String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1415476 Composed by Joseph Bologne (Le Chevalier de Saint Georges). Arranged by N/A. Chamber,Classical. 23 pages. AXTELL MUSIC #997212. Published by AXTELL MUSIC (A0.1415476). String Quartet Op.1, No.3  by Joseph Bologne  (Le Chevalier de Saint Georges) For 2 Violins, Viola & Cello. Full score with indivdual instrument parts all included.

Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1415503 Composed by Joseph Bologne (Le Chevalier de Saint Georges). Arranged by N/A. This edition: Interactive Download. Classical. 20 pages. Duration 575. AXTELL MUSIC #5Uub4Noi2IzRUzDoVIBPdZ. Published by AXTELL MUSIC (A0.1415503). Key: Bb major.String Quartet Op.1, No.3 by Joseph Bologne (Le Chevalier de Saint Georges) , For 2 Violins, Viola & Cello.

Cello,Viola,Violin - Level 3 - Interactive Download SKU: A0.1415493 Composed by Joseph Bologne (Le Chevalier de Saint Georges). Arranged by N/A. This edition: Interactive Download. Classical. Duration 575. AXTELL MUSIC #69JhWUgqng0J0xqgjXF94g. Published by AXTELL MUSIC (A0.1415493). Key: Bb major.String Quartet Op.1, No.3 by Joseph Bologne (Le Chevalier de Saint Georges) , For 2 Violins, Viola & Cello.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1086048 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. Score and parts. 54 pages. Artaria Editions #690244. Published by Artaria Editions (A0.1086048). For string quartet Score Artaria Editions AE431 Edited by Allan Badley 48 pages This is a scholarly edition of a public domain work. The string quartet holds pride of place in Bologne de Saint-Georges instrumental works, with three sets of six works each. With neat but surely unintentional symmetry these quartets include his first and last instrumental works, the Six quatuors à cordes, Op.1, and the Six Quatuors concertans, Op.15. The present quartets fall midway between these two publications. Composed in 1777 (according to Gabriel Banat, the best and most recent of Saint-Georges’ biographers) the Six Quartetto concertans were issued two years later in a breathtakingly inaccurate edition by Durieu in Paris. Given the unusually high number of errors and inconsistencies in Durieu’s edition it seems most unlikely that Saint-Georges was involved in its preparation. No other edition of the quartets is known although a second printing of the set using the same plates was made ca 1782. Quartet I in Bb major Quartet II in G minor Quartet III in C major Quartet IV in F major Quartet V in G major Quartet VI in Bb major.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1086066 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. Score and parts. 142 pages. Artaria Editions #690260. Published by Artaria Editions (A0.1086066). For string quartet Score and parts Artaria Editions AE431 Edited by Allan Badley 142 pages This is a scholarly edition of a public domain work. The string quartet holds pride of place in Bologne de Saint-Georges instrumental works, with three sets of six works each. With neat but surely unintentional symmetry these quartets include his first and last instrumental works, the Six quatuors à cordes, Op.1, and the Six Quatuors concertans, Op.15. The present quartets fall midway between these two publications. Composed in 1777 (according to Gabriel Banat, the best and most recent of Saint-Georges’ biographers) the Six Quartetto concertans were issued two years later in a breathtakingly inaccurate edition by Durieu in Paris. Given the unusually high number of errors and inconsistencies in Durieu’s edition it seems most unlikely that Saint-Georges was involved in its preparation. No other edition of the quartets is known although a second printing of the set using the same plates was made ca 1782. Quartet I in Bb major Quartet II in G minor Quartet III in C major Quartet IV in F major Quartet V in G major Quartet VI in Bb major.

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1092791 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. Score and parts. 117 pages. Artaria Editions #696898. Published by Artaria Editions (A0.1092791). For string quartet Artaria Editions AE619 Edited by Allan Badley 117 pages This is a scholarly edition of a public domain work. The string quartet as a genre was still relatively new in Paris by the time these works were composed. During the 1760s quartets by a number of foreign composers – Haydn, foremost among them – had been issued by Parisian publishers, but these works had not exercised a great deal of influence on local composers. Only Gossec, Nicholas Capron and Pierre Vachon published quartets before the appearance of Saint-Georges’s Op.1 and their works – and, in a broader sense, French instrumental music in general – seem to have provided his model rather than the quartets of Haydn. The most obvious point of difference is their two-movement structure as opposed to the four-movement cycle that was typically adopted by Viennese composers. While this might be thought to mark the works out as being rather primitive, two-movement pairings were also common in that quintessentially French genre, the symphonie concertante of which Saint-Georges was to be an important early exponent.

String Quartet String Quartet - Digital Download SKU: A0.1092790 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. Score and parts. 54 pages. Artaria Editions #696896. Published by Artaria Editions (A0.1092790). For string quartet Artaria Editions AE619 Edited by Allan Badley 54 pages This is a scholarly edition of a public domain work. The string quartet as a genre was still relatively new in Paris by the time these works were composed. During the 1760s quartets by a number of foreign composers – Haydn, foremost among them – had been issued by Parisian publishers, but these works had not exercised a great deal of influence on local composers. Only Gossec, Nicholas Capron and Pierre Vachon published quartets before the appearance of Saint-Georges’s Op.1 and their works – and, in a broader sense, French instrumental music in general – seem to have provided his model rather than the quartets of Haydn. The most obvious point of difference is their two-movement structure as opposed to the four-movement cycle that was typically adopted by Viennese composers. While this might be thought to mark the works out as being rather primitive, two-movement pairings were also common in that quintessentially French genre, the symphonie concertante of which Saint-Georges was to be an important early exponent.