canon in G major was originally attributed to Mozart but is now thought to have been composed by the Czech physician/composer Wenzel Trnka (1739-91). Originally, this simple canon was composed for three voices and I adapted it for two different instrumentations (vln 1, 2 and vla or vln, vla and ‘cello) to suit your specific needs. The lyrics are concerned with eating and drinking! Great piece for ensemble performances or private occasions.

Suggested grade 2+

This arrangement is for violin, viola and 'cello

 

SKU: A0.1114605

Adapted for string trio: violin, viola and violoncello this polyphony piece is full of listening challenges perfect to have fun with your friends. This is the fourth one of the 15 symphonies a 3 voices written originally for the keyboard.

SKU: A0.785978

This three-part canon in G major was originally attributed to Mozart but is now thought to have been composed by the Czech physician/composer Wenzel Trnka (1739-91). Originally this simple canon was originally composed for three voices and I adapted it for two different instrumentations (vln1,2 and vla or vln, vla and ‘cello) to suit your specific needs. The lyrics are concerned with eating and drinking! Great piece for ensemble performances or private occasions.

Suggested grade 2+

This download contains BOTH adaptation for  $13.95.

SKU: A0.1102399

Adapted for string trio: violin, viola and violoncello this polyphony piece is full of listening challenges perfect to have fun with your friends. This is the first one of the 15 symphonies a 3 voices written originally for the keyboard.

SKU: A0.1370776

Halo is probably Beyonce's most loved song, and I had a blast emulating the original string and synth melodies as closely as possible while converting the score to 3 voices for string trio - violin, viola and cello. I did my best to recreate some of the original driving rhythms in the cello and viola parts to capture a percussive feel. Every instrument has a turn at the melody, and even with just 3 voices I found myself pulling out a lot of countermelodies, duets, and descants after listening to the original audio and the backing track in particular. All parts are very manageable for sight reading at gigs and are bowed and provided with rehearsal letters and measure numbers.

SKU: A0.499144

This Fugue with 3 voices was originally written for keyboard. This arrangement splits the 3 voices for String Trio (violin, viola and cello). Each part sounds beautiful on its own, and comes together perfectly in the Fugue. The pdf comes with Full Score (for String Trio) and set of parts (Violin, Viola and Cello).

SKU: A0.552648

Sonata No. 1 BWV 525, originally for organ, arranged for violin duo & cello.
Duration: 14:15, Score: 19 pages
 In three movements.
I. Allegro
II. Adagio
III. Allegro

J.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.


The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.