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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.767789 By Taylor Swift Feat. The Civil Wars. By John Paul White, Joy Williams, Joy Williams Yetton, Joy Williams-Yetton, T Bone Burnett, T-Bone Burnett, and Taylor Swift. Arranged by Ellen Harle. Contemporary. Score and parts. 16 pages. Fireworks Music #4633283. Published by Fireworks Music (A0.767789). This folk inspired haunting melody performed for The Hunger Games soundtrack by Taylor Swift and featuring the Civil Wars. Written in E minor (recorded key) it features acoustic guitar like passages in the Violin II and Viola/Violin II parts. In first position throughout in all instruments, the range is achievable for young players, but the hammer-on / pull-off guitar-like effects are not for beginners. This set of parts does not have a double bass part. Purchase includes score and all parts.
Safe & Sound
Quatuor à cordes: 2 violons, alto, violoncelle
Taylor Swift Feat The Civil Wars
$12.99 11.1 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.933167 By Stardust. By Alain Queme, Benjamin Cohen, Dominic King, Frank Musker, and Thomas Bangalter. Arranged by Austin Ralphson. Pop. Score and parts. 21 pages. Austin Ralphson #538931. Published by Austin Ralphson (A0.933167). This massive dance hit from 1999 was the only song to appear from Stardust and Daft Punk. It is very popular now and this arrangement will go down a storm to liven up any program. An optional drum kit part is provided, as is another option to have a '4 to the floor' bass drum rhythm on anything which is to hand, such as an instrument case. The arrangement works perfectly well without either as well though. Scored for string quartet.
Music Sounds Better With You
Quatuor à cordes: 2 violons, alto, violoncelle
Stardust
$14.99 12.8 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1078998 Composed by Traditional Christian Hymn. Arranged by Piacere Music Sheets. Folk,Praise & Worship,Sacred,Standards,Traditional. Score and parts. 10 pages. Piacere Music Sheets #683198. Published by Piacere Music Sheets (A0.1078998). Key/Tone: G Major Movements/Sections: Andante Difficulty: Grade 2/12 (Easy) Obs.:This score presents the hymn Amazing Grace in an arrangement for easy string quartet (violin 1, violin 2, viola and cello). This piece is a Christian hymn about wonder and gratefulness. Included: Full score and separated parts for each instrument.
Hymn - Amazing Grace (How Sweet The Sound) in G Major - Easy
Quatuor à cordes: 2 violons, alto, violoncelle

$6.95 5.94 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1093433 Composed by Carlos Augusto Rivera Guerra. Arranged by Luis Turina and Nonamé Música. Film/TV,Latin,Wedding. Score and parts. 14 pages. Nonamé Música #697515. Published by Nonamé Música (A0.1093433). (English below) Famosa por su aparición en la cabecera de la telenovela mexicana Sin Rastro de Ti, esta canción de Carlos Rivera ha sido arreglada por Luis para Nonamé por encargo de un novio para sorprender a su prometida en su boda. Romántica letra y romántica música, el tema empieza en la viola y va pasando por todos los instrumentos, incluido el cello. En el primer estribillo los dos violines se hacen eco en cada semifrase, cuidado para encajar eso. También importantes solos de la viola al final y una escalita incómoda para el violin 1 hacia el final. Todos los instrumentos deben respetar, en la dinámica, al que lleva en cada momento la voz cantante. Todas las partituras de Nonamé están preparadas para evitar los pasos de página si se imprimen con las portadas correctamente. Arcos y dinámicas suficientes para que funcionen a primera vista. Famous for its appearance in the title credits of the Mexican novel Sin Rastro de Ti, this song by Carlos Rivera has been arranged by Luis for Nonamé on behalf of a groom to surprise his fiancée at their wedding. Romantic lyrics and romantic music, the viola starts the theme, that sounds through all the instruments, including the cello. In the first chorus the two violins echo each half-phrase, careful to match that. Also important viola solos at the end and an awkward little scale for violin 1 towards the end. All the instruments must respect, in the dynamics, the one who leads the singing voice all the time. All Nonamé arrangements are prepared to avoid page turns if they are printed with the covers correctly. Bowings and dynamics are enough in order to get a good sightreading.
Que Lo Nuestro Se Quede Nuestro
Quatuor à cordes: 2 violons, alto, violoncelle

$14.99 12.8 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Heidi Savoie
$24.99 21.35 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1302764 By Ariana Grande. By Ariana Grande, Ilya, and Savan Kotecha. Arranged by Dan Edwards. Christmas,Classical,Contemporary,Holiday,Pop. 17 pages. Arr. Dan Edwards #892387. Published by arr. Dan Edwards (A0.1302764). Santa Tell Me by Ariana Grande, arranged for string quartet by Dan Edwards.Everyone gets the tune in this imaginative and fun arrangement. The tune in the chorus is in octaves between the first violin and viola, with wonderfully resonant chords from the second violin and cello - in real life this sounds incredible, if I dare say so myself! An essential for your Christmas repertoire.The cello part is quite high up - have a look at my YouTube video.Includes a full score (9 pages) and complete set of parts: Violin 1, Violin 2, Viola, Cello - 2 pages each.Duration: 3 minutes 5 seconds.Dan is a prize-winning composer, arranger, producer and multi-instrumentalist, and for years was the Staff Arranger for the orchestra at Buckingham Palace. He studied the cello with Richard Markson at Trinity College of Music, London.Please contact my through my website or social media if you would like any changes made to any of my arrangements. For example: keys, clefs, difficulty, instrumentation, etc.
Santa Tell Me
Quatuor à cordes: 2 violons, alto, violoncelle
Ariana Grande
$16.00 13.67 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1499413 Composed by Bob Russell and Duke Ellington. Arranged by Daryl McKenzie. Jazz,Standards. 18 pages. Daryl McKenzie #1075474. Published by Daryl McKenzie (A0.1499413). String Quartet Arrangement of Don't Get Around Much AnymoreAdd a touch of swing to your string ensemble with this delightful arrangement of the jazz standard Don't Get Around Much Anymore, originally made famous by Duke Ellington, with this sophisticated string quartet arrangement. Crafted to bring out the classic jazz flavor, this arrangement features lush harmonies and rhythmic interplay that will delight both players and audiences alike.Instrumentation: Violin I Violin II Viola Cello This swing arrangement elegantly captures the playful spirit of the original tune, offering a full and rich sound that's perfect for a wide range of settings, from concert halls to intimate gatherings. The quartet arrangement allows each instrument to shine while maintaining the groove and style that makes this jazz standard a beloved classic.Key Features:Classic jazz standard arranged for string quartetLively swing feel that captures the essence of the originalIdeal for jazz concerts, wedding receptions, and special eventsEngaging and fun for both performers and audiencesWhether you're performing in an intimate setting or adding a jazzy flair to your repertoire, this string trio arrangement of Don't Get Around Much Anymore will swing your audience right into the mood!Full audio demo (Sibelius Sounds): click hereAlso available as a String Trio arrangement:
Don't Get Around Much Anymore
Quatuor à cordes: 2 violons, alto, violoncelle

$19.99 17.08 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Digital Download SKU: A0.1025506 Composed by Brooke Richey. 20th Century,Contemporary,Instructional,Standards. Score and parts. 14 pages. Wasp & Fig Sounds #4821493. Published by Wasp & Fig Sounds (A0.1025506). Built from a tone-row, Paradox goes to highlight the tensions and strains we experience when trying to work with one another. The piece begins with the voices of each instrument in separate octaves, far and distanced. Gradually throughout the piece the notes and rhythms move closer and closer together. By use of a palindrome a paradox takes place, bringing the voices to move together in support of one another, characterized with a solo on the viola. From here all voices join on the same motif to close in tight rhythmic movement and dissonant harmonies.For more information about the composer, please visit waspandfigsounds.com
String Quartet No. 1 Paradox
Quatuor à cordes: 2 violons, alto, violoncelle
use of a palindrome a paradox takes place, bringing the voices to move together in support of one another, characterized with a solo on the viola From here all voices join on the same motif to close in tight rhythmic movement and dissonant harmonies
$14.99 12.8 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1101862 Composed by Frank Zappa. Arranged by James M. Guthrie. 20th Century,Chamber,Comedy,Contemporary,Contest,Festival. 8 pages. Jmsgu3 #705250. Published by jmsgu3 (A0.1101862). A tight little march for string quartet. Score: 4 pages. Duration: ca.: 1:00Frank Zappa was an American composer, multi-instrumentalist, and music producer who was active from the 1960s to the 1990s. He is best known for his experimental and avant-garde style of music, which often incorporated elements of rock, jazz, and classical music. One of his most famous pieces is Igor's Boogie, a jazz-influenced instrumental that was first recorded for his 1971 album Chunga's Revenge.Igor's Boogie is a frenetic, energetic piece that is propelled by a driving bass line and a raucous saxophone solo. Zappa himself played all of the instruments on the track, including the guitar, bass, drums, and saxophone. The song also features an array of sound effects and a number of spoken interjections, all of which add to its frenetic energy. The song was popular in the early 1970s, and was covered by numerous artists including the jazz fusion group Return to Forever. Igor's Boogie remains one of Zappa's most popular and enduring compositions, and is a testament to his skill as a composer and musician.
Igor's Boogie
Quatuor à cordes: 2 violons, alto, violoncelle

$119.95 102.46 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1514903 Composed by Azul Blatter. 21st Century,Chamber,Classical,Contemporary. 36 pages. Editorial Copistas Acuario #1089397. Published by Editorial Copistas Acuario (A0.1514903). El proyecto editorial «Escordaturas: Nueva mu?sica latinoamericana para cuerdas» nace con la inquietud de la Editorial Copistas Acuario, por ampliar su rango de accio?n luego de la publicacio?n exitosa de diversos volu?menes de mu?sica dominicana tanto histo?rica como actual.Siempre apegados a una identidad primero dominicana y luego latinoamericana, y siguiendo nuestro objetivo institucional de «fomentar el desarrollo sostenible de la industria creativa de la produccio?n, edicio?n, publicacio?n y distribucio?n del patrimonio musical nacional y regional...» nos propusimos desarrollar esta nueva serie abriendo una convocatoria general a todos los compositores jo?venes de la regio?n que desearan publicar y difundir a trave?s de esta Editorial obras de su autori?a para ensambles e instrumentos de cuerda. Se ha preparado esta compilacio?n numerada de 10 obras que busca representar la diversidad y el alto nivel propositivo de la nueva creacio?n sonora en Ame?rica Latina. De aqui?, precisamente, el si?mbolo de la «escordatura» para visualizar esta riqueza de un continente que a pesar de las diferencias idioma?ticas de cada pai?s, logra conformar una entidad cultural identificable, valiosa y llamativa.Con inmenso entusiasmo presentamos esta primera entrega que incluye mu?sica de Argentina, Chile, Colombia, Costa Rica, Repu?blica Dominicana, Nicaragua, Me?xico, Ecuador y Venezuela; donde confluye la variedad estili?stica de cada compositor con lenguajes que rondan desde la mu?sica tonal e impresionista hasta propuestas experimentales y posmodernas.Con la apertura de esta nueva serie, la Editorial Copistas Acuario profundiza su posicio?n en Ame?rica Latina y expande su cata?logo, esperando lograr a futuro su consolidacio?n como casa editorial de la mu?sica latinoamericana ante el mundo.-------------------------------------------------The editorial project “Escordaturas: New Latin American music for strings” was born from the concern of the Editorial Copistas Acuario, to expand its range of action after the successful publication of several volumes of Dominican historical and contemporary music.Always attached to a first Dominican and then Latin American identity and following our institutional objective of “promoting the sustainable development of the creative industry of the production, edition, publication and distribution of the national and regional musical heritage...” we proposed to develop this new series by opening a general call to all young composers of the region who wish to publish and promote through this Editorial works of their authorship for string instruments and ensambles. This numbered compilation of 10 works has been prepared to represent the diversity and high level of the new sound creation in Latin America. Hence, precisely, the symbol of the “escordatura” to visualize this richness of a continent that despite the idiomatic differences of each country, manages to form an identifiable, valuable and striking cultural entity.It is with immense enthusiasm that we present this first installment, which includes music from Argentina, Chile, Colombia, Costa Rica, Dominican Republic, Nicaragua, Mexico, Ecuador and Venezuela; where the stylistic variety of each composer converges with languages that range from tonal and impressionist music to experimental and postmodern proposals.With the opening of this new series, the Editorial Copistas Acuario deepens its position in Latin America and expands its catalog, hoping to achieve in the future its consolidation as the publishing house of Latin American music to the world.
Arco (Partes)
Quatuor à cordes: 2 violons, alto, violoncelle

$9.99 8.53 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1514943 Composed by Azul Blatter. 21st Century,Chamber,Classical,Contemporary. 26 pages. Editorial Copistas Acuario #1089438. Published by Editorial Copistas Acuario (A0.1514943). El proyecto editorial «Escordaturas: Nueva mu?sica latinoamericana para cuerdas» nace con la inquietud de la Editorial Copistas Acuario, por ampliar su rango de accio?n luego de la publicacio?n exitosa de diversos volu?menes de mu?sica dominicana tanto histo?rica como actual.Siempre apegados a una identidad primero dominicana y luego latinoamericana, y siguiendo nuestro objetivo institucional de «fomentar el desarrollo sostenible de la industria creativa de la produccio?n, edicio?n, publicacio?n y distribucio?n del patrimonio musical nacional y regional...» nos propusimos desarrollar esta nueva serie abriendo una convocatoria general a todos los compositores jo?venes de la regio?n que desearan publicar y difundir a trave?s de esta Editorial obras de su autori?a para ensambles e instrumentos de cuerda. Se ha preparado esta compilacio?n numerada de 10 obras que busca representar la diversidad y el alto nivel propositivo de la nueva creacio?n sonora en Ame?rica Latina. De aqui?, precisamente, el si?mbolo de la «escordatura» para visualizar esta riqueza de un continente que a pesar de las diferencias idioma?ticas de cada pai?s, logra conformar una entidad cultural identificable, valiosa y llamativa.Con inmenso entusiasmo presentamos esta primera entrega que incluye mu?sica de Argentina, Chile, Colombia, Costa Rica, Repu?blica Dominicana, Nicaragua, Me?xico, Ecuador y Venezuela; donde confluye la variedad estili?stica de cada compositor con lenguajes que rondan desde la mu?sica tonal e impresionista hasta propuestas experimentales y posmodernas.Con la apertura de esta nueva serie, la Editorial Copistas Acuario profundiza su posicio?n en Ame?rica Latina y expande su cata?logo, esperando lograr a futuro su consolidacio?n como casa editorial de la mu?sica latinoamericana ante el mundo.-------------------------------------------------The editorial project Escordaturas: New Latin American music for strings was born from the concern of the Editorial Copistas Acuario, to expand its range of action after the successful publication of several volumes of Dominican historical and contemporary music.Always attached to a first Dominican and then Latin American identity and following our institutional objective of promoting the sustainable development of the creative industry of the production, edition, publication and distribution of the national and regional musical heritage... we proposed to develop this new series by opening a general call to all young composers of the region who wish to publish and promote through this Editorial works of their authorship for string instruments and ensambles. This numbered compilation of 10 works has been prepared to represent the diversity and high level of the new sound creation in Latin America. Hence, precisely, the symbol of the escordatura to visualize this richness of a continent that despite the idiomatic differences of each country, manages to form an identifiable, valuable and striking cultural entity.It is with immense enthusiasm that we present this first installment, which includes music from Argentina, Chile, Colombia, Costa Rica, Dominican Republic, Nicaragua, Mexico, Ecuador and Venezuela; where the stylistic variety of each composer converges with languages that range from tonal and impressionist music to experimental and postmodern proposals.With the opening of this new series, the Editorial Copistas Acuario deepens its position in Latin America and expands its catalog, hoping to achieve in the future its consolidation as the publishing house of Latin American music to the world.
Arco (Score)
Quatuor à cordes: 2 violons, alto, violoncelle

$9.99 8.53 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String quartet - difficult - Digital Download SKU: S9.Q6234 Composed by Chaya Czernowin. This edition: score and parts. Downloadable, Score and parts. Duration 14 minutes. Schott Music - Digital #Q6234. Published by Schott Music - Digital (S9.Q6234). In this work, the quartet becomes a single composite instrument. This instrument cannot play individual sounds but rather composite gestures, of which the initial impulse linked to the production of a sound is an integral element. In a journey to Thailand, I visited Wat Arun, “the Temple of Dawn.†First from a distance, it appeared as a majestic looming tower possessing a monolithic form. It was then of extreme surprise to proceed closer only to discover that the tower was actually comprised from thousands of small shards of ceramic plates. From the closer perspectival proximity, these small shards created intricate filigreed patterns. The play between the presence of the temple’s totality and its fractured parts helped to provide both the material and formal conceptions for this quartet. The piece is built from three movements with two “sonic windows†between them. In the first movement, the composite sounds are introduced and form phrases interjections, and a part of a song; the second movement is similar to an improvisation using these composite sounds; the last movement is a speech composed of the fragments from the first two movements. The piece is dedicated to the Arditti String Quartet. – Chaya Czernowin & Steven Kazuo Takasugi.
String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$54.99 46.97 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus


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