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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download

SKU: A0.1257127

Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #850426. Published by jmsgu3 (A0.1257127).

1. Kyrie
2. Gloria
3. Credo
4. Sanctus
5. Agnus dei
6. Ite missa est

Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. 

Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:

  • It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.
  • It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.
  • It was composed in four voices, which was unusual at the time.
  • The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.
Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. 

The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. 

Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.

Machaut: La Messe de Nostre Dame for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$74.95 70.96 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 2 - Digital Download

SKU: A0.1257044

Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044).

1. Kyrie
2. Gloria
3. Credo
4. Sanctus
5. Agnus dei
6. Ite missa est

Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. 

Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:

  • It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.
  • It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.
  • It was composed in four voices, which was unusual at the time.
  • The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.
Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. 

The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. 

Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.

Machaut: La Messe de Nostre Dame for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$49.95 47.29 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download

SKU: A0.548434

By Beyonce. By Beyonce Knowles, Evan Bogart, and Ryan Tedder. Arranged by James M. Guthrie, ASCAP. Hip-Hop,Pop,R & B. 22 pages. Jmsgu3 #3369895. Published by jmsgu3 (A0.548434).

Duration: 4:15. Suitable for recital, reception, or nightclub.

A song recorded by American singer Beyoncé for her third studio album, I Am... Sasha Fierce (2008). Included on the I Am... disc, it was intended to give a behind-the-scenes glimpse of Beyoncé's life, stripped of her make-up and celebrity trappings. Columbia Records released the song, the album's fourth single, to mainstream radio in the United States on January 20, 2009, and to international markets on February 20. Inspired by Ray LaMontagne's 2004 song Shelter, Halo was composed by Ryan Tedder, Evan Bogart, and Beyoncé. It was conceived by Tedder and Nealante specifically for Beyoncé, although there was media speculation that it had been intended for Leona Lewis.
Halo
Quatuor à cordes: 2 violons, alto, violoncelle
Beyonce
$74.95 70.96 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1124720

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Standards,Traditional. 13 pages. Jmsgu3 #725476. Published by jmsgu3 (A0.1124720).

Score: 5 pages. Duration: ca. 3:20

Johann Sebastian Bach's Prelude and Fugue in E Minor BWV 555 is a work of great depth and complexity. The Prelude is a fast-paced and virtuosic piece that showcases Bach's mastery of the keyboard. Its sweeping, contrapuntal lines flow seamlessly together, creating a sense of grandeur and majesty. The Fugue, on the other hand, is a much more serious and intense work. Its complex counterpoint and intricate harmonies create an atmosphere of intense contemplation and reflection. Together, these two pieces form a powerful musical statement that has been a favorite of musicians and audiences for centuries. The Prelude and Fugue in E Minor BWV 555 is a timeless masterpiece that remains as relevant today as it was when it was first composed.

Bach: Prelude & Fugue in E Minor BWV 555 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$32.95 31.2 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download

SKU: A0.1491680

Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 14 pages. Jmsgu3 #1068354. Published by jmsgu3 (A0.1491680).

I Saw Three Ships is a traditional English Christmas carol that has gained popularity for its melodic simplicity and festive themes. Here are some key points about its significance:

Historical Context
Origins: The earliest known printed version of I Saw Three Ships dates back to the 17th century, with a notable publication by William Sandys in 1833. The song was likely known earlier under As I Sat On a Sunny Bank, particularly popular in Cornwall.

Cultural Relevance: The carol reflects a period when maritime themes were prominent in English culture, coinciding with the Age of Exploration. This context made the imagery of ships particularly resonant for audiences of the time.

Symbolism and Interpretation
The Ships: The lyrics describe three ships arriving on Christmas Day, which has led to various interpretations. One common belief is that the ships symbolize the three vessels that carried the relics of the Magi to Cologne Cathedral in the 12th century. Alternatively, they may represent the camels used by the Magi, often referred to as ships of the desert due to their role in transporting the wise men to Bethlehem.

Bethlehem's Geography: The song mentions ships sailing into Bethlehem, which raises questions, as the nearest body of water is the Dead Sea, about 20 miles away. This discrepancy has prompted interpretations that focus on the symbolic rather than literal meaning of the ships.

Musical Legacy
Popularity: I Saw Three Ships has been embraced by various artists across genres, with notable recordings by musicians such as Sting, Glen Campbell, and Sufjan Stevens. Its enduring appeal makes it a staple in Christmas music repertoires.

Lyric Variations: Different song versions have emerged over the years, reflecting local traditions and interpretations. Some variations even change the context from Christmas to other celebrations, demonstrating the carol's flexibility in cultural contexts.

In summary, I Saw Three Ships is significant as a cherished Christmas carol and a cultural artifact that encapsulates historical maritime themes, religious symbolism, and the evolution of folk music traditions.

Guthrie: I Saw Three Ships for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$34.95 33.09 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1503264

Composed by Traditional French. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 18 pages. Jmsgu3 #1078752. Published by jmsgu3 (A0.1503264).

Patapan is a significant French Christmas carol with a rich history and cultural importance. Here are some critical aspects of its significance:

Historical Importance
Patapan is an old French carol that dates back to at least 1701. Its longevity demonstrates its enduring appeal and cultural relevance over the centuries.

Musical Characteristics
The carol is known for its lively and rhythmic nature, which sets it apart from many other Christmas songs. Its distinctive pat-a-pan rhythm, which imitates the sound of a drum, has made it memorable and popular.

Cultural Influence
Patapan has had a significant influence on other Christmas music:

It may have inspired the more famous carol The Little Drummer Boy. While this connection is debated, the similarities in theme and rhythm are notable.
Various artists and composers have adapted and reinterpreted the carol's rhythm, demonstrating its versatility and lasting appeal.

Lyrical Significance
The lyrics of Patapan are noteworthy for several reasons: They feature characters Guillô and Robin, which are common in old French carols.
The carol celebrates the act of caroling itself, making it a meta-commentary on the Christmas music tradition. It incorporates themes of reconciliation between God and humanity, reflecting important Christian theological concepts.

Musical Education
Patapan is often used in music education and performances: Its simple rhythm makes it accessible for children to learn and perform.
The carol is frequently arranged for various vocal and instrumental ensembles, as evidenced by its availability through multiple music publishers.
In conclusion, Patapan is important not only as a beloved Christmas carol but also as a piece of cultural heritage that has influenced other music, reflected theological ideas, and continued to be performed and adapted for over three centuries.

Patapan for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$34.95 33.09 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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