EUROPE
127217 articles
USA
2085 articles
DIGITAL
8328 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
8328 partitions trouvées


String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1289747 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 44 pages. Jmsgu3 #880447. Published by jmsgu3 (A0.1289747). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for publishing about ten volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.William Byrd's Fantasias are considered to be highly important. Byrd, an English composer of the Renaissance, played a significant role in pioneering the development of the freely composed fantasia, which became an essential form of Jacobean and later composers. His array of sacred and secular compositions demonstrates a deeply sophisticated musical mind, blending technical prowess and emotional fervor. Byrd is regarded as one of the most prolific composers of the Renaissance, with over 600 of his pieces circulating. Therefore, the Fantasias of William Byrd hold great significance in the history of music.
Byrd: Fantasia in A Minor for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$28.95 24.87 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1092478 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696569. Published by Regis Bookshar (A0.1092478). Kyrie - by Francesco Durante; String Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a String Quartet, consisting of 2 Violins, 1 Viola and 1 Violoncello. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a String Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
Kyrie (Durante) (String Quartet - 2 Violins, 1 Viola, 1 Cello)
Quatuor à cordes: 2 violons, alto, violoncelle

$10.00 8.59 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1092472 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696563. Published by Regis Bookshar (A0.1092472). Kyrie - by Francesco Durante; String Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a String Quartet, consisting of 1 Violin, 1 Viola, 1 Violoncello and 1 Double Bass. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a String Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
Kyrie (Durante) (String Quartet - 1 Violin, 1 Viola, 1 Cello, 1 Bass)
Quatuor à cordes: 2 violons, alto, violoncelle

$10.00 8.59 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1145015 By Herbie Hancock. By Herbie Hancock. Arranged by Kyle Pudenz. Jazz,Standards. Score and parts. 31 pages. ViolinVagabond Music #745332. Published by ViolinVagabond Music (A0.1145015). Settle into the groove with this tasteful interpretation of a modal jazz staple for the modern string quartet!! I didn’t seek to re-invent the wheel with this arrangement, but rather to capture some of its signature jazz combo swagger while fitting the signature lines & licks into string-friendly voicings. I did add an original intro & outro, which will give a bit more pizazz to your live performance than the fade out from Herbie’s original album version. The full chart includes written-out solos for each member of the quartet. I highly encourage improvising your own solos if you are comfortable, or even vamping one or more of the solo sections to really stretch out as you watch your next cocktail hour gig fly by! For a shorter (and significantly more lame…) performance, you can instead cut one or more of the solo sections from letter C thru F to save time. This arrangement makes use of modern extended string techniques in order to create a rhythmic foundation without the need for additional rhythm instruments, including chopping and ghost notes. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf That being said, if broadening your horizons to the world of percussive string playing just doesn't sound like your cup of tea, I have included a Rhythm Section Chart for performances with drums/percussion, guitar, bass, etc. It is highly recommended for you to use either the chopping parts or rhythm section musicians. If you use neither, you may feel as if something is missing in your life that you just can’t pinpoint. Don’t worry, I’ll pinpoint it for you: BACKBEATS. One way or another, you need them. And I’ve given you multiple options here so if you can’t make this chart groove that’s on you… Performance time - approximately 5:00 for the full chart as written. As mentioned above, solo sections can be repeated with improv or cut without requiring significant chart changes, to adjust to the needs of your specific performance. Each solo section is ~30 seconds if you want to do the math on that. Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond. Would love to hear your performances if you play this chart out live, so please send videos along and tag me!
Cantaloupe Island
Quatuor à cordes: 2 violons, alto, violoncelle
Herbie Hancock
$19.99 17.17 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.844848 Composed by Felix Alexandre Guilmant. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 16 pages. Phil Beaman #5741603. Published by Phil Beaman (A0.844848). Alexandre Guilmant (1837-1911) was a Parisian organist, performer, and composer. This Marche was originally written for organ in his pedagogical books. I have arranged it for Instrumental Quartet in typical Romantic Symphonic style and I have filled it with expressive markings to bring out the incredible drama of this piece. There is a Trio style section in the sub-dominant key which I treat as an instrumental duet. The piece is Advanced Intermediate realizing that it pushes many of the instruments to both extremes of their ranges. It is furthering challenging due to the plethora of romantic accidentals including double sharps and double flats and constant dynamic changes. This piece amply rewards you in the end with a very impressive and dramatic repertoire performance piece.  
Marche-Guilmant-string quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$11.75 10.09 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.516463 Composed by Santino Cara. Classical. Score and parts. 22 pages. Santino Cara #2031205. Published by Santino Cara (A0.516463). The Fantasy no.7 in G major, is the first of 7 Classical Fantasies Op.265 for String Orchestra first violins and second violins, violas first and second violas, cellos, double basses. All the work of the 7 fantasies CS 265 , was composed in Rome between January and July of 2014 by Santino Cara. The pdf file of this first fantasy also includes the separate parts of each string instruments The duration of this first fantasy is about 4 minutes and 08.
Fantasy no.7 in G major - CS 265 for String orchestra
Quatuor à cordes: 2 violons, alto, violoncelle

$6.40 5.5 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.516462 Composed by Santino Cara. Classical. Score and parts. 19 pages. Santino Cara #2031215. Published by Santino Cara (A0.516462). The Fantasy no.6 in E minor, is the first of 7 Classical Fantasies Op.265 for String Orchestra first violins and second violins, violas first and second violas, cellos, double basses. All the work of the 7 fantasies CS 265 , was composed in Rome between January and July of 2014 by Santino Cara. The pdf file of this first fantasy also includes the separate parts of each string instruments The duration of this first fantasy is about 5 minutes and 26.
Fantasy no.6 in E minor - CS 265 for String orchestra
Quatuor à cordes: 2 violons, alto, violoncelle

$7.20 6.18 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.516461 Composed by Santino Cara. Classical. Score and parts. 32 pages. Santino Cara #2031223. Published by Santino Cara (A0.516461). The Fantasy no.5 in E minor, is the first of 7 Classical Fantasies Op.265 for String Orchestra first violins and second violins, violas first and second violas, cellos, double basses. All the work of the 7 fantasies CS 265 , was composed in Rome between January and July of 2014 by Santino Cara. The pdf file of this first fantasy also includes the separate parts of each string instruments The duration of this first fantasy is about 8 minutes and 05.
Fantasy no.5 in E minor - CS 265 forString orchestra
Quatuor à cordes: 2 violons, alto, violoncelle

$8.24 7.08 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1296216 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 20 pages. Jmsgu3 #886461. Published by jmsgu3 (A0.1296216). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
Sweelinck: Echo Fantasia No. 2 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$28.95 24.87 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1296695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #886848. Published by jmsgu3 (A0.1296695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
Sweelinck: Echo Fantasia No. 3 for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$24.95 21.43 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1297245 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #887319. Published by jmsgu3 (A0.1297245). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
Sweelinck: Echo Fantasia No. 4 for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$24.95 21.43 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2026

Accueil - Version intégrale