String Ensemble,String Trio - Digital Download SKU: A0.1027981 Composed by Stefan Perry. Contemporary. Score and parts. 4 pages. Stefan Perry #3121641. Published by Stefan Perry (A0.1027981). This String Trio has been written for general performance and above all for the pleasure of the performer. I am aiming for maximum flexibility for the performers. All written dynamics are not to be taken too literally. Never think too much about volume (eg pianissimo is quiet and forte is loud), but rather think about the application of the bow (as in softer bowing for pianissimo passages and stronger/heavy bowing for forte passages)and think of the rising and falling dynamics as breathing. Also there are no specific bowings (accept for a down bow at the beginning of each movement). I will leave that to the discretion of the performers so they can decide what works best for their playing styles and technical possibilities (there is no need to follow slurs to the letter providing the slurred passages are smooth as I intend). One more thing is that the software I used doesn't make key changes as visible as I like so I have written a note to indicate said key changes. I hope anyone who plays this receives maximum enjoyment from my composition. Happy music making!

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.784545 By The Script feat. will.i.am. By Andrew Frampton, Danny O'Donoghue, James Barry, Mark Sheehan, and Will Adams. Arranged by Joe Deninzon. Contemporary. Score and parts. 19 pages. Fiddlefunk Music #6208501. Published by Fiddlefunk Music (A0.784545). The hit by the Script Feat. Will. I. Am.Includes score, Violin I, Violin II/Viola (interchangeable parts), and cello part. All parts include chord changes,. Also available for string quartet.

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1427500 By Marianne Kim. By William Howard Doane. Arranged by Marianne Kim. Christian. 13 pages. Marianne Kim #1008227. Published by Marianne Kim (A0.1427500). Marianne Kim's Piano Trio rendition of Draw Me Nearer delicately intertwines piano, violin, and cello to create a poignant and reflective atmosphere. With graceful melodies and intricate harmonies, Kim's arrangement evokes a sense of longing and spiritual intimacy, drawing listeners into a heartfelt prayerful experience. Through her skillful interpretation, Kim breathes new life into this cherished hymn, inviting audiences to journey deeper into the soul-stirring message of seeking divine closeness.CONNECT WITH MARIANNE KIM ? Website: https://www.mariannekimmusic.com ? Facebook: https://www.facebook.com/mariannekimmusic/ ? Instagram: https://www.instagram.com/kim.marianne/ ? Twitter: https://twitter.com/kim_marianne ? LinkedIn: https://www.linkedin.com/in/mariannekimmusic/ ? YouTube Piano: https://www.youtube.com/c/MarianneKimMusicTV ? YouTube Organ: https://www.youtube.com/c/MarianneKimOrgan.

String Ensemble,String Trio - Digital Download SKU: A0.1027985 Composed by Stefan Perry. Contemporary. Score and parts. 4 pages. Stefan Perry #3121647. Published by Stefan Perry (A0.1027985). This String Trio has been written for general performance and above all for the pleasure of the performer. I am aiming for maximum flexibility for the performers. All written dynamics are not to be taken too literally. Never think too much about volume (eg pianissimo is quiet and forte is loud), but rather think about the application of the bow (as in softer bowing for pianissimo passages and stronger/heavy bowing for forte passages)and think of the rising and falling dynamics as breathing. Also there are no specific bowings (accept for a down bow at the beginning of each movement). I will leave that to the discretion of the performers so they can decide what works best for their playing styles and technical possibilities (there is no need to follow slurs to the letter providing the slurred passages are smooth as I intend). One more thing is that the software I used doesn't make key changes as visible as I like so I have written a note to indicate said key changes. I hope anyone who plays this receives maximum enjoyment from my composition. Happy music making!

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.

String Ensemble,String Trio - Digital Download SKU: A0.1027984 Composed by Stefan Perry. Contemporary. Score and parts. 2 pages. Stefan Perry #3121645. Published by Stefan Perry (A0.1027984). This String Trio has been written for general performance and above all for the pleasure of the performer. I am aiming for maximum flexibility for the performers. All written dynamics are not to be taken too literally. Never think too much about volume (eg pianissimo is quiet and forte is loud), but rather think about the application of the bow (as in softer bowing for pianissimo passages and stronger/heavy bowing for forte passages)and think of the rising and falling dynamics as breathing. Also there are no specific bowings (accept for a down bow at the beginning of each movement). I will leave that to the discretion of the performers so they can decide what works best for their playing styles and technical possibilities (there is no need to follow slurs to the letter providing the slurred passages are smooth as I intend). One more thing is that the software I used doesn't make key changes as visible as I like so I have written a note to indicate said key changes. I hope anyone who plays this receives maximum enjoyment from my composition. Happy music making!