String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download

SKU: A0.1043854

By Crowded House. By Neil Finn and Tim Finn. Arranged by Helen Weir. Pop,Rock,Standards. Score and parts. 19 pages. Helen Weir #648545. Published by Helen Weir (A0.1043854).

String Quartet: Violin 1, Violin 2, Viola, Cello. This string quartet arrangement of Crowded House’s “Weather With You� is an excellent addition to any gig repertoire. Ideal for weddings and other events, it will bring a sense of fun and liveliness to your performances. Helen Weir is a musician and teacher based in Wellington, New Zealand. She writes and arranges music for Christian worship, small string ensembles and violin students. She also performs and teaches both violin and piano.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download

SKU: A0.1077139

By Crowded House. By Neil Finn and Tim Finn. Arranged by Greg Woodward. Pop. Score and parts. 14 pages. Greg Woodward #681297. Published by Greg Woodward (A0.1077139).

This arrangement of Four Seasons in One Day by Crowded House captures the spirit of the original guitar and vocal harmonies, while borrowing stylistically from the fugue section, which is fully transcribed for the arrangement's middle section. The cello part employs an optional slap effect for some percussive momentum, which is achieved by letting the right hand return to the fingerboard and hit it lightly after plucking the note that precedes it.

By Crowded House. By Neil Finn. Arranged by Kathryn Griesinger. Pop. Score and parts. 15 pages. Kathryn Griesinger #4621659. Published by Kathryn Griesinger

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1033960

By Split Enz. By Neil Finn. Arranged by Greg Woodward. Pop,Rock. 18 pages. Greg Woodward #639278. Published by Greg Woodward (A0.1033960).

This arrangement of the Split Enz classic I Got You - written and sung by a pre-Crowded House Neil Finn - develops the fairly simple ideas of the verse, using techniques borrowed from minimalism, before exploding into full circus-mode for the bridge. A slow introduction has also been added. All parts play the verse melody at some point, and there is plenty of textural variety.