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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1178511 Composed by Horatio Spafford, Philip P. Bliss. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 16 pages. John A. Dempsey #778473. Published by John A. Dempsey (A0.1178511). An unforgettable hymn of comfort and assurance, this peaceful string trio for violin, viola and cello is recommended for traditional church services and other worship events (including funerals), as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Concert Key: Bb major.  12 pages of music (that includes the score and separate two-parts for each stringed instrument).          When peace like a river attendeth my way     When sorrows like sea billows roll;     Whatever my lot, Thou hast taught me to say     It is well, it is well with my soul.
It Is Well With My Soul (String Trio): Violin, Viola and Cello
Trio à Cordes: violon, alto, violoncelle

$9.99 9.34 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1456673 By Gayle. By Dave Bruce Pittenger, Sara Davis, Taylor Gayle Rutherford, and Taylor Gayle Rutherfurd. Arranged by Alison Gillies. Contemporary,Film/TV,Pop,Punk. 15 pages. Quartetpad.com #1035741. Published by quartetpad.com (A0.1456673). abcdefu by Gayle arranged for string trio (with option for violin 2 OR viola) by Alison Gillies.A number one hit when it was released in 2021 and now revitalised with an appearance in the first episode of Bridgerton Season 3.A catchy, rocky number with a singalong chorus, this is the ultimate bad break-up song!This arrangement is in the same key as the original song.Other Bridgerton season 3 arrangements by Alison Gillies:- abcdefu (Gayle)- Cheap Thrills (Sia)- Give Me Everything (Pitbull feat. Neyo-Yo & Afrojack) - Happier Than Ever (Billie Eilish)- Jealous (Nick Jonas)- Snow On The Beach (Taylor Swift feat. Lana Del Rey) - Bridgerton Theme (Kris Bowers)See more arrangements by Alison Gillies at quartetpad.comInstagramFacebookTikTok
Abcdefu
Trio à Cordes: violon, alto, violoncelle
Gayle
$16.99 15.89 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1439813 By The Bangles. By Billy Steinberg, Susanna Hoffs, and Tom Kelly. Arranged by Alison Gillies. Contemporary,Film/TV,Pop,Wedding. 8 pages. Quartetpad.com #1019760. Published by quartetpad.com (A0.1439813). Eternal Flame by The Bangles, arranged for string trio (with parts for either violin 2 or viola) by Alison Gillies. This '80s ballad is a real nostalgic classic, which topped the charts in nine countries when it was released in 1989. Re-live your 80s disco experiences with this arrangement, which begins with a viola/violin 2 melody.Browse more arrangements by Alison Gillies at quartetpad.comInstagramFacebookTikTok
Eternal Flame
Trio à Cordes: violon, alto, violoncelle
The Bangles
$16.99 15.89 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
Trio à Cordes: violon, alto, violoncelle

$14.50 13.56 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle

$8.00 7.48 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
Fuga a tre (3 part fugue) for string trio
Trio à Cordes: violon, alto, violoncelle

$7.00 6.55 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager      
Bach: Wachet auf for String Trio
Trio à Cordes: violon, alto, violoncelle

$27.95 26.14 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.935256 By Maroon 5. By Adam Levine, Henry Walter, Jacob Kasher Hindlin, Joshua Coleman, Lukasz Gottwald, and Mike Posner. Arranged by Cristian Ordonez. Pop,Rock. Score and parts. 9 pages. Cristian Ordonez #6088331. Published by Cristian Ordonez (A0.935256). The best way to play a song is with these arrangements. I take care of reviewing each note and that it sounds excellent when you play.You can subscribe to my YouTube Channel. https://www.youtube.com/channel/UCuNZR396zEgqdZzBbEzdcIgYou can also get access to my Patreon-only feed supporting my work and be the first to find out when I post new arrangements.https://www.patreon.com/CristianDavid.
Sugar
Trio à Cordes: violon, alto, violoncelle
Maroon 5
$12.99 12.15 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1004748 Composed by Rocco Di Pietro. Contemporary. Score and parts. 33 pages. Rocco Di Pietro #4355195. Published by Rocco Di Pietro (A0.1004748). A 12 minute String Quartet first performed by Mivos Quartet. The work emerges from a deep inner space and ends in various silences. The idea of Imaginal listening means that the inner world where the music came to me was a gift. I had to listen to it  in my head and write it down. It contains totems, and ghosts of bygone music floating by and interacting on the way to a dance. Various  musical 'Odalisques' pass by with other more ominous 'Dead Zones'. I thought I would stop writing music when this piece came to me. There is a complete program note included with the score, and all the parts are included with the score.
String Quartet-Imaginal Listening
Trio à Cordes: violon, alto, violoncelle

$15.00 14.03 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.927908 Composed by Catherine Jungheim. Country,Instructional,Standards. Score and parts. 6 pages. Catherine Jungheim #4580071. Published by Catherine Jungheim (A0.927908). This lively fiddle piece is perfect for teaching open strings. It's also great for teaching students to count, to keep their place as they play, and to play off-beats. It's designed so the teacher or a more advanced group can play the violin 1 part and the beginning students can play the other parts since they're all on open strings. It gives students confidence when they can play a fun song and sound good!
Cherry Creek Hoe-Down
Trio à Cordes: violon, alto, violoncelle

$3.99 3.73 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1081789 By Katy Perry. By Henry Walter, Jordan Houston, Katy Perry, Lukasz Gottwald, Max Martin, and Sarah Hudson. Arranged by DaSola Arranging. Pop. Score and parts. 23 pages. DaSola Arranging #685917. Published by DaSola Arranging (A0.1081789). This arrangement is unique among string trio arrangements for its percussive feel. However, it still takes full advantage of string players' abilities to slide into and out of notes, allowing it to maintain the mysterious yet driving feel of the original recording. Transposed to the key of D to allow for a more comfortable finger pattern, this arrangement is great for cocktail hours, corporate events, or when you just want to spice up your setlist!
Dark Horse
Trio à Cordes: violon, alto, violoncelle
Katy Perry
$12.99 12.15 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus






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